#kayne aka #ye takes a shot at #jcole j Cole have turned into a #punchingbag we need a #respond #hiphopfued #bestofrap
Looks like Ye has picked a side in the family fued. lol he previews his remix to “like that” on @thedownload #kanyewest #ye #kendricklamar #metroboomin #hiphopfued
Think you know Hip-Hop? Then get your team together come out test your Hip-Hop knowledge as we celebrate 420, win prizes & bust dope moves. All are welcome to play, from the novice to the expert Hip-Hop head. REGISTRATION OPENS AT 7:30pm. FIRST ROUND KICKS OFF AT 8pm. 21+ NO DRESS CODE. NO COVER TO ATTEND. 5 members to a team Lounge of Three 1013 U street Nw Washingtondc #biggiesmalls #hiphopfued #ustreet #djshablast
Not long after Cube’s exit, Dre had some contractual questions of his own that needed answering. Not happy with the way Ruthless records manager Jerry Heller was running things, he approached Eazy with an ultimatum that he either gets rid of Jerry or he will walk away from the group. Eazy made the decision to keep Jerry and so it was that Dre left the worlds most dangerous group without it’s star producer. All of these internal issues within N.W.A and Ruthless staff where taking place under the watchful eye of Marion Suge Knight, a 6 foot 5, 335 pound bodyguard hired by Ruthless management. It has been suggested that during Suge's time working at Ruthless, he had seen a business opportunity in Dre and so he began planting seeds that would ultimately break the friendship between Dre and Eazy. Suge had a vision to start up his own record label and with Dre wanting to be free of his Ruthless ties, Suge positioned himself to take full advantage of the situation. Dre’s solo debut ‘The Chronic,’ featured a new rapper called ‘Snoop Doggy Dogg.’ and went on to sell over 4 million copies. But the bad blood between Dre and Eazy continued. Dre lashed out with his song ‘Dre Day,’ ridiculing Eazy and Jerry Heller. In the Dre Day music video release, Eazy is depicted as an Uncle Tom running round under the control and influence of Jerry Heller.Eazy struck back hard with his answer song ‘Real Muthaphukkin g’s,’ taking aim at Dre’s street credibility.
N.W.A vs Ice Cube: The in-fighting between Ice Cube and NWA centered over royalty payments, with Ice, who had written most of the group's genre-defining lyrics. he felt he wasn't getting his equal share of the cut and quit the group. As a result, he was the recipient of some pretty strong diss tracks, but he wasn't one to sit back and not respond. Instead he called out the entire collective on the infamous 'No Vaseline'.
Kool Moe Dee vs LL Cool J: Kool Moe Dee was a member of one of the first hip-hop crews, the Treacherous Three, and so felt his seniority gave him the right to call out LL Cool J. He accused him of stealing his style and disrespecting his predecessors by not showing any appreciation for them, instead claiming he was the best too early in the game. Moe Dee took an immediate dislike to the newcomer and was eager to make it known. For the cover of his 1987 album, How Ya Like Me Now, Kool Moe Dee featured LL Cool J’s trademark, a red Kangol hat, being crushed under the wheel of a Jeep. He then went on to call out an MC for “talking about battles, and never had a battle yet.” LL Cool J retorted with some predictable slurs about a “washed up rapper” and an “old school sucker punch” in the track “Jack the Ripper.” Things took a turn for the worse when Kool Moe Dee decided to employ some real playground tactics, firing back with a track that almost exclusively features an alliteration of pejoratives beginning with “L”, including “Lazy Lemon, Little Logic / Lucky Leech, Liver Lipped.”