marianneboeskygallery images

Yoshitomo Nara Advert from ARTFORUM magazine for the solo exhibition at Marianne Boesky Gallery, New York September-October 2005 #yoshitomonara #marianneboeskygallery #artforummagazine #artbooksephemera

I loved these paintings by @danielle_mckinney_ at @MarianneBoeskygallery . Tender, funny and completely enveloping. the cigarette smoke, the light, the upholstery, the nail polish (!) …every detail of these incredibly intimate, yet utterly ordinary scenes of a woman doing her own thing is articulated with painterly wonderfulness. Unfortunately this show, “Quiet Storm”, closed yesterday. . Images: 1. Sacrament, 24 x 20”, 2024, oil/canvas 2. Before They Wake, 12 x 9”, 2023, oil/canvas #womenPaintingWomen #contemporaryPainting #nycArts #danielleMckinney #marianneBoeskyGallery

The @marianneboeskygallery is one of my favorite galleries in Chelsea—it reliably has excellent shows and I like the split nature of the exhibition spaces. But Quiet Storm, a show of @danielle_mckinney_’s paintings, might the gallery’s best show to date. The work is absolutely exquisite. Of course, there’s also a hundred+ person waitlist, so I’m not getting one anytime soon—but a girl can dream. . . . . . . #marianneboeskygallery #chelseagallery #blackartist #womanartist #painting #contemporaryart #blackgirlmagic #feminist #daniellemckinney

Current Ep.198 features Allison Janae Hamilton. This weekend, enjoy our informative, educational and insightful conversation.  Select Public Collections: * Studio Museum in Harlem * Hood Museum of Art * The Menil Collection * Nasher Museum of Art * Nevada Museum of Art * Speed Museum of Art Image ~Allison Janae Hamilton Garden Mask I, 2023 Vintage fencing mask, upholstery, wood flowers, resin 13 x 10 x 10 1/2 inches 33 x 25.4 x 26.7 cm Photo credit: Pierre Le Hors Cerebral Women website link in bio. Available on major podcast platforms anytime and any place!!! #AllisonJanaeHamilton #PierreLeHors #MarianneBoeskyGallery #HoodMuseumofArt #WhitneyMuseumofart #StudioMuseuminHarlem #FundaciónBotín #CreativeCapital #RemaHortMannFoundation #GeorgiaMuseumofArt #JoslynArtMuseum #MASSMoCA #AtlantaContemporary #PoydrasCorridor #HelisFoundation #VirginiaMuseumofFineArts #NevadaMuseumofArt #CaliforniaAfricanArtMuseum #TANKShanghai #StormKingArtCenter #MenilCollection #NasherMuseum #NevadaMuseumofArt #SpeedartMuseum #PhyllisHollis #cerebralwomen #artpodcast  #arttalk #cerebralwomenpodcast #artwillsaveus

Last week, Mary Lovelace O'Neal spoke with Brooklyn Rail ArTonic Editor Jessica Holmes about her work currently on view at Marianne Boesky Gallery, the Whitney Museum of American Art, and the San Francisco Museum of Modern Art. The recording of the live talk is now available. In these monumental canvases on view at Marianne Boesky Gallery—all made over the past three years in the artist’s Mérida, Mexico studio—Lovelace O’Neal mines the visual language she has developed over her six-decade career, iterating on the imaginative forms, innovative materiality, and inventive handling of color that have come to define her practice. Mary Lovelace O’Neal: HECHO EN MÉXICO—a mano coincides with Lovelace O’Neal’s inclusion in the 2024 Whitney Biennial,a solo exhibition of her work at the San Francisco Museum of Modern Art. Watch the recording of the talk at the link in our story. @marylovelaceoneal @brooklynrail @whitneymuseum @sfmoma #MaryLovelaceONeal #MarianneBoeskyGallery #hechoenmexico

"And who exactly are those figures? Are they imagined subjects in the vein of Kerry James Marshall’s work, or interpretations of Mckinney and the other real Black women in her life? Well, neither, she says: 'They’re really not anybody, because they’ve been deconstructed and collaged so much that they become a totally different figure.'" Danielle Mckinney talked with Shelton Boyd-Griffith about Quiet Storm for Harper's Bazaar. Throughout the intimately-scaled portraits on view, Mckinney imagines solitary female protagonists—nestled in dream-like domestic interiors—in moments of leisure and respite. In the twelve paintings in Quiet Storm, Mckinney conjures a spiritual—and physical—mise-en-scène. As Mckinney’s figures lounge on velvety sofas, nap in pillow-strewn beds, drag on cigarettes—fully immersed in their own interiority—a storm brews. Rain falls softly on the roof, thunder rumbling in the distance, the smell of petrichor creeping through cracks in the windows. A quiet storm brews internally, as well. Tranquil but electrified, these women ground themselves, corporeally and emotionally, in this moment alone. Tomorrow, April 27, is the final day to see Quiet Storm, on view at Marianne Boesky Gallery in New York. Danielle Mckinney, Before they wake, 2023. Oil on linen, 12 1/8 x 9 1/8 inches, 30.8 x 23 cm @danielle_mckinney_ @harpersbazaarus @sheltonboydgriffith #DanielleMckinney #quietstorm #MarianneBoeskyGallery

I just ❤️💜 how even after six decades of making art, Mary Lovelace O’Neal still has the ability to resist being boxed into any single artistic category. Her latest grand-scale works are captivating and do not conform to any one genre; instead, they occupy a unique space, often moving fluidly between minimalism and abstract expressionism. Mary Lovelace O’Neal | HECHO EN MÉXICO—a mano at Marianne Boesky Gallery

Opening May 9 | Suzanne McClelland: Highland Seer For her second solo exhibition with Marianne Boesky Gallery, McClelland turns her keen observational eye to notions of measurement and prediction, incorporating divergent materials, forms, and modes of painting that she has developed throughout the course of her 35-year career. With Highland Seer, McClelland brings together work from her three studios—in Orient, Brooklyn, and Los Angeles—demonstrating both the breadth and depth of her current practice. While each painting bears the evidence of the specific environmental conditions under which it was made, the gathered body of work nevertheless pulls at common threads: language, measurement, notions of the self, erasure, and methods of prediction and divination. Various symbols and forms appear throughout this group of paintings—math problems, zeroes and infinity symbols, the body, and classic cartoon characters. Each of these subjects promises fixed meaning: math problems have one solution, zero is infinity’s twin, the body is stable, Wile E. Coyote follows the same narrative formula time after time. Yet in McCelland’s canvases, these forms become fluid: a number, divided by itself, equals itself; zero morphs into infinity; the body is represented in fragments, made up of only what the artist can see of herself as she works, and alternately duplicated or erased; and a predator becomes prey to their own machinations. Highland Seer will be on view May 9 – June 8 at Marianne Boesky Gallery in New York. Join us for an opening reception from 6–8 PM on May 9. Suzanne McClelland, Blind Contour-Why do you Wait in the Upper Air?, 2024. Mixed media on canvas, 84 x 72 inches, 213.4 x 182.9 cm 📸 Lance Brewer @suzaleemc #SuzanneMcClelland #HighlandSeer #MarianneBoeskyGallery

This week Ep.198 features Allison Janae Hamilton.  Select Recent Group Exhibitions ~ * The Dirty South: Contemporary Art Material Culture, and the Sonic Impulse * Virginia Museum of Fine Arts; Shifting Horizons * Nevada Museum of Art; Enunciated Life * California African Art Museum; More, More, More * TANK Shanghai * Indicators: Artists on Climate Change, Storm King Art Center Image~ INSTALLATION VIEW INDICATORS: ARTISTS ON CLIMATE CHANGE STORM KING ART CENTER, NEW WINDSOR, NY MAY 19 – NOVEMBER 11, 2018 Photo credit: Jerry L Thompson The artist is represented by Marianne Boesky Gallery Link in bio also available on major podcast platforms. Tune-in and enjoy this weekend. #AllisonJanaeHamilton #JerryLThompson #MarianneBoeskyGallery #WhitneyMuseumofart #StudioMuseuminHarlem #FundaciónBotín #CreativeCapital #RemaHortMannFoundation #GeorgiaMuseumofArt #JoslynArtMuseum #MASSMoCA #AtlantaContemporary #PoydrasCorridor #HelisFoundation #VirginiaMuseumofFineArts #NevadaMuseumofArt #CaliforniaAfricanArtMuseum #TANKShanghai #StormKingArtCenter #MenilCollection #NasherMuseum #NevadaMuseumofArt #SpeedartMuseum #PhyllisHollis #cerebralwomen #artpodcast  #arttalk #cerebralwomenpodcast #artwillsaveus

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Current Ep.198 Allison Janae Hamilton. Select Institutional Solo Exhibitions ~ Georgia Museum of Art Joslyn Art Museum Massachusetts Museum of Contemporary Art (MASS MoCA) Image ~ Florida water II, 2019 Archival pigment print Image dimensions: 24 x 36 inches 61 x 91.4 cm Photo Credit: Jason Wyche Cerebral Women website link in bio. Available on major podcast platforms any time and any place!!! #AllisonJanaeHamilton #JasonWyche #MarianneBoeskyGallery #WhitneyMuseumofart #StudioMuseuminHarlem #FundaciónBotín #CreativeCapital #RemaHortMannFoundation #GeorgiaMuseumofArt #JoslynArtMuseum #MASSMoCA #AtlantaContemporary #PoydrasCorridor #HelisFoundation #VirginiaMuseumofFineArts #NevadaMuseumofArt #CaliforniaAfricanArtMuseum #TANKShanghai #StormKingArtCenter #HoodMuseumofArt #MenilCollection #NasherMuseum #NevadaMuseumofArt #SpeedartMuseum #cerebralwomenarttalks #PhyllisHollis #cerebralwomen #artpodcast  #arttalk #cerebralwomenpodcast #artwillsaveus

This week Ep.198 features Allison Janae Hamilton. Tune in soon and enjoy our informative, educational and insightful conversation. Artists continue to remind me there is so much to learn during one's lifetime. Keep learning to stay alive! Thank you Allison Janae Hamilton! Current Projects and Exhibitions On View ~  * Love is like the sea… (2023) Poydras Corridor Sculpture Exhibition Presented by The Helis Foundation in New Orleans, LA * Love is like the sea III… (2023) Freedom Monument Sculpture Park Presented by Equal Justice Initiative in Montgomery, Alabama * Spirit in the Land, The Pérez Art Museum Miami, March 21, 2024 — September 8, 2024 * A Movement in Every Direction: Legacies of the Great Migration, The Berkeley Art Museum and Pacific Film Archive, Berkeley, CA, April 13 — September 22,2024 The artist is represented by Marianne Boesky Gallery Link in bio also available on major podcast platforms.  ~ENJOY LISTENING #AllisonJanaeHamilton #MarianneBoeskyGallery #PoydrasCorridorSculptureExhibition #HelisFoundation #perezartmuseum #berkeleyartmuseum #cerebralarttalks #cerebralwomenarttalks #PhyllisHollis #cerebralwomen #artpodcast  #arttalk #cerebralwomenpodcast #artwillsaveus

Liminal Cargo XI #stevenson_za #marianneboeskygallery #friezenewyork2024

Displaced Peoples in Situ: Studio Study XIX, 2024 #stevenson_za #marianneboeskygallery

So many incredible shows to see in NYC this spring! 1/2-Maja Ruznik #whitneybiennial 3- Isaac Julien #whitneybiennial 4- Eamon Ore-Giron #whitneybiennial 5 - Kiyan Williams #whitneybiennial 6/7/8 -Christopher Wool 9 - Danielle Mckinney #marianneboeskygallery

Just launched! Ep.198 Allison Janae Hamilton (b. 1984 in Kentucky, raised in Florida) has exhibited widely across the U.S. and abroad. Her work has been the subject of institutional solo exhibitions at the Georgia Museum of Art, the Joslyn Art Museum, Massachusetts Museum of Contemporary Art (MASS MoCA), and Atlanta Contemporary, as well as a commissioned solo project with Creative Time. Her sculpture, Love is like the sea… (2023) is currently on view in the Poydras Corridor Sculpture Exhibition, presented by The Helis Foundation in New Orleans, LA. Select recent group exhibitions include The Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse, Virginia Museum of Fine Arts; Shifting Horizons, Nevada Museum of Art; Enunciated Life, California African Art Museum; More, More, More, TANK Shanghai; and Indicators: Artists on Climate Change, Storm King Art Center. Work by the artist is held in public collections such as the Studio Museum in Harlem, the Hood Museum of Art, The Menil Collection, Nasher Museum of Art, Nevada Museum of Art, and Speed Museum of Art, among others. Hamilton has participated in a range of fellowships and residencies, including at the Whitney Independent Study Program, New York, NY; the Studio Museum in Harlem, New York, NY; and Fundación Botín, Santander, Spain. She is the recipient of the Creative Capital Award and the Rema Hort Mann Foundation Grant. Hamilton holds a PhD in American Studies from New York University and an MFA in Visual Arts from Columbia University. She lives and works in New York. Portrait: Heather Sten Available on major podcast platforms.   #AllisonJanaeHamilton #HeatherSten #MarianneBoeskyGallery #WhitneyMuseumofart #StudioMuseuminHarlem #FundaciónBotín #CreativeCapital #RemaHortMannFoundation #GeorgiaMuseumofArt #JoslynArtMuseum #MASSMoCA #AtlantaContemporary   #PoydrasCorridorSculptureExhibition #HelisFoundation   #VirginiaMuseumofFineArts #NevadaMuseumofArt #CaliforniaAfricanArtMuseum #TANKShanghai #StormKingArtCenter #Phyllishollis #cerebralwomen

Danielle Mckinney | @danielle_mckinney_ Marianne Boesky Gallery | @marianneboeskygallery 1. Sandman, 2023 2. Easy Over, 2023 3. After the Dance, 2022 #daniellemckinney #marianneboeskygallery #contemporaryart #artmagazine #keresmagazine

Sanford Biggers's The Soothsayer (2019–23) is featured in There Is A Body: Legacy of the Ancestral Arts in the 21st Century at the Katonah Museum of Art in Katonah, NY. The exhibition, curated by John Edmonds, includes four contemporary artists "who are forging personal connections to African art and interrogating its appropriation by the Western cannon." In a practice that encompasses painting, sculpture, video, photography, mixed media, music, and performance, Biggers positions himself as an artistic intermediary, continuously interrupting established narratives, intervening directly into historical forms, and remixing recognizable cultural symbols to complicate, question, and, ultimately, offer new understandings of collective mythologies and traditions. On Saturday, April 27 at 4 PM, Biggers will join Edmonds for a conversation about how the artist draws upon a range of artistic and spiritual traditions to rethink canonical art history, challenging and expanding its definitions. Sanford Biggers, The Soothsayer, 2019-23. White marble on custom cedar plinth. Overall: 49 3/4 x 38 1/2 x 33 inches, 126.4 x 97.8 x 83.8 cm. Unique within a series. Courtesy of the Peter og Mulle Korsholm Collection. #SanfordBiggers #KatonahMuseumofArt @sanfordbiggers @katonahmuseum @johncedmonds #MarianneBoeskyGallery #Chimera

Tomorrow! Thanks for the chat, @cerebral_women. #Repost @cerebral_women ・・・ Launching tomorrow!! Ep.198 features Allison Janae Hamilton. She has exhibited widely across the U.S. and abroad and holds a PhD in American Studies from New York University and an MFA in Visual Arts from Columbia University. Her fellowships and residencies include the Whitney Independent Study Program, the Studio Museum in Harlem and the Fundación Botín, Santander, Spain. Allison has been the recipient of the Creative Capital Award and the Rema Hort Mann Foundation Grant. Represented by Marianne Boesky Gallery Tune-in tomorrow. Enjoy listening to her journey.   #AllisonJanaeHamilton #MarianneBoeskyGallery #WhitneyMuseumofart #StudioMuseuminHarlem #FundaciónBotín #CreativeCapital #RemaHortMannFoundation #cerebralarttalks #cerebralwomenarttalks #PhyllisHollis #cerebralwomen #artpodcast  #arttalk #cerebralwomenpodcast #artwillsaveus

Danielle Mckinney | Quiet Storm At @marianneboeskygallery Until April 27 Throughout her intimately-scaled portraits, Mckinney imagines solitary female protagonists—nestled in dream-like domestic interiors—in moments of leisure and respite. In the twelve paintings in Quiet Storm, Mckinney conjures a spiritual—and physical—mise-en-scène. As Mckinney’s figures lounge on velvety sofas, nap in pillow-strewn beds, drag on cigarettes—fully immersed in their own interiority—a storm brews. Rain falls softly on the roof, thunder rumbling in the distance, the smell of petrichor creeping through cracks in the windows. A quiet storm brews internally, as well. Tranquil but electrified, these women ground themselves, corporeally and emotionally, in this moment alone. With her newest suite of paintings, Mckinney continues her ongoing dialogue with the histories of photography and painting. Trained as a photographer, Mckinney primes her canvases with a black ground, pulling her figures and settings out of shadow as if developing film in a darkroom. Compiling her compositions from various sources—adopting a pose from a 19th century photograph, borrowing the tilt of a head from a vintage magazine photoshoot, imitating a coy expression from a famous painting—Mckinney nevertheless infuses her paintings with a singular vision, with a specificity entirely her own. Danielle Mckinney Hold your Breath, 2024 Oil on linen 24 x 18 inches, 61 x 45.7 cm #daniellemckinney #currentshow #marianneboeskygallery #newyork @danielle_mckinney_

Just got a bone china plate by Frank Stella. THE Frank Stella. Hoping #marianneboeskygallery could assist in authenticating. This one isn’t numbered, and is also without the publisher’s name, but everything else about it checks out.

On view through April 27 | Danielle Mckinney: Quiet Storm With her newest suite of paintings, Mckinney continues her ongoing dialogue with the histories of photography and painting. Trained as a photographer, Mckinney primes her canvases with a black ground, pulling her figures and settings out of shadow as if developing film in a darkroom. Compiling her compositions from various sources—adopting a pose from a 19th century photograph, borrowing the tilt of a head from a vintage magazine photoshoot, imitating a coy expression from a famous painting—Mckinney nevertheless infuses her paintings with a singular vision, with a specificity entirely her own. Danielle Mckinney, Chase’s Mirage, 2024. Oil on linen, 14 x 11 inches, 35.6 x 27.9 cm @danielle_mckinney_ #DanielleMckinney #quietstorm #MarianneBoeskyGallery

Typical with @flaviopereiira @adrianobordrin Salman Toor, Green Trio, 2019 #salmantoor #marianneboeskygallery

Closing April 26 | Jammie Holmes: Church Folks at the Gordon Parks Foundation Gallery in Pleasantville, NY For Church Folks, Holmes created a suite of paintings inspired by the Black churches at the heart of numerous southern communities, places that unite through shared faith, joy, and grief. Among the references for this body of work is Gordon Parks’s 1956 series Segregation Story, which documented the everyday lives of Black Americans in the Jim Crow South. Holmes was particularly interested in Parks’s images of the events just before and after the church service, scenes that for Holmes captured “what felt like home.” Church Life focuses on these quotidian moments through tableaux and portraits that are imagined yet familiar, and memorialized through symbolic objects, gestures, and palette that speak to Holmes’s identity. Together, they represent what he terms “the universal language of the American South.” Holmes, whose intimate, complex paintings foreground themes and experiences of Black life in the contemporary American South, was a 2023 Gordon Parks Fellow. Jammie Holmes: Church Folks is on view through April 26, 2024. Jammie Homles, MLK Assembly, 2023. Acrylic on unprimed canvas, wood and books, 60 1/2 x 36 inches, 153.7 x 91.4 cm 📸 Elisabeth Bernstein @jholmes214 @gordonparksfoundation #JammieHolmes #MarianneBoeskyGallery #GordonParks

Danielle Mckinney, Hold your Breath (2024) © Danielle Mckinney and courtesy of Marianne Boesky Gallery #daniellemckinney #marianneboeskygallery

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Micky #mistranslation #Gritch #Gagosian #DavidZwirner #PaceGallery #WhitneyMuse #MoMA #MaryBooneGallery #MarianneBoeskyGallery #京都市京セラ美術館 #Interest #Opportunity #Inquiry #Invitation #Collaboration #Proposal #Agreement #Offer #Discussion #Approach

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Micky mistranslation Glitch mistranslation Glitch #Gagosian #DavidZwirner #PaceGallery #WhitneyMuse #MoMA #MaryBooneGallery #MarianneBoeskyGallery #京都市京セラ美術館 #Interest #Opportunity #Inquiry #Invitation #Collaboration #Proposal #Agreement #Offer #Discussion #Approach

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Jennifer Bartlett’s expansive oeuvre is a prodigious, symphonic investigation into the limits and possibilities of painting itself. Throughout her career, Bartlett drew inspiration from minimalism, conceptualism, neo-expressionism—from a host of modernist movements—yet, her work was never confined to any one moment or idea. At various points throughout her career, Bartlett drew from life—often from her immediate surroundings, including her gardens, studios, and travels. Bartlett's work is frequently imbued with an uneasy, haunting quality. Joan Didion, a fellow California native attributed this quality to Bartlett's West Coast upbringing. "Children [in California] grow up aware that any extraordinary morning their house could slip its foundation in an earthquake on a suddenly unstable slope," Didion wrote. "Jennifer Bartlett’s most persistent imagery, her apprehension of the potential for disaster in the everyday, derives from her California childhood.” With this pastel, Bartlett captures a serene sunset; beneath, a shadowy underworld is ruled by greens and ochres. Bartlett's December-January Arizona #2 (1998-99) is viewable by appointment at Marianne Boesky Gallery in New York. Jennifer Bartlett, December-January Arizona #2, 1998-99. Pastel on paper, 30 x 30 inches, 76.2 x 76.2 cm. #JenniferBartlett #MarianneBoeskyGallery #Arizona #JoanDidion #KlausOttmann

Beautiful @danielle_mckinney_ ✨ 🎨 I love how the toenail polish is echoed in the rug shapes #daniellemckinney #quietstorm #marianneboeskygallery

#daniellemckinney at #marianneboeskygallery

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📚 Read: In a world consumed by hustle culture, discover how Danielle McKinney and Tricia Hersey are leading quiet revolutions. Through their art and advocacy, they challenge norms and prioritize self-care, inspiring others to embrace rest as a form of empowerment. Explore their stories of resilience and resistance against the relentless demands of productivity here: https://bit.ly/restrepose or link in bio #RestasResistance #FineArt #BlackWomen #BlackWoman #BlackArt #AfricanAmericanArt #dailycommune #DanielleMcKinney #TriciaHersey #NapMinistry #MarianneBoeskyGallery

"Improvement points, I wonder?" Micky #Gagosian #DavidZwirner #PaceGallery #WhitneyMuse #MoMA #MaryBooneGallery #MarianneBoeskyGallery #京都市京セラ美術館 #Interest #Opportunity #Inquiry #Invitation #Collaboration #Proposal #Agreement #Offer #Discussion #Approach

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Good morning everyone, Please join me to welcome our friend phenomenal artist Mary Lovelace O’Neal and Rail beloved ArTonic Editor Jessica Holmes (@pickle33) today Friday (4/19) for a conversation on the occasion of HECHO EN MÉXICO—a mano at Marianne Boesky Gallery (@marianneboeskygallery) and New Work: Mary Lovelace O’Neal at SFMOMA, San Francisco (@sfmoma). Mary will discuss drawing on a broad range of influences—from Minimalism to Abstract Expressionism—to parse worldly themes of race and gender while remaining fully immersed in conceptual and metaphysical investigations of joy, exuberance, nature, and the sublime; mining the visual language she has developed over her six-decade career, iterating on the imaginative forms, innovative materiality, and inventive handling of color that have come to define her practice in her monumental canvases on view at Marianne Boesky Gallery; and how her body of work—which includes paintings, prints, and drawings—reconciles the intimate and the monumental, the minimalist and the expressionist, personal narrative and collective mythology. You can register for this conversation through the link in our bio. And you can see HECHO EN MÉXICO—a mano, on view at Marianne Boesky Gallery through May 4th and New Work: Mary Lovelace O’Neal, on view at SFMOMA through October 20th. 🙏🩵🌷🥂📘🪷🔎🏓🌈🌝🪷🛸🏄‍♀️💚 ⚡ #MaryLovelaceONeal #MarianneBoeskyGallery #hechoenmexico @whitneymuseum #Painting #NewWork #artistconversation #terrafoundation #artdaily #artoftheday @antonio.claudio.carvalho @annakunzchicago @kathebradford @gretsterrett @monirafoundation

Victoria L. Valentine reviewed Mary Lovelace O'Neal: HECHO EN MÉXICO—a mano for Culture Type. Throughout Lovelace O'Neal's newest body of work, fantastical figures and hints of architecture spring forth from richly textured black surfaces. Working exclusively on seven-foot-by-five-foot canvases, Lovelace O’Neal often creates diptychs, triptychs, and quadriptychs—alternately sending her characters and gestures bounding across multiple canvases or abruptly halting their progress, prompting the viewer to imagine the rest of the narrative. Within these expansive paintings, planes of action melt into one another, slipping backward and forward as narratives appear momentarily before receding again into the depth of vast, black surfaces. HECHO EN MÉXICO—a mano is on view at Marianne Boesky Gallery through May 4. Lovelace O’Neal’s work is also included in the 2024 Whitney Biennial, opening March 20, and a solo exhibition of her work at the San Francisco Museum of Modern Art, opening March 16. Read Valentine's review of the exhibition at the link in our story. @marylovelaceoneal @culturetype @whitneymuseum @sfmoma #MaryLovelaceONeal #MarianneBoeskyGallery #hechoenmexico

Artist Mary Lovelace O’Neal joins Rail ArTonic Editor Jessica Holmes (@pickle33) on Friday (4/19) for a conversation on the occasion of HECHO EN MÉXICO—a mano at Marianne Boesky Gallery (@marianneboeskygallery) and New Work: Mary Lovelace O’Neal at SFMOMA, San Francisco (@sfmoma). Lovelace O’Neal will discuss drawing on a broad range of influences—from Minimalism to Abstract Expressionism—to parse worldly themes of race and gender while remaining fully immersed in conceptual and metaphysical investigations of joy, exuberance, nature, and the sublime; mining the visual language she has developed over her six-decade career, iterating on the imaginative forms, innovative materiality, and inventive handling of color that have come to define her practice in her monumental canvases on view at Marianne Boesky Gallery; and how her body of work—which includes paintings, prints, and drawings—reconciles the intimate and the monumental, the minimalist and the expressionist, personal narrative and collective mythology. You can register for this conversation through the link in our bio. And you can see HECHO EN MÉXICO—a mano, on view at Marianne Boesky Gallery through May 4th and New Work: Mary Lovelace O’Neal, on view at SFMOMA through October 20th ⚡ #MaryLovelaceONeal #MarianneBoeskyGallery #hechoenmexico @whitneymuseum #Painting #NewWork #artistconversation #terrafoundation #artdaily #artoftheday

"As a painter, Danielle Mckinney has just one subject: Black women in moments of repose," Veronica Esposito writes in the Guardian. "From that singular basis she has managed to produce years of acclaimed artwork." In an ambitious new suite of oil paintings on view in Quiet Storm at Marianne Boesky Gallery, Mckinney infuses intimate settings with radical beauty and striking emotional sway. Quiet Storm is on view through April 27. Read Esposito's full story on the exhibition at the link in our story. Danielle Mckinney, Read the Room, 2024. Oil on linen, 18 x 24 inches, 45.7 x 61 cm @danielle_mckinney_ @guardian @la.doppia.vita #DanielleMckinney #quietstorm #MarianneBoeskyGallery

Danielle McKinney's portraits of solitary women lost in thought or in respite are mesmerizing. Painted in a very cinematic manner, each painting captures a scene which is at once immediately familiar while also has a voyeuristic quality to them. There is something about these paintings that feel classic, and historical to me despite the fact McKinney is painting today. I love the way she crops her paintings in a manner reminiscent to photography. #daniellemckinney #marianneboeskygallery #contemporaryart #contemporaryportraiture #artadvisory #wkart

Mary Lovelace O'Neal will join Brooklyn Rail ArTonic Editor Jessica Holmes for a conversation about Mary Lovelace O'Neal: HECHO EN MÉXICO—a mano on April 19 at 1 PM. In these monumental canvases on view in the exhibition—all made over the past three years in the artist’s Mérida, Mexico studio—Lovelace O’Neal mines the visual language she has developed over her six-decade career, iterating on the imaginative forms, innovative materiality, and inventive handling of color that have come to define her practice. Mary Lovelace O’Neal: HECHO EN MÉXICO—a mano coincides with Lovelace O’Neal’s inclusion in the 2024 Whitney Biennial,a solo exhibition of her work at the San Francisco Museum of Modern Art. Register for the live, virtual talk at the link in our story. 📸 Aubrey Trinnaman and Lance Brewer @marylovelaceoneal @brooklynrail @whitneymuseum @sfmoma #MaryLovelaceONeal #MarianneBoeskyGallery #hechoenmexico

Before they wake, a painting by Danielle Mckinney, whose work is on view through April 27 at Marianne Boesky Gallery, New York City. © Danielle Mckinney. Courtesy of Marianne Boesky Gallery @marianneboeskygallery @danielle_mckinney_ #DanielleMckinney #quietstorm #MarianneBoeskyGallery

Tomorrow—Monday, April 15—Mary Lovelace O'Neal and Marianne Boesky will join Alison Stewart on WNYC's All of It to talk about HECHO EN MÉXICO—a mano, an exhibition of all new paintings by Lovelace O'Neal on view at Marianne Boesky Gallery through May 4. In Lovelace O'Neal's newest body of work, fantastical figures and hints of architecture spring forth from richly textured black surfaces. Working exclusively on seven-foot-by-five-foot canvases, Lovelace O’Neal often creates diptychs, triptychs, and quadriptychs—alternately sending her characters and gestures bounding across multiple canvases or abruptly halting their progress, prompting the viewer to imagine the rest of the narrative. Within these expansive paintings, planes of action melt into one another, slipping backward and forward as narratives appear momentarily before receding again into the depth of vast, black surfaces. Catch Lovelace O'Neal and Boesky's conversation with Stewart live just after 1:30 PM on April 15 on WNYC 93.9 FM @allofitwnyc @wnyc @marylovelaceoneal @krause.co #MaryLovelaceONeal #hechoenmexico #marianneboeskygallery

Throughout his recent practice, Pier Paolo Calzolari engages with notions of color and light—ultimately producing compositions that are both highly charged and contemplative. Throughout these works, Calzolari sheds a new light onto his painting practice, combining traditions deeply embedded in art history with the material concerns of Arte Povera, collapsing temporalities on the canvas, and creating a meditation on memory. A leading figure in the postwar Arte Povera movement, Calzolari is renowned for the material inventiveness and formal originality of his expansive, genre-defying practice. Working with equal fluency in painting, sculpture, installation, and performance, Calzolari’s work embraces a fascination with the alchemical while examining the potential of light, the essence of memory, and the poetic character of the natural world and the urban environment. Lunettes papillon (2017) is viewable at Marianne Boesky Gallery in New York by appointment. Pier Paolo Calzolari, Lunettes papillon, 2017. Salt, tempera grassa, oil pastels, enamel, brass wire, stabilized rose petals on wood, 49 3/4 x 65 x 7 inches,126.4 x 165.1 x 17.8 cm. @pierpaolocalzolari #pierpaolocalzolari @fondazionecalzolari #marianneboeskygallery

Color wheel for a gray day. Lots of writing, conversations, and reviews to come🩷🧡💙💜 . . . . . . @marylovelaceoneal @marianneboeskygallery @rubinmuseum @levygorvydayan @yvesklein_archives #marylovelaceoneal #marianneboeskygallery #rubinmuseum #himalayanart #levygorvydayan #yvesklein #yveskleinblue #color #colormyworld #inlivingcolor #flowers #spring #blue #newyorkinspring #newyork #artists #writers

On view through April 27 | Danielle Mckinney: Quiet Storm In an ambitious new suite of oil paintings on view in Quiet Storm, Danielle Mckinney infuses intimate settings with radical beauty and striking emotional sway. Quiet Storm comes on the heels of the opening of Mckinney’s first institutional solo exhibition, Fly on the Wall, on view at the Fondazione Sandretto Re Rebaudengo in Turin, Italy through October 2024. With her newest work, Mckinney continues her ongoing dialogue with the histories of photography and painting. Trained as a photographer, Mckinney primes her canvases with a black ground, pulling her figures and settings out of shadow as if developing film in a darkroom. Compiling her compositions from various sources—adopting a pose from a 19th century photograph, borrowing the tilt of a head from a vintage magazine photoshoot, imitating a coy expression from a famous painting—Mckinney nevertheless infuses her paintings with a singular vision, with a specificity entirely her own. 📸 Lance Brewer @danielle_mckinney_ @fondazionesandretto #DanielleMckinney #quietstorm #MarianneBoeskyGallery

Marianne Boesky Gallery presents ”Quiet Storm,“ an exhibition featuring the latest works by Danielle McKinney (b. 1981; Montgomery, AL). In this compelling series of oil paintings, McKinney imbues intimate settings with a radical beauty and profound emotional depth. ”Quiet Storm“ follows the success of McKinney‘s inaugural institutional solo exhibition, ”Fly on the Wall,“ currently on display at the Fondazione Sandretto Re Rebaudengo in Turin, Italy until October 2024. Across her intimately-scaled portraits, McKinney envisions solitary female protagonists nestled within dream-like domestic interiors, indulging in moments of leisure and contemplation. In the twelve paintings comprising ”Quiet Storm,“ McKinney creates a spiritual and physical mise-en-scène. As her figures lounge on plush sofas, doze on pillow-strewn beds, and puff on cigarettes, they are fully immersed in their own interior worlds while a storm brews outside. Rain softly taps on the roof, distant thunder rumbles, and the scent of petrichor seeps through the cracks in the windows. Internally, a quiet storm also stirs, as these tranquil yet electrified women ground themselves corporeally and emotionally in the present moment. With her latest series, McKinney continues her ongoing exploration of the intersections between photography and painting. Drawing on her background in photography, McKinney primes her canvases with a black ground, reminiscent of developing film in a darkroom, to bring her figures and settings out of the shadows. While compiling her compositions from various sources—a pose from a 19th-century photograph, a tilt of the head from a vintage magazine photoshoot, or a coy expression from a famous painting—McKinney infuses each painting with her unique vision and a specificity entirely her own. “I don’t literally paint that table, but the emotion it produces on me” — Henri Matisse 🎉@danielle_mckinney_ 🎉✨@marianneboeskygallery ✨ 1-10. Installation View. #daniellemckinney #marianneboeskygallery #quietstorm #portraits #femaleprotagonist #henrimattise #oilonlinen #saintfleurinc #brushstrokes #saintsandmartyrs #historyofportraiture #photographandpainting #matissepaints

🎨 #ArtIsAWeapon #NewExhibit Danielle Mckinney: Quiet Storm On view April 4-27, 2024 Marianne Boesky Gallery 📍509 W. 24th Street, #NYC I am a huge fan of #DanielleMckinney's work, so I am excited to see this new exhibit (the title is **chef's kiss**)!! Swipe 👈🏿 @marianneboeskygallery @danielle_mckinney_ Reposted from @marianneboeskygallery @danielle_mckinney_ In an ambitious new suite of oil paintings on view in Quiet Storm, Danielle Mckinney infuses intimate settings with radical beauty and striking emotional sway. Quiet Storm comes on the heels of the opening of Mckinney’s first institutional solo exhibition, Fly on the Wall, on view at the Fondazione Sandretto Re Rebaudengo in Turin, Italy through October 2024. With her newest suite of paintings, Mckinney continues her ongoing dialogue with the histories of photography and painting. Trained as a photographer, Mckinney primes her canvases with a black ground, pulling her figures and settings out of shadow as if developing film in a darkroom. Compiling her compositions from various sources—adopting a pose from a 19th century photograph, borrowing the tilt of a head from a vintage magazine photoshoot, imitating a coy expression from a famous painting—Mckinney nevertheless infuses her paintings with a singular vision, with a specificity entirely her own. @fondazionesandretto #quietstorm #MarianneBoeskyGallery #BlackGirlArtGeeks #Art #BlackArtists

On view through April 26 | Jammie Holmes: Church Folks at the Gordon Parks Foundation Gallery in Pleasantville, NY For this exhibition, Holmes created a suite of paintings inspired by the Black churches at the heart of numerous southern communities, places that unite through shared faith, joy, and grief. Among the references for this body of work is Gordon Parks’s 1956 series Segregation Story, which documented the everyday lives of Black Americans in the Jim Crow South. Holmes was particularly interested in Parks’s images of the events just before and after the church service, scenes that for Holmes captured “what felt like home.” Church Life focuses on these quotidian moments through tableaux and portraits that are imagined yet familiar, and memorialized through symbolic objects, gestures, and palette that speak to Holmes’s identity. Together, they represent what he terms “the universal language of the American South.” Holmes, whose intimate, complex paintings foreground themes and experiences of Black life in the contemporary American South, was a 2023 Gordon Parks Fellow. Jammie Holmes: Church Folks is on view through April 26, 2024. 📸 Elisabeth Bernstein @jholmes214 @gordonparksfoundation #JammieHolmes #MarianneBoeskyGallery #GordonParks

obsessed #daniellemckinney

Danielle Mckinney (@danielle_mckinney_) at @marianneboeskygallery #daniellemckinney #marianneboeskygallery

Yet untitled" ________"Beauty stripped bare" - an essay on my art ____________ link in profile. Oil on Canvas #contemporaryart #canvasart #artindeed #artstyle #loveforart #powerfulart #artissima #moderngallery #modernartgallery #artaddict #artworld #artcollector #pacegallerynyc #kamelmennour #alminerechgallery #mallgalleries #lisson_gallery #waddingtoncustot #almachartgallery #marianneboeskygallery #massimodecarlogallery #maddoxgallery #vigogallery #simonleegallery #michaelhoppengallery #beerslondon #turnercontemporary

Through May 4 | Mary Lovelace O’Neal: HECHO EN MÉXICO—a mano In the monumental canvases on view in HECHO EN MÉXICO, Mary Lovelace O’Neal mines the visual language she has developed over her six-decade career, iterating on the imaginative forms, innovative materiality, and inventive handling of color that have come to define her practice. Throughout these works—all made over the past three years in her Mérida, Mexico studio—fantastical figures and hints of architecture spring forth from richly textured black surfaces. Working exclusively on seven-foot-by-five-foot canvases, Lovelace O’Neal creates diptychs, triptychs, and quadriptychs—alternately sending her characters and gestures bounding across multiple canvases or abruptly halting their progress, prompting the viewer to imagine the rest of the narrative. Within these expansive paintings, planes of action melt into one another, slipping backward and forward as narratives appear momentarily before receding again into the depth of vast, black surfaces. Mary Lovelace O’Neal: HECHO EN MÉXICO—a mano is on view at Marianne Boesky Gallery in New York through May 4. ROUND MIDNIGHT, 2021-2023. Acrylic and mixed media on canvas, 7 x 5 feet 📸 Michael Covian @marylovelaceoneal #MaryLovelaceONeal #MarianneBoeskyGallery #hechoenmexico

A study in self-care 🛋️ Titled “Quiet Storm”, Danielle Mckinney @danielle_mckinney_ ’s current exhibition @marianneboeskygallery showcases a series of oil paintings marked by profound emotional resonance. The exhibition demonstrates Mckinney’s adeptness in capturing intimate, serene moments with deem-like domestic settings. 🛋️🚬 Through these 12 paintings, she constructs a spiritual and physical space where solitary female figures find moments of peace amidst the backdrop of a brewing storm, both literal and metaphorical, highlighting the tranquility experienced by her subjects. 🌀 Mckinney‘s practice is an ongoing exploration of portraiture, color, and composition informed by an expansive dialogue with art history. By employing techniques that recall the development of photographs from negatives and drawing inspiration from a diverse range of historical and contemporary sources, she achieves a unique visual language that is both timeless and elusive. 💙 📷 by us @lssartadvisory #art #contemporaryart #daniellemckinney #marianneboeskygallery #newyorkartgallery #newyorkartscene #galleryexhibition #artcollector #artcollection #artadvisor @the_apaa

“Quiet Storm” is Danielle Mckinney’s second exhibition in Marianne Boesky’s Chelsea space. Mckinney’s protagonists are depicted as solitary figures, daydreaming, lost in thought with a cigarette or sleeping in pared down interiors reminiscent of the Spanish Baroque or perhaps Manet. The show is on view through April 27 and we are looking forward to seeing her exhibition at Fondazione Sandretto Re Rebaudengo in Turin.⁣ ⁣ Images:⁣ 1 & 2. ‘Hold Your Breath,’ 2024⁣ ⁣ 3. ‘Chase’s Mirage,’ 2024⁣ ⁣ 4 & 5. ‘Evening Star,’ 2024⁣ ⁣ 6 & 7. ‘Dawn’s Chorus,’ 2024⁣ ⁣ #daniellemckinney⁣ @danielle_mckinney_ #quietstorm #marianneboeskygallery @marianneboeskygallery #figurativepainting #eveningstar #holdyourbreath #modicacarr #modicacarrartadvisory

In the exhibition “Quiet Storm”, new work by Danielle Mckinney, contemplative, voyeuristic interior narratives of solo female figures emerge from darkened canvases, evoking both respite and uncertainty. On view @marianneboeskygallery through 04.27.24. #DanielleMcKinney #ContemporaryArt #Figurative #MarianneBoeskyGallery #CincalaArtAdvisory