𝐖𝐈𝐋𝐋𝐈𝐀𝐌 𝐊𝐄𝐍𝐓𝐑𝐈𝐃𝐆𝐄: 𝐒𝐞𝐥𝐟-𝐏𝐨𝐫𝐭𝐫𝐚𝐢𝐭 𝐚𝐬 𝐚 𝐂𝐨𝐟𝐟𝐞𝐞-𝐏𝐨𝐭 /𝐀𝐮𝐭𝐨𝐫𝐢𝐭𝐫𝐚𝐭𝐭𝐨 𝐜𝐨𝐦𝐞 𝐜𝐚𝐟𝐟𝐞𝐭𝐭𝐢𝐞𝐫𝐚 𝐋’𝐚𝐫𝐭𝐢𝐬𝐭𝐚 𝐬𝐮𝐝𝐚𝐟𝐫𝐢𝐜𝐚𝐧𝐨 𝐖𝐢𝐥𝐥𝐢𝐚𝐦 𝐊𝐞𝐧𝐭𝐫𝐢𝐝𝐠𝐞 𝐩𝐨𝐫𝐭𝐚 𝐚 𝐕𝐞𝐧𝐞𝐳𝐢𝐚 𝐮𝐧𝐚 𝐬𝐞𝐫𝐢𝐞 𝐯𝐢𝐝𝐞𝐨 𝐜𝐡𝐞 𝐞̀, 𝐢𝐧𝐬𝐢𝐞𝐦𝐞, 𝐦𝐚𝐧𝐢𝐟𝐞𝐬𝐭𝐚𝐳𝐢𝐨𝐧𝐞 𝐝𝐢 𝐞𝐬𝐩𝐞𝐫𝐢𝐞𝐧𝐳𝐚 𝐟𝐞𝐧𝐨𝐦𝐞𝐧𝐨𝐥𝐨𝐠𝐢𝐜𝐚 𝐧𝐞𝐥𝐥’𝐞𝐫𝐚 𝐝𝐢𝐠𝐢𝐭𝐚𝐥𝐞 𝐞 𝐫𝐢𝐟𝐥𝐞𝐬𝐬𝐢𝐨𝐧𝐞 𝐬𝐮 𝐜𝐢𝐨̀ 𝐜𝐡𝐞 𝐩𝐨𝐭𝐫𝐞𝐛𝐛𝐞 𝐚𝐜𝐜𝐚𝐝𝐞𝐫𝐞 𝐧𝐞𝐥 𝐜𝐞𝐫𝐯𝐞𝐥𝐥𝐨 𝐞 𝐧𝐞𝐥𝐥𝐨 𝐬𝐭𝐮𝐝𝐢𝐨 𝐝𝐢 𝐮𝐧 𝐚𝐫𝐭𝐢𝐬𝐭𝐚 . . - 𝐃𝐀𝐓𝐀 𝐈𝐍𝐈𝐙𝐈𝐎: 𝟏𝟕/𝟎𝟒/𝟐𝟎𝟐𝟒 - 𝐃𝐀𝐓𝐀 𝐅𝐈𝐍𝐄: 𝟐𝟒/𝟏𝟏/𝟐𝟎𝟐𝟒 - 𝐋𝐔𝐎𝐆𝐎: 𝐕𝐄𝐍𝐄𝐙𝐈𝐀 - 𝐀𝐫𝐬𝐞𝐧𝐚𝐥𝐞 𝐈𝐧𝐬𝐭𝐢𝐭𝐮𝐭𝐞 𝐟𝐨𝐫 𝐏𝐨𝐥𝐢𝐭𝐢𝐜𝐬 𝐨𝐟 𝐑𝐞𝐩𝐫𝐞𝐬𝐞𝐧𝐭𝐚𝐭𝐢𝐨𝐧 . . 𝐕𝐢𝐬𝐢𝐭𝐚 𝐢𝐥 𝐧𝐨𝐬𝐭𝐫𝐨 𝐬𝐢𝐭𝐨 - 𝐯𝐢𝐬𝐢𝐭 𝐨𝐮𝐫 𝐰𝐞𝐛𝐬𝐢𝐭𝐞 👉🏻 𝕎𝕎𝕎.ℙ𝕀𝕂𝔸𝕊𝕌𝕊.ℂ𝕆𝕄 >> 𝙻𝙸𝙽𝙺 𝙰𝙻𝙻'𝙰𝚁𝚃𝙸𝙲𝙾𝙻𝙾 𝙽𝙴𝙻 𝙿𝚁𝙸𝙼𝙾 𝙲𝙾𝙼𝙼𝙴𝙽𝚃𝙾 << . . 👉 𝑰𝙨𝒄𝙧𝒊𝙫𝒊𝙩𝒊 𝒂𝙡𝒍𝙖 𝙉𝒆𝙬𝒔𝙡𝒆𝙩𝒕𝙚𝒓 > 𝑳𝙞𝒏𝙠 𝙞𝒏 𝒃𝙞𝒐 . . #art #arte #artecontemporanea #contemporaryart #venezia #venice #arsenaleinstitute� #pikasus #pikasusartenews @arsenaleinstitute @williamkentridgestudio
Nasce oggi William Kentridge Johannesburg, 28 aprile 1955 📷 Self-Portrait as a Coffee-Pot (an original series), 2020-2023 © William Kentridge 👀 Nove episodi video (da trenta minuti) originariamente pensati durante la pandemia per essere fruiti online, oggi in una mostra ospitata all’Arsenale di Venezia. L'installazione, curata da Carolyn Christov-Bakargiev, ricrea proprio lo studio di Kentridge a Johannesburg: "Le riprese sono iniziate durante il primo blocco e lo studio imitava gli spazi chiusi di Covid, ma lo studio è anche una testa ingrandita, una camera per i pensieri e le riflessioni dove tutti i disegni, le foto e i detriti sulle pareti dello studio diventano questi pensieri" dal 17 aprile al 24 novembre 2024 📍 Arsenale Institute for Politics of Representation, Venezia @arsenaleinstitute Info 🌐 www.arsenale.com #WilliamKentridge #ContemporaryArt #Doppelgänger #Alterego #Exhibition #ArsenaleInstitute #Venezia #BornToday #ArtOfTheDay #OnThisDay #NatiOggi
Per celebrare la #giornatamondialedeldisegno vi propongo una lettura molto speciale: SEI LEZIONI DI DISEGNO di #WilliamKentridge ❤️ artista sudafricano noto per i suoi #disegni, #incisioni e per i suoi film di #animazione creati da disegni a carboncino. Lavora anche con #stampe, #libri, #collage e #scultura. Inoltre vi consiglio vivamente di visitare la sua mostra SELF-PORTRAIT AS A COFFEE-POT allestita all’Arsenale Institute for Politics of Representation di Venezia, dal 17 aprile al 24 novembre 2024. https://www.instagram.com/reel/C5-lG0moA2X/?igsh=NHQ3MGtzaG5tZ3R1 “L’arte, dice William Kentridge, è forma di conoscenza di per sé… (segue nei commenti) #27aprile #disegno #disegnoamatita #disegno #arte #drawingart #draw #design #pencildrawing #pencilart #pencil #consiglidilettura #libridaleggere #art #artbook #inmalabillustrationarts #creativity #creativeart #creativeexpression #creativita #ArsenaleInstitute @williamkentridgestudio
MIDNIGHT WHISKY TALK TONIGHT 11 pm CET on Instagram @williamkentridgestudio Kentridge and Christov-Bakargiev will converse over a late-night whisky from 11 pm – 12.30 am. This series of Midnight Whisky Talks (nightly, from 15 – 19 April) presents improvisational philosophical dialogues that take place physically in a domestic space with anti-high art situationist documents and artworks from the 1950s and 60s and will be live streamed at 11 pm CET on Instagram @williamkentridgestudio
Contemplating the lack of freedom: @ArsenaleInstitute for Politics of Representation is premiering a video series by the seminal South African artist @WilliamKentridgestudio. The work will be installed in a setting that recreates the artist's studio. Curated by @CarolynChristovBakargiev, the exhibition will open in April 2024 within the framework of @labiennale. #exhibition #arsenaleinstitute #politics #representation #WilliamKentridge #Art #Artist #Screening #Film #veniceart #venicebiennale #venice #Kinoki #ArtNews #FilmArt
Il y a toujours plusieurs facons de voir la realite L exemple de la nuit des barricades. Mai 68. Au MACRO Rome. La police. La presse. Les manifestants . Mais Je me demande aussi Qu 'en est-il de L insurrection face au pouvoir aujourd' hui? #macro #nuitdesbarricades #arsenaleinstitute #barrikadenwetter #reality
❤️ 🏁 A FORM… we all fell in love with: PAUL JARAY’s automotive streamlining.. ….the story of a long forgotten DESIGNER and his DESIGN at KUNSTHAUS DAHLEM , Berlin @kunsthausdahlem Through September 3, 2023 …a MUST SEE… TIME IS RUNNING OUT! Paul Jaray (1889 -1974 ) was a Viennese engineer and mathematician of Jewish-Hungarian descent who used scientific principles to design the first car ever to hit 300 km/h. The pure beauty of form and the effectiveness of his “LEY Prototype/ 1922” created a lasting impact on design and art. When the Nazis came into power in the 1930s, they suppressed the JARAY name …while continuing to make use of the designer’s groundbreaking ideas. An exhibition conceived by Wolfgang Scheppe and the Arsenale Institute for the Politics of Representation, Venice. @arsenaleinstitute #arsenaleinstitute Wolfgang Scheppe IMAGES include 1, 4, Auto Union Typ B. genannt Lucca-Wagen (1935) based on Jaray’s design, reconstruction Arsenale Institute, Venice 2 Paul Jaray Wooden model of the streamline, automobile,, 1921 3 Toy limousines in Jary style 1930s 5 Oskar Schlemmer Abstract, figure, 1921-1923 6 🖼️HENRY VALENSI, La vélocité (1935) 7 Hans Arp Knospe, 1938 8 Some thoughts about Jaray’s design 9 🏎️ OSKAR DE KIEFTE, ShipShapedCar, 2003 The concept artist, DE KIEFTE, makes use of aerodynamic design by turning a boat upside down and transforming it into a racing car 🏎️ 10 📸Historical photos from Paul Jaray’s life Arsenale Institute, Venice #rudolfbelling #Aerodynamics #Aerodynamic #hansarp #henryvalensi #RaceTrack #cardesignworld #kunsthausdahlem #pauljaray #Aerodynamisme #aerodynamique #retrofuturisme #modernform #streamliner #aerodynamics #Stromlinienform #Streamline #cardesignconcept #museumgram #museumday #esculturaabstracta #modernistdesign
Pomona Zipser - PONTEGGI NARRATIVI, Arsenale Institute for Politics of Representation, Castello, 1430/A, Riva dei Sette Martiri, 30122 Venezia 19. May – 31. July 2023 Supported by Stiftung van der Loo Concept: Marie Letz Realisation: Arsenale Institute for Politics of Representation, Castello, 1430/A, Riva dei Sette Martiri, 30122 Venezia _______________ #pomonazipser #arsenaleinstitute Photo: Roter Stern, 2013, Wood, wire, rope, paint, 60 x 46 x 33 cm
Pomona Zipser - PONTEGGI NARRATIVI, Arsenale Institute for Politics of Representation, Castello, 1430/A, Riva dei Sette Martiri, 30122 Venezia 19. May – 31. July 2023 Supported by Stiftung van der Loo Concept: Marie Letz Realisation: Arsenale Institute for Politics of Representation, Castello, 1430/A, Riva dei Sette Martiri, 30122 Venezia _______________ #pomonazipser #arsenaleinstitute Photo: Im Schloß öffnen sich die Fenster, 2018, Wood, paper, string, paint, 72 x 125 x 8 cm
Pomona Zipser - PONTEGGI NARRATIVI, Arsenale Institute for Politics of Representation, Castello, 1430/A, Riva dei Sette Martiri, 30122 Venezia 19. May – 31. July 2023 Supported by Stiftung van der Loo Concept: Marie Letz Realisation: Arsenale Institute for Politics of Representation, Castello, 1430/A, Riva dei Sette Martiri, 30122 Venezia _______________ #pomonazipser #arsenaleinstitute Photo: Brücke, 2010, Bronze, copper wire, paint, , 18 x 55 x 18 cm
Pomona Zipser - PONTEGGI NARRATIVI, Arsenale Institute for Politics of Representation, Castello, 1430/A, Riva dei Sette Martiri, 30122 Venezia 19. May – 31. July 2023 Supported by Stiftung van der Loo Concept: Marie Letz Realisation: Arsenale Institute for Politics of Representation, Castello, 1430/A, Riva dei Sette Martiri, 30122 Venezia _______________ #pomonazipser #arsenaleinstitute Photo: Im Dunklen, 2021/ 22, Wood, paper, fabric, paint, 37 x 90 x 14 cm
Pomona Zipser - PONTEGGI NARRATIVI, Arsenale Institute for Politics of Representation, Castello, 1430/A, Riva dei Sette Martiri, 30122 Venezia 19. May – 31. July 2023 Supported by Stiftung van der Loo Concept: Marie Letz Realisation: Arsenale Institute for Politics of Representation, Castello, 1430/A, Riva dei Sette Martiri, 30122 Venezia _______________ #pomonazipser #arsenaleinstitute Photos: 1. Johanna macht was Schlimmes und Kathi will unbedingt auch, 2018/19, Collage, 21x 32,5 cm 2. Kath Drama, 2018/19, Collage, 21 x 32,5 cm 3. Schwer schwesterliche Begegnung,2021, Paper, wood, 26,5 x 55 cm
Pomona Zipser - PONTEGGI NARRATIVI, Arsenale Institute for Politics of Representation, Castello, 1430/A, Riva dei Sette Martiri, 30122 Venezia 19. May – 31. July 2023 Supported by Stiftung van der Loo Concept: Marie Letz Realisation: Arsenale Institute for PoIitics of Representation, Castello, 1430/A, Riva dei Sette Martiri, 30122 Venezia _______________ #pomonazipser #arsenaleinstitute Photo: O.T., 2017, Wood, rope, paint, 287 x 124 x 126 cm
Pomona Zipser - PONTEGGI NARRATIVI, Arsenale Institute for Politics of Representation, Castello, 1430/A, Riva dei Sette Martiri, 30122 Venezia 19. May – 31. July 2023 Supported by Stiftung van der Loo Concept: Marie Letz Realisation: Arsenale Institute for Politics of Representation, Castello, 1430/A, Riva dei Sette Martiri, 30122 Venezia _______________ #pomonazipser #arsenaleinstitute Photo: Haus oder Weg, 2003, Wood, paint, 65 x 245 x 252 cm
Pomona Zipser - PONTEGGI NARRATIVI, Arsenale Institute for Politics of Representation, Castello, 1430/A, Riva dei Sette Martiri, 30122 Venezia 19. May – 31. July 2023 Supported by Stiftung van der Loo Concept: Marie Letz Realisation: Arsenale Institute for Politics of Representation, Castello, 1430/A, Riva dei Sette Martiri, 30122 Venezia _______________ #pomonazipser #arsenaleinstitute Photo: Fisch ist voll, 2018-20, Paper, wood, paint, 38 x 185 x 15 cm
Pomona Zipser - PONTEGGI NARRATIVI, Arsenale Institute for Politics of Representation, Castello, 1430/A, Riva dei Sette Martiri, 30122 Venezia 19. May – 31. July 2023 Supported by Stiftung van der Loo Concept: Marie Letz Realisation: Arsenale Institute for Politics of Representation, Castello, 1430/A, Riva dei Sette Martiri, 30122 Venezia _______________ #pomonazipser #arsenaleinstitute Photos: 1. Gar schaurig ist’s übers Moor zu gehen, 2006, Wood, paint, 64 x 130 x 40 cm 2. Brücke, 2010, Bronze, copper wire, paint, , 18 x 55 x 18 cm
Pomona Zipser - PONTEGGI NARRATIVI, Arsenale Institute for PolItIcs of Representation, Castello, 1430/A, Riva dei Sette Martiri 30122 Venezia 19. May – 31. July 2023 Supported by Stiftung van der Loo Exiting the Forgia Marinarezza and facing Venice, Pomona Zipser’s works appear as one large installation — the staging of signs as archaic as the city in the lagoon itself. These structures, built in wood and paper, assembled with ropes, knots, nails, and screws, become a reflection of reality, endowed with agency. They are pulsating constructions, assemblages recalling the briccole that punctuate the waters of the Serenissima — one of its most enduring architectural tropes — to remind us that below, in the abysses of the lagoon, a dense forest of upturned trees lies on its foundations and allows the muddy substrate to support the city. In the swirl of mystery, in the fight against the forces of nature and gravity, the mighty, slender signs toggle between sinking and floating. Like tightrope walkers, they challenge the impossibility of any secure foothold. These architectures of assembled remnants returned to a second life in oscillating equilibrium, are the extreme construction of a synecdoche, foundations of absent edifices, or of a city of ambiguous presences. They are an affinity that is at once an anticipation of what things fear or wish to be. Concept: Marie Letz Realisation: Arsenale Institute for PolItIcs of Representation, Castello, 1430/A, Riva dei Sette Martiri, 30122 Venezia ______________ #pomonazipser #arsenaleinstitute
Pomona Zipser - PONTEGGI NARRATIVI, Arsenale Institute for PolItIcs of Representation, Castello, 1430/A, Riva dei Sette Martiri 30122 Venezia 19. May – 31. July 2023 Supported by Stiftung van der Loo Exiting the Forgia Marinarezza and facing Venice, Pomona Zipser’s works appear as one large installation — the staging of signs as archaic as the city in the lagoon itself. These structures, built in wood and paper, assembled with ropes, knots, nails, and screws, become a reflection of reality, endowed with agency. They are pulsating constructions, assemblages recalling the briccole that punctuate the waters of the Serenissima — one of its most enduring architectural tropes — to remind us that below, in the abysses of the lagoon, a dense forest of upturned trees lies on its foundations and allows the muddy substrate to support the city. In the swirl of mystery, in the fight against the forces of nature and gravity, the mighty, slender signs toggle between sinking and floating. Like tightrope walkers, they challenge the impossibility of any secure foothold. These architectures of assembled remnants returned to a second life in oscillating equilibrium, are the extreme construction of a synecdoche, foundations of absent edifices or of a city of ambiguous presences. They are an affinity that is at once an anticipation of what things fear or wish to be. Concept: Marie Letz Realisation: Arsenale Institute for PolItIcs of Representation, Castello, 1430/A, Riva dei Sette Martiri, 30122 Venezia ______________ #pomonazipser #arsenaleinstitute
Pomona Zipser - PONTEGGI NARRATIVI, Arsenale Institute for PolItIcs of Representation, Castello, 1430/A, Riva dei Sette Martiri 30122 Venezia 19. May – 31. July 2023 Supported by Stiftung van der Loo Exiting the Forgia Marinarezza and facing Venice, Pomona Zipser’s works appear as one large installation — the staging of signs as archaic as the city in the lagoon itself. These structures, built in wood and paper, assembled with ropes, knots, nails, and screws, become a reflection of reality, endowed with agency. They are pulsating constructions, assemblages recalling the briccole that punctuate the waters of the Serenissima — one of its most enduring architectural tropes — to remind us that below, in the abysses of the lagoon, a dense forest of upturned trees lies on its foundations and allows the muddy substrate to support the city. In the swirl of mystery, in the fight against the forces of nature and gravity, the mighty, slender signs toggle between sinking and floating. Like tightrope walkers, they challenge the impossibility of any secure foothold. These architectures of assembled remnants returned to a second life in oscillating equilibrium, are the extreme construction of a synecdoche, foundations of absent edifices or of a city of ambiguous presences. They are an affinity that is at once an anticipation of what things fear or wish to be. Concept: Marie Letz Realisation: Arsenale Institute for PolItIcs of Representation, Castello, 1430/A, Riva dei Sette Martiri, 30122 Venezia ______________ #pomonazipser #arsenaleinstitute
Paul Jaray - Die Vernunft der Stromlinie, Kunsthaus Dahlem, Berlin, Käuzchensteig 8 · 14195 Berlin-Dahlem 29. April – 03. September 2023 Installation views Concept: Wolfgang Scheppe Realisation: Arsenale Institute for Politics of Representation, Castello, 1430/A, Riva dei Sette Martiri, 30122 Venezia _______ #pauljaray #arsenaleinstitute
Paul Jaray - Die Vernunft der Stromlinie, Kunsthaus Dahlem, Berlin, Käuzchensteig 8 · 14195 Berlin-Dahlem 29. April – 03. September 2023 Installation views Concept: Wolfgang Scheppe Realisation: Arsenale Institute for Politics of Representation, Castello, 1430/A, Riva dei Sette Martiri, 30122 Venezia _______ #pauljaray #arsenaleinstitute
Paul Jaray - Die Vernunft der Stromlinie, Kunsthaus Dahlem, Berlin, Käuzchensteig 8 · 14195 Berlin-Dahlem 29. April – 03. September 2023 Auto UNion Typ-B, Rennlimousine 1935, Nachbau der Meisterschule für KarosserIe- und fahrzeugbau, Leisnig Concept: Wolfgang Scheppe Realisation: Arsenale Institute for Politics of Representation, Castello, 1430/A, Riva dei Sette Martiri, 30122 Venezia _______ #pauljaray #arsenaleinstitute
Paul Jaray - Die Vernunft der Stromlinie, Kunsthaus Dahlem, Berlin, Käuzchensteig 8 · 14195 Berlin-Dahlem 29. April – 03. September 2023 Presenting works and documents of: AA Bronson, Ant Farm, Alexander Archipenko, Hans Arp, István Beöthy, Max Bill, Marcel Duchamp, Siegfried Ebeling, Richard Buckminster Fuller, General Idea,Richard Hamilton, John Heartfield, Bernhard Heiliger, Allan Kaprow, Oskar de Kiefte, Germaine Krull, Alfred Kubin, Le Corbusier, Iñigo Manglano-Ovalle, Man Ray, Paco Marcial, Étienne-J. Marey, Bruno Munari, Isamu Noguchi, Eduardo Paolozzi, Francis Picabia, Cesare A. Poggi, Fritz Schleifer, Oskar Schlemmer, Kurt Schwitters, Alexander Stollberg, Florian Süssmayr, Blaise Tobia, Henry Valensi Paul Jaray (1889-1974) was the first and the most decisive scientific pioneer of automobile aerodynamics with his patent application in 1921. He gave the ground-based vehicle its scientifically founded shape. But to reflect on Jaray's role as a pioneer of the automobile today means to look back, from the new socially established status of awareness of the historical obsolescence, into which mass individual mobility has fallen to the diametrically opposed moment of its heroic epoch. At the beginning of the last century, the idea of the car stood for a left-wing social utopia: the masses were to be liberated by means of motorised technical progress in an almost system-transcending fantasy of redemption. This dawn has been forgotten. In this exhibition, many works of Jaray and his successors are shown for the first time. Concept: Wolfgang Scheppe Realisation: Arsenale Institute for Politics of Representation, Castello, 1430/A, Riva dei Sette Martiri, 30122 Venezia _______ #pauljaray #arsenaleinstitute
Paul Jaray - Die Vernunft der Stromlinie, Kunsthaus Dahlem, Berlin, Käuzchensteig 8 · 14195 Berlin-Dahlem 29. April – 03. September 2023 Presenting works and documents of: AA Bronson, Ant Farm, Alexander Archipenko, Hans Arp, István Beöthy, Max Bill, Marcel Duchamp, Siegfried Ebeling, Richard Buckminster Fuller, General Idea,Richard Hamilton, John Heartfield, Bernhard Heiliger, Allan Kaprow, Oskar de Kiefte, Germaine Krull, Alfred Kubin, Le Corbusier, Iñigo Manglano-Ovalle, Man Ray, Paco Marcial, Étienne-J. Marey, Bruno Munari, Isamu Noguchi, Eduardo Paolozzi, Francis Picabia, Cesare A. Poggi, Fritz Schleifer, Oskar Schlemmer, Kurt Schwitters, Alexander Stollberg, Florian Süssmayr, Blaise Tobia, Henry Valensi Paul Jaray (1889-1974) was the first and the most decisive scientific pioneer of automobile aerodynamics with his patent application in 1921. He gave the ground-based vehicle its scientifically founded shape. But to reflect on Jaray's role as a pioneer of the automobile today means to look back, from the new socially established status of awareness of the historical obsolescence, into which mass individual mobility has fallen to the diametrically opposed moment of its heroic epoch. At the beginning of the last century, the idea of the car stood for a left-wing social utopia: the masses were to be liberated by means of motorised technical progress in an almost system-transcending fantasy of redemption. This dawn has been forgotten. In this exhibition, many works of Jaray and his successors are shown for the first time. Concept: Wolfgang Scheppe Realisation: Arsenale Institute for Politics of Representation, Castello, 1430/A, Riva dei Sette Martiri, 30122 Venezia _______ #pauljaray #arsenaleinstitute
Paul Jaray - Die Vernunft der Stromlinie, Kunsthaus Dahlem, Berlin, Käuzchensteig 8 · 14195 Berlin-Dahlem 29. April – 03. September 2023 Presenting works and documents of: AA Bronson, Ant Farm, Alexander Archipenko, Hans Arp, István Beöthy, Max Bill, Marcel Duchamp, Siegfried Ebeling, Richard Buckminster Fuller, General Idea,Richard Hamilton, John Heartfield, Bernhard Heiliger, Allan Kaprow, Oskar de Kiefte, Germaine Krull, Alfred Kubin, Le Corbusier, Iñigo Manglano-Ovalle, Man Ray, Paco Marcial, Étienne-J. Marey, Bruno Munari, Isamu Noguchi, Eduardo Paolozzi, Francis Picabia, Cesare A. Poggi, Fritz Schleifer, Oskar Schlemmer, Kurt Schwitters, Alexander Stollberg, Florian Süssmayr, Blaise Tobia, Henry Valensi Paul Jaray (1889-1974) was the first and the most decisive scientific pioneer of automobile aerodynamics with his patent application in 1921. He gave the ground-based vehicle its scientifically founded shape. But to reflect on Jaray's role as a pioneer of the automobile today means to look back, from the new socially established status of awareness of the historical obsolescence, into which mass individual mobility has fallen to the diametrically opposed moment of its heroic epoch. At the beginning of the last century, the idea of the car stood for a left-wing social utopia: the masses were to be liberated by means of motorised technical progress in an almost system-transcending fantasy of redemption. This dawn has been forgotten. In this exhibition, many works of Jaray and his successors are shown for the first time. Concept: Wolfgang Scheppe Realisation: Arsenale Institute for Politics of Representation, Castello, 1430/A, Riva dei Sette Martiri, 30122 Venezia _______ #pauljaray #arsenaleinstitute
Paul Jaray - Die Vernunft der Stromlinie, Kunsthaus Dahlem, Berlin, Käuzchensteig 8 · 14195 Berlin-Dahlem 29. April – 03. September 2023 Presenting works and documents of: AA Bronson, Ant Farm, Alexander Archipenko, Hans Arp, István Beöthy, Max Bill, Marcel Duchamp, Siegfried Ebeling, Richard Buckminster Fuller, General Idea,Richard Hamilton, John Heartfield, Bernhard Heiliger, Allan Kaprow, Oskar de Kiefte, Germaine Krull, Alfred Kubin, Le Corbusier, Iñigo Manglano-Ovalle, Man Ray, Paco Marcial, Étienne-J. Marey, Bruno Munari, Isamu Noguchi, Eduardo Paolozzi, Francis Picabia, Cesare A. Poggi, Fritz Schleifer, Oskar Schlemmer, Kurt Schwitters, Alexander Stollberg, Florian Süssmayr, Blaise Tobia, Henry Valensi Paul Jaray (1889-1974) was the first and the most decisive scientific pioneer of automobile aerodynamics with his patent application in 1921. He gave the ground-based vehicle its scientifically founded shape. But to reflect on Jaray's role as a pioneer of the automobile today means to look back, from the new socially established status of awareness of the historical obsolescence, into which mass individual mobility has fallen to the diametrically opposed moment of its heroic epoch. At the beginning of the last century, the idea of the car stood for a left-wing social utopia: the masses were to be liberated by means of motorised technical progress in an almost system-transcending fantasy of redemption. This dawn has been forgotten. In this exhibition, many works of Jaray and his successors are shown for the first time. Concept: Wolfgang Scheppe Realisation: Arsenale Institute for Politics of Representation, Castello, 1430/A, Riva dei Sette Martiri, 30122 Venezia _______ #pauljaray #arsenaleinstitute
Paul Jaray - Die Vernunft der Stromlinie, Kunsthaus Dahlem, Berlin, Käuzchensteig 8 · 14195 Berlin-Dahlem 29. April – 03. September 2023 Presenting works and documents of: AA Bronson, Ant Farm, Alexander Archipenko, Hans Arp, István Beöthy, Max Bill, Marcel Duchamp, Siegfried Ebeling, Richard Buckminster Fuller, General Idea,Richard Hamilton, John Heartfield, Bernhard Heiliger, Allan Kaprow, Oskar de Kiefte, Germaine Krull, Alfred Kubin, Le Corbusier, Iñigo Manglano-Ovalle, Man Ray, Paco Marcial, Étienne-J. Marey, Bruno Munari, Isamu Noguchi, Eduardo Paolozzi, Francis Picabia, Cesare A. Poggi, Fritz Schleifer, Oskar Schlemmer, Kurt Schwitters, Alexander Stollberg, Florian Süssmayr, Blaise Tobia, Henry Valensi Paul Jaray (1889-1974) was the first and the most decisive scientific pioneer of automobile aerodynamics with his patent application in 1921. He gave the ground-based vehicle its scientifically founded shape. But to reflect on Jaray's role as a pioneer of the automobile today means to look back, from the new socially established status of awareness of the historical obsolescence, into which mass individual mobility has fallen to the diametrically opposed moment of its heroic epoch. At the beginning of the last century, the idea of the car stood for a left-wing social utopia: the masses were to be liberated by means of motorised technical progress in an almost system-transcending fantasy of redemption. This dawn has been forgotten. In this exhibition, many works of Jaray and his successors are shown for the first time. Concept: Wolfgang Scheppe Realisation: Arsenale Institute for Politics of Representation, Castello, 1430/A, Riva dei Sette Martiri, 30122 Venezia _______ #pauljaray #arsenaleinstitute
Paul Jaray - Die Vernunft der Stromlinie, Kunsthaus Dahlem, Berlin, Käuzchensteig 8 · 14195 Berlin-Dahlem 29. April – 03. September 2023 Presenting works and documents of: AA Bronson, Ant Farm, Alexander Archipenko, Hans Arp, István Beöthy, Max Bill, Marcel Duchamp, Siegfried Ebeling, Richard Buckminster Fuller, General Idea,Richard Hamilton, John Heartfield, Bernhard Heiliger, Allan Kaprow, Oskar de Kiefte, Germaine Krull, Alfred Kubin, Le Corbusier, Iñigo Manglano-Ovalle, Man Ray, Paco Marcial, Étienne-J. Marey, Bruno Munari, Isamu Noguchi, Eduardo Paolozzi, Francis Picabia, Cesare A. Poggi, Fritz Schleifer, Oskar Schlemmer, Kurt Schwitters, Alexander Stollberg, Florian Süssmayr, Blaise Tobia, Henry Valensi Paul Jaray (1889-1974) was the first and the most decisive scientific pioneer of automobile aerodynamics with his patent application in 1921. He gave the ground-based vehicle its scientifically founded shape. But to reflect on Jaray's role as a pioneer of the automobile today means to look back, from the new socially established status of awareness of the historical obsolescence, into which mass individual mobility has fallen to the diametrically opposed moment of its heroic epoch. At the beginning of the last century, the idea of the car stood for a left-wing social utopia: the masses were to be liberated by means of motorised technical progress in an almost system-transcending fantasy of redemption. This dawn has been forgotten. In this exhibition, many works of Jaray and his successors are shown for the first time. Concept: Wolfgang Scheppe Realisation: Arsenale Institute for Politics of Representation, Castello, 1430/A, Riva dei Sette Martiri, 30122 Venezia _______ #pauljaray #arsenaleinstitute
Paul Jaray - Die Vernunft der Stromlinie, Kunsthaus Dahlem, Berlin, Käuzchensteig 8 · 14195 Berlin-Dahlem 29. April – 03. September 2023 Presenting works and documents of: AA Bronson, Ant Farm, Alexander Archipenko, Hans Arp, István Beöthy, Max Bill, Marcel Duchamp, Siegfried Ebeling, Richard Buckminster Fuller, General Idea,Richard Hamilton, John Heartfield, Bernhard Heiliger, Allan Kaprow, Oskar de Kiefte, Germaine Krull, Alfred Kubin, Le Corbusier, Iñigo Manglano-Ovalle, Man Ray, Paco Marcial, Étienne-J. Marey, Bruno Munari, Isamu Noguchi, Eduardo Paolozzi, Francis Picabia, Cesare A. Poggi, Fritz Schleifer, Oskar Schlemmer, Kurt Schwitters, Alexander Stollberg, Florian Süssmayr, Blaise Tobia, Henry Valensi Paul Jaray (1889-1974) was the first and the most decisive scientific pioneer of automobile aerodynamics with his patent application in 1921. He gave the ground-based vehicle its scientifically founded shape. But to reflect on Jaray's role as a pioneer of the automobile today means to look back, from the new socially established status of awareness of the historical obsolescence, into which mass individual mobility has fallen to the diametrically opposed moment of its heroic epoch. At the beginning of the last century, the idea of the car stood for a left-wing social utopia: the masses were to be liberated by means of motorised technical progress in an almost system-transcending fantasy of redemption. This dawn has been forgotten. In this exhibition, many works of Jaray and his successors are shown for the first time. Concept: Wolfgang Scheppe Realisation: Arsenale Institute for Politics of Representation, Castello, 1430/A, Riva dei Sette Martiri, 30122 Venezia _______ #pauljaray #arsenaleinstitute
Paul Jaray - Die Vernunft der Stromlinie, Kunsthaus Dahlem, Berlin, Käuzchensteig 8 · 14195 Berlin-Dahlem 29. April – 03. September 2023 Presenting works and documents of: AA Bronson, Ant Farm, Alexander Archipenko, Hans Arp, István Beöthy, Max Bill, Marcel Duchamp, Siegfried Ebeling, Richard Buckminster Fuller, General Idea,Richard Hamilton, John Heartfield, Bernhard Heiliger, Allan Kaprow, Oskar de Kiefte, Germaine Krull, Alfred Kubin, Le Corbusier, Iñigo Manglano-Ovalle, Man Ray, Paco Marcial, Étienne-J. Marey, Bruno Munari, Isamu Noguchi, Eduardo Paolozzi, Francis Picabia, Cesare A. Poggi, Fritz Schleifer, Oskar Schlemmer, Kurt Schwitters, Alexander Stollberg, Florian Süssmayr, Blaise Tobia, Henry Valensi Paul Jaray (1889-1974) was the first and the most decisive scientific pioneer of automobile aerodynamics with his patent application in 1921. He gave the ground-based vehicle its scientifically founded shape. But to reflect on Jaray's role as a pioneer of the automobile today means to look back, from the new socially established status of awareness of the historical obsolescence, into which mass individual mobility has fallen to the diametrically opposed moment of its heroic epoch. At the beginning of the last century, the idea of the car stood for a left-wing social utopia: the masses were to be liberated by means of motorised technical progress in an almost system-transcending fantasy of redemption. This dawn has been forgotten. In this exhibition, many works of Jaray and his successors are shown for the first time. Concept: Wolfgang Scheppe Realisation: Arsenale Institute for Politics of Representation, Castello, 1430/A, Riva dei Sette Martiri, 30122 Venezia _______ #pauljaray #arsenaleinstitute
Paul Jaray - Die Vernunft der Stromlinie, Kunsthaus Dahlem, Berlin, Käuzchensteig 8 · 14195 Berlin-Dahlem 29. April – 03. September 2023 Presenting works and documents of: AA Bronson, Ant Farm, Alexander Archipenko, Hans Arp, István Beöthy, Max Bill, Marcel Duchamp, Siegfried Ebeling, Richard Buckminster Fuller, General Idea,Richard Hamilton, John Heartfield, Bernhard Heiliger, Allan Kaprow, Oskar de Kiefte, Germaine Krull, Alfred Kubin, Le Corbusier, Iñigo Manglano-Ovalle, Man Ray, Paco Marcial, Étienne-J. Marey, Bruno Munari, Isamu Noguchi, Eduardo Paolozzi, Francis Picabia, Cesare A. Poggi, Fritz Schleifer, Oskar Schlemmer, Kurt Schwitters, Alexander Stollberg, Florian Süssmayr, Blaise Tobia, Henry Valensi Paul Jaray (1889-1974) was the first and the most decisive scientific pioneer of automobile aerodynamics with his patent application in 1921. He gave the ground-based vehicle its scientifically founded shape. But to reflect on Jaray's role as a pioneer of the automobile today means to look back, from the new socially established status of awareness of the historical obsolescence, into which mass individual mobility has fallen to the diametrically opposed moment of its heroic epoch. At the beginning of the last century, the idea of the car stood for a left-wing social utopia: the masses were to be liberated by means of motorised technical progress in an almost system-transcending fantasy of redemption. This dawn has been forgotten. In this exhibition, many works of Jaray and his successors are shown for the first time. Concept: Wolfgang Scheppe Realisation: Arsenale Institute for Politics of Representation, Castello, 1430/A, Riva dei Sette Martiri, 30122 Venezia _______ #pauljaray #arsenaleinstitute
Paul Jaray - Die Vernunft der Stromlinie, Kunsthaus Dahlem, Berlin, Käuzchensteig 8 · 14195 Berlin-Dahlem 29. April – 03. September 2023 Presenting works and documents of: AA Bronson, Ant Farm, Alexander Archipenko, Hans Arp, István Beöthy, Max Bill, Marcel Duchamp, Siegfried Ebeling, Richard Buckminster Fuller, General Idea,Richard Hamilton, John Heartfield, Bernhard Heiliger, Allan Kaprow, Oskar de Kiefte, Germaine Krull, Alfred Kubin, Le Corbusier, Iñigo Manglano-Ovalle, Man Ray, Paco Marcial, Étienne-J. Marey, Bruno Munari, Isamu Noguchi, Eduardo Paolozzi, Francis Picabia, Cesare A. Poggi, Fritz Schleifer, Oskar Schlemmer, Kurt Schwitters, Alexander Stollberg, Florian Süssmayr, Blaise Tobia, Henry Valensi Paul Jaray (1889-1974) was the first and the most decisive scientific pioneer of automobile aerodynamics with his patent application in 1921. He gave the ground-based vehicle its scientifically founded shape. But to reflect on Jaray's role as a pioneer of the automobile today means to look back, from the new socially established status of awareness of the historical obsolescence, into which mass individual mobility has fallen to the diametrically opposed moment of its heroic epoch. At the beginning of the last century, the idea of the car stood for a left-wing social utopia: the masses were to be liberated by means of motorised technical progress in an almost system-transcending fantasy of redemption. This dawn has been forgotten. In this exhibition, many works of Jaray and his successors are shown for the first time. Concept: Wolfgang Scheppe Realisation: Arsenale Institute for Politics of Representation, Castello, 1430/A, Riva dei Sette Martiri, 30122 Venezia _______ #pauljaray #arsenaleinstitute
Paul Jaray - Die Vernunft der Stromlinie, Kunsthaus Dahlem, Berlin, Käuzchensteig 8 · 14195 Berlin-Dahlem 29. April – 03. September 2023 Presenting works and documents of: AA Bronson, Ant Farm, Alexander Archipenko, Hans Arp, István Beöthy, Max Bill, Marcel Duchamp, Siegfried Ebeling, Richard Buckminster Fuller, General Idea,Richard Hamilton, John Heartfield, Bernhard Heiliger, Allan Kaprow, Oskar de Kiefte, Germaine Krull, Alfred Kubin, Le Corbusier, Iñigo Manglano-Ovalle, Man Ray, Paco Marcial, Étienne-J. Marey, Bruno Munari, Isamu Noguchi, Eduardo Paolozzi, Francis Picabia, Cesare A. Poggi, Fritz Schleifer, Oskar Schlemmer, Kurt Schwitters, Alexander Stollberg, Florian Süssmayr, Blaise Tobia, Henry Valensi Paul Jaray (1889-1974) was the first and the most decisive scientific pioneer of automobile aerodynamics with his patent application in 1921. He gave the ground-based vehicle its scientifically founded shape. But to reflect on Jaray's role as a pioneer of the automobile today means to look back, from the new socially established status of awareness of the historical obsolescence, into which mass individual mobility has fallen to the diametrically opposed moment of its heroic epoch. At the beginning of the last century, the idea of the car stood for a left-wing social utopia: the masses were to be liberated by means of motorised technical progress in an almost system-transcending fantasy of redemption. This dawn has been forgotten. In this exhibition, many works of Jaray and his successors are shown for the first time. Concept: Wolfgang Scheppe Realisation: Arsenale Institute for Politics of Representation, Castello, 1430/A, Riva dei Sette Martiri, 30122 Venezia _______ #pauljaray #arsenaleinstitute
Paul Jaray - Die Vernunft der Stromlinie, Kunsthaus Dahlem, Berlin, Käuzchensteig 8 · 14195 Berlin-Dahlem 29. April – 03. September 2023 Presenting works and documents of: AA Bronson, Ant Farm, Alexander Archipenko, Hans Arp, István Beöthy, Max Bill, Marcel Duchamp, Siegfried Ebeling, Richard Buckminster Fuller, General Idea,Richard Hamilton, John Heartfield, Bernhard Heiliger, Allan Kaprow, Oskar de Kiefte, Germaine Krull, Alfred Kubin, Le Corbusier, Iñigo Manglano-Ovalle, Man Ray, Paco Marcial, Étienne-J. Marey, Bruno Munari, Isamu Noguchi, Eduardo Paolozzi, Francis Picabia, Cesare A. Poggi, Fritz Schleifer, Oskar Schlemmer, Kurt Schwitters, Alexander Stollberg, Florian Süssmayr, Blaise Tobia, Henry Valensi Paul Jaray (1889-1974) was the first and the most decisive scientific pioneer of automobile aerodynamics with his patent application in 1921. He gave the ground-based vehicle its scientifically founded shape. But to reflect on Jaray's role as a pioneer of the automobile today means to look back, from the new socially established status of awareness of the historical obsolescence, into which mass individual mobility has fallen to the diametrically opposed moment of its heroic epoch. At the beginning of the last century, the idea of the car stood for a left-wing social utopia: the masses were to be liberated by means of motorised technical progress in an almost system-transcending fantasy of redemption. This dawn has been forgotten. In this exhibition, many works of Jaray and his successors are shown for the first time. Concept: Wolfgang Scheppe Realisation: Arsenale Institute for Politics of Representation, Castello, 1430/A, Riva dei Sette Martiri, 30122 Venezia _______ #pauljaray #arsenaleinstitute
In front of "THE LANGUAGE OF LAWRENCE WEINER (1942-2921)" A RESEARCH EXHIBITION AT THE ARSENALE INSTITUTE Arsenale Institute for Politics of Representation / Castello 1430 / A Riva Dei Sette Martiri , I-30122 Venezia OPEN BY APPOINTMENT: email: [email protected] Curated by #wolfgangscheppe and #saracodutti Also with a tribute to #lawrenceweiner & DIE DAMEN (founded 1987 by Ona Ona B #evelyneegerer #birgitjürgenssen #ingeborgstrobl- since 1993 with #lawrenceweiner #ThelanuageofLawrenceWeiner #arsenaleinstitute #die_damen
Prima o poi qualcosa succede a #Burano #ArsenaleInstitute #Fare_il_Perimetro
#arsenaleinstitute #lawrenceweiner #venezia
The Language of Lawrence Weiner [ 1942 - 2021], A Research Exhibition at the Arsenale Institute l #lawrenceweiner #arsenaleinstitute
Opening today in Venice, the Arsenale Institute for Politics of Representation presents ‘The Language of Lawrence Weiner (1942–2021),’ a research exhibition on view by appointment through June 30. The institute can be found at Palazzo Marinarezza, located between the Biennale’s Arsenale and Giardini buildings. To learn more and to book a reservation, visit the link in our bio or email [email protected]. #LawrenceWeiner #ArsenaleInstitute #LaBiennalediVenezia #VeniceBiennale #BiennaleArte