diebenkorn images

Discover Best diebenkorn Images of World

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“The emphasis in my development over the past year has changed from one of concern with the general form and style of my work, as part of an art movement [Abstract Expressionism], to a specific and personal application within a familiar frame directed toward developing those things, which, as an individual, I have to say.” —Richard Diebenkorn, 1954 Our #DiebenkornDraws series continues with a second horizontal image loosely defined into three parts that run parallel. Amorphic forms ebb and bulge, following an imperceptible current. Light blue wash splatters. A crooked cross referencing heraldic shapes churns in black ink. Untitled, 1955, ink and crayon on paper mounted on cardboard, 8 1/2 x 11 in. (21.6 x 27.9 cm), Collection of the Richard @DiebenkornFoundation #RichardDiebenkorn #Diebenkorn #DiebenkornInsights #color #DiebenkornLineandSpace #painting #Berkeley #California #AbEx #abstractobsession #modernart #artoftheday #abstractart #abstactpainting #painter #Americanartist #create #culture #arthistory #drawingseries #worksonpaper #watercolordrawing #landscapedrawing #landscape #Wednesday #instadaily #instagram

5/22/2024, 11:02:07 PM

“Deliberately defining ‘abstract’ as a verb rather than a noun, he also clearly stated his belief that the creation of every type of art involves a process of abstraction that is intrinsic to the very definition of art,” wrote Timothy Burgard in 2013. “While critics traditionally have viewed Diebenkorn’s work through the prescriptive lenses of abstraction and figuration, he noted that their subjects—the artist and his work—are by nature resistant to such arbitrary categorizations.” Our #DiebenkornDraws looks at two landscape drawings from the artist’s short period painting abstractly in Berkeley. Here aerial perspective and the vanishing point characterize the composition, creating a depth of space that pulls away. Ballpoint pen adds texture, disturbs, and defines. Diagonals and horizontals compete. A few organic forms slip in. Untitled, c. 1955–67, ink, ballpoint pen, and watercolor on paper, 8 1/2 x 11 in. (21.6 x 27.9 cm) Quote taken from the essay "The Nature of Abstraction: Richard Diebenkorn's Berkeley Period" by Timothy Anglin Burgard in the exhibition catalogue Richard Diebenkorn: The Berkeley Years, 1953–1966. Published by the Fine Arts Museum of San Francisco, 2013 #RichardDiebenkorn #Diebenkorn #DiebenkornInsights #color #DiebenkornLineandSpace #painting #Berkeley #California #AbEx #abstractobsession #modernart #artoftheday #abstractart #abstactpainting #painter #Americanartist #create #culture #arthistory #drawingseries #worksonpaper #watercolordrawing #landscapedrawing #landscape #Wednesday #instadaily #instagram

5/22/2024, 7:15:07 PM

Richard Diebenkorn Café, 1959. SFMOMA, San Francisco Richard Diebenkorn (22 de abril de 1922 - 30 de marzo de 1993) fue un pintor y grabador estadounidense. Sus primeros trabajos se asocia con el expresionismo abstracto y el Movimiento Figurativo del Área de la Bahía de los años 1950 y 1960. A finales de la década de 1960 comenzó su extensa serie de pinturas abstractas geométricas y líricas. Conocidas como las pinturas de Ocean Park, estas pinturas fueron decisivas para su logro de aclamación mundial. #richarddiebenkorn #diebenkorn #americanart #figurativeartist #womanportrait #californiaartist #bayareaartist #abstractexpressionist #art #artist #museum #artoninsagram #artistsoninstagram #arthistory #artistassoninstagram #art

5/21/2024, 7:49:16 PM

Highlights from weekend before last (in no particular order). Unfortunately, a few of these are closed, but a couple are still running! 👀 @yveline_tropea_ @shoshanawayne (ended) @??? 😭 @allouchegallery (still up!) @luisbermudezsculpture @lalouver (ended) @knightmight @modestcommon (still up!) @maddy_inez @noonprojects (still up!) #Diebenkorn @lalouver (ended)

5/21/2024, 5:56:21 PM

– Fragment How you always those soft hands of head on my belly I asked what you were thinking, you laughed, said “Something about yellow curry.” I laughed and listen, it’s just (Not that you’d mind.) By Rebecca Lindenberg Seated Woman in Striped Chair, 1965, oil on canvas, 39 1/2 x 30 1/2 in. (100.3 x 77.5 cm) Poem by @BexLindenberg from the book “Love, An Index.” Published by @McSwys, San Francisco, 2012 #RichardDiebenkorn #Diebenkorn #DiebenkornLineandSpace #BayAreFigurative #representationalart #figurepainting #postwarart #arthistory #painting #howtopaint #create #AmericanArtist #California #color #modernart #instadaily #instagram #contemporarypoetry #poetry #mustreadpoetry #RebeccaLindenberg #McSweeneys

5/20/2024, 7:15:06 PM

#diebenkorn

5/20/2024, 5:53:04 PM

Il n'y a qu'en Amérique qu'on peut voir ça ! . Une chambre d'amis d'un luxueux appartement de la 5ème avenue à New York. . Mais au delà de ce tissu imprimé utilisé tant pour les murs, la literie que l'abat-jour, il faut voir les merveilles au mur : - un dessin de David Hockney - une superbe gravure de Lucien Freud - une rareté colorée de Richard Diebenkorn - un dessin cubiste de Pablo Picasso - un dessin d'Arshile Gorky - et un nu superbe d'Henri Matisse. Dingue, non ? . #deco #design #collector #matisse #picasso #lucianfreud #diebenkorn #gorky #Hockney #DavidHockney #newyork #decoration #collection #yoyomaeght

5/20/2024, 1:48:28 PM

#Richard #Diebenkorn, Girl with Flowered Background,1962, oil on canvas, 101.6 x 86.4 cm #ArtesPlásticas #Pinturas #Paints #Peinture #Aquarelas #Esculturas #Sculptures #Draws #Desenhos #Gravuras #Engraves #Cerâmicas #Ceramic #Grafiti #Art #FineArt + Artes-> www.mesquita.blog.br

5/20/2024, 12:39:39 PM

Richard Diebenkorn - Berkeley #33, 1954, oil on canvas, 61 x 51.8 cm #diebenkorn

5/19/2024, 9:13:20 PM

Part of a club form extends upward from the center, ballooning and squiggling off the canvas. Yellow changes hue and sheen, catching the light at various patches and planes. A white blue drips before drying along the left edge. Apricot inserts itself between red and teal. #RichardDiebenkorn made this painting in 1967 as the first canvas of his acclaimed Ocean Park series that spanned twenty years. “Often in the past Diebenkorn had relied upon familiar objects or views to inspire his compositions; now he began to use that technique in a new stripped-down, hybridized synthesis of the representational and the abstract,” wrote Jane Livingston. Here he relies heavily on primary colors, a construct rarer in the larger body of work but not without precedent. He experimented with this color trio on and off over the years, applying it in smaller scale horizontal Ocean Park drawings and prints published by Crown Point Press as well as paintings of interiors, landscapes, and still lifes from his figurative years. Ocean Park #1, 1967, oil on canvas, 80 x 62 1/4 in. (203.2 x 158.1 cm), Collection of the Richard @DiebenkornFoundation Quote taken from Jane Livingston in the "Richard Diebenkorn: The Catalogue Raisonné," Vol. 4. Published by @YaleBooks, New Haven and London, in association with the Fine Arts Museums of San Francisco and the Richard @DiebenkornFoundation, 2016 #Diebenkorn #DiebenkornQuote #art #visualpoetry #abstractart #OceanPark #landscapeart #modernart #California #SantaMonica #LosAngeles #sunshineandocean #sunshineandnoir #Americanpainter #abstractpainting #westcoastexposures #westcoastlight #color #painting #arthistory #postwarart #engagewithart #instadaily #SaturdayVibes #Saturday #springseason #spring

5/18/2024, 7:30:10 PM

"(...)Diebenkorn did not try to harmonize his figure-ground relationships to achieve a joyful frisson, and instead used his direct manner of application to arrive at a psychological tone that was comparatively inconclusive." – excerpt from "Faces and Figures: Richard Diebenkorn's Formative Space" by Stephanie Huber . Untitled, ND, gouache on paper, 23 7/8 x 18 7/8 in. (60.6 x 47.9 cm) . . . @diebenkornfoundation #Diebenkorn #RichardDiebenkorn

5/17/2024, 4:00:10 PM

Henri Matisse. 'Seated Riffian', (Le Rifain assis), painted between November and December 1912. Barnes Collection. Henri Matisse painted this tribesman from the Rif Mountains of northern Morocco during a trip to the region in 1912. Rendered with bold colors and on a monumental scale, the figure fills the canvas from top to bottom and confronts the viewer directly. Morocco was under French rule at the time of Matisse's visit. Like so many other works produced during the colonial period, this one reflects the European fascination with the "exoticism" of faraway lands. I am also certain that artists like Robert Motherwell, Frank Stella, Richard Diebenkorn and Sean Scully have subconsciously 'borrowed' from the Matisse Moroccan phase. #matisseinspired #matisse #diebenkorn #contemporaryart #richarddiebenkornfoundation #legacy #paris #sanfranciscomuseumofmodernart #oceanpark #colour #gertrudestein #contemporarypainting #inspiration #influence #seanscully #frankstella #robertmotherwell #barnescollection

5/16/2024, 6:29:10 PM

'Open Window, Collioure', is a painting by Henri Matisse. The work, an oil on canvas, was painted in 1905 and exhibited at the Salon d'Automne in Paris the same year. It was bequeathed in 1998 by the estate of Mrs. John Hay Whitney to the National Gallery of Art, Washington, DC. It is an example of the Fauvist style of painting that Matisse became famous for, and for which he was a leader, roughly between the years 1900–1909. It depicts the view out the window of his apartment in Collioure, on the Southern coast of France. We see sailboats on the water, as viewed from Matisse's hotel window overlooking the harbour. He returned frequently to the theme of the open window in Paris and especially during the years in Nice and Etretat, and in his final years, particularly during the late 1940s. The fauves liberated color from any requirements other than those posed by the painting itself. "When I put a green," Matisse would say, "it is not grass. When I put a blue, it is not the sky." Art exerted its own reality. Colour was a tool of the painter's artistic intention and expression, uncircumscribed by imitation. Matisse’s imperative was to "interpret nature and submit it to the spirit of the picture."  #matisse #diebenkorn #bonnard #mauricedenis #vuillard #fauvres #colourasmemory #colour #contemporaryart #colourasmemory #hotel #paris #collioure #nice #sky #harbour #contemporarypainting #liberation #collioure #art #painting #lookingoutthewindow #lookingout @snoddy.stephen

5/16/2024, 11:55:13 AM

a short stop in Palo Alto, after a weekend in Carmel celebrating @mmmmajaa, for a quick lunch @truefoodkitchen_ and culture @cantorarts #ruthasawa #richardserra #diebenkorn

5/16/2024, 3:44:59 AM

“On the small heads my only intention is to bring to them what to me is a human look,” wrote #RichardDiebenkorn in a studio note dated circa 1956–59. “The breadth of handling, the colors used, the kind of light, etc. all are brought to the painting as a means to fulfilling this intention. Even the human look is not preconceived. Often in mid-process I re-realize that this is all that I want from the canvas.” Our #DiebenkornDraws continues with a second portrait compact in scale and closely cropped to the woman’s head. Green fuses with the shape of her face and flowered hat. Red lips float in pinky flesh tones. Color gathers into pattern. She remains out of focus. See “Richard Diebenkorn: Figures and Faces” at @VanDorenWaxter in New York on view through June 28. Don’t miss the vitrine of archival material containing photographs and writings of the artist’s home and studio life. Untitled, c. 1957–63, oil and gouache on paper, 14 1/4 x 11 1/4 in. (36.2 x 28.6 cm), Collection of the Richard @DiebenkornFoundation #RichardDiebenkorn #Diebenkorn #DiebenkornQuote #Wednesday #representationalpainting #figurativeart #gouacheonpaper #gouachedrawing #femaleportrait #portrait #heads #DiebenkornInsights #BayAreaFigurative #California #femaleform #portaiture #color #howtosee #modernart #postwarart #Americanpainter #arthistory #culture #engagewithart #drawingseries #DiebenkornToday #DiebenkornOnView #VanDorenWaxter

5/15/2024, 11:15:11 PM

“When I select a subject to work from I seem to include one element or thing that is all wrong – which works against the total feeling or unity,” #RichardDiebenkorn wrote on a scrap of paper in his studio. “If I’m lucky I stumble over it or sometimes for the wrong reasons I destroy it and I have what for me is right.” Our #DiebenkornDraws series looks at two female portraits, tightly cropped to their heads, on view in “Richard Diebenkorn: Figures and Faces” at @VanDorenWaxter in New York. Here the artist moves purple in an S curve, covering her upper forehead and the right side of her face, splitting her features in half. A golden yellow brings her forward from darkness behind. See the portrait and studio note in person in the exhibition at @VanDorenWaxer through June 28, 2024. Untitled, c. 1957–63, gouache and casein on paper, 12 x 9 in. (30.5 x 22.9 cm), Collection of the Richard @DiebenkornFoundation #RichardDiebenkorn #Diebenkorn #DiebenkornQuote #Wednesday #representationalpainting #figurativeart #gouacheonpaper #gouachedrawing #femaleportrait #portrait #heads #DiebenkornInsights #BayAreaFigurative #California #femaleform #portaiture #color #howtosee #modernart #postwarart #Americanpainter #arthistory #culture #engagewithart #drawingseries #DiebenkornToday #DiebenkornOnView #VanDorenWaxter

5/15/2024, 6:40:08 PM

Richard Diebenkorn, Berkeley #57, 1955

5/15/2024, 3:16:15 PM

“In the Bedroom” (2023) Oil and pastel on canvas, 11.7in x 16.5in #painting #oilpainting #modernart #painter #artist #impressionism #expression #vuillard #bonnard #matisse #diebenkorn #toulouselautrec #degas #pastel #fineart #color #colorful

5/15/2024, 10:02:44 AM

Richard Diebenkorn Berkeley #4 1953. #diebenkorn

5/15/2024, 1:34:47 AM

Richard Diebenkorn, Ocean Park No. 22, 1969, oil on canvas. Collection Virginia Museum of Fine Art. I was lucky enough to see his exhibitions at Whitechapel in 1991 and the RA in 2015. I started making art again in 2013 and RD is always an artist I look to. Richard Diebenkorn (April 22, 1922 – March 30, 1993) was an American painter and printmaker. His early work is associated with abstract expressionism and the Bay Area Figurative Movement of the 1950s and 1960s. In the late 1960s he began his extensive series of geometric, lyrical abstract paintings. Known as the Ocean Park paintings, these paintings were instrumental to his achievement of worldwide acclaim. The art critic Adrian Stokes wrote, ‘The great work of art is surrounded by silence.’ #silence #diebenkorn #pierodellafrancesca #stillness #slowingdown #meditation #oceanpark #masterpieces #arezzo #empty #quiet #space #time #flagellation #christ #geometrical #annunciation #bricemarden #thira #diebenkorn100 #interior #edwardhopper #lyrical #abstraction #oiloncanvas #sanfrancisco #americanart #americanpainting #modernism

5/14/2024, 10:05:47 PM

“Afternoon Tea” (2023) -Oil and pastel on corrugated board, 9in x 14in -Preliminary sketch (page 2) The painting was an attempt of mine to tackle the essence of Henri de Toulouse-Lautrec. Known for his honest and humorous take on Parisian nightlife, Toulouse-Lautrec has always fascinated me with his whimsical and playful depiction of Parisian folk whether it be in brothels, cafés or Can-Can cabarets. He was a keen observer of his surroundings and had an eye for capturing rapid movement in which he was influenced by one of the pioneers of Impressionism, Edgar Degas. In my exploration within Toulouse-Lautrec’s line of work, the sense within his depiction of people had a melodramatic feel towards them and scenes of bright, cheerful dances lean toward a more nostalgic and melancholic feel. Longing to want to achieve this quality within my works, this painting of the parents of a fellow café owner in Kuala Lumpur who also happened to be a fellow schoolmate whom I reconnected back in 2021 showcases several qualities that I am quite pleased in terms of mimicking the late painter. #painting #oilpainting #modernart #painter #artist #impressionism #expression #vuillard #bonnard #matisse #diebenkorn #toulouselautrec #degas #pastel #fineart #color #colorful

5/13/2024, 9:38:32 AM

#diebenkorn

5/13/2024, 8:31:35 AM

#diebenkorn

5/13/2024, 8:21:10 AM

Today @sothebys so fun to be led around by my dearest @carollconzz #joanmitchell #johnchamberlain #diebenkorn #rossbleckner

5/12/2024, 11:31:00 PM

#diebenkorn

5/11/2024, 10:11:50 PM

Final day to view ♣️ 'Richard Diebenkorn: Works on Paper' at L.A. Louver. ⁠ ⁠ The gallery is open today, Saturday, 11 May, 10am - 6pm. Learn more about 'Richard Diebenkorn: Works on Paper' on our website at lalouver.com by finding this post in our linkin.bio. ⁠ ⁠ --⁠ Installation images of 'Richard Diebenkorn: Works on Paper' at L.A. Louver, 2024. Photography by Matt Emonson.

5/11/2024, 6:25:19 PM

Grillo’s Haystacks Collage with mixed media on paper 11 x 14 inches #collage #grillo #abstraction #abstract #motherwell #diebenkorn #leger #hofmann #kandinsky #klee #albers #cadler #rothko #krasner #gropius #bayer #marcarelli #halley #peterblake

5/11/2024, 5:55:00 PM

Couple of folks chilling by the pool. #pool #diebenkorn #surrealism

5/11/2024, 1:53:43 PM

”Richard Diebenkorn at LA Louver” Richard Diebenkorn @diebenkornfoundation was an American painter whose work spanned several decades and artistic movements, including abstract expressionism and geometric abstraction. Among my peers, he’s considered sacred, an untouchable master who’s kept within the exclusive domain on the highest shelf of the bookcase with the likes of Cy Twombly, Willem De Kooning, Joan Mitchell and Marsden Hartley. He’s easily considered one of the most important and influential artists of the 20th century, a painter’s painter. Keith Tolch @_k_tolch_ , artist living and working in Los Angeles, contributed to the article of “Richard Diebenkorn at LA Louver @lalouver .” If you are interested, please read this article. . . . #RichardDiebenkorn #laart #LALouver #Diebenkorn #WorksOnPaper #Gouache #Charcoal #LosAngelesExhibitions #arthistory #artlovers #artcollective #artgallery #conceptualart #contemporaryart #aoyamadesignforum #installation #artforartssake #contemporarypainting #contemporaryartwork #arttoday #artinspiration #contemporary_art #collectingart #artexpression #abstractpainting #現代アート #アート巡り #アートギャラリー #コンテンポラリーアート #ウェブマガジン

5/11/2024, 10:26:43 AM

Step west at Van Doren Waxter with #DiebenkornOnView through June 28. “Going back to California is not like going back to Vermont, or Chicago; Vermont and Chicago are relative constants, against which one measures one’s own change. All that is constant about my childhood is the rate at which it disappears.” —Joan Didion, 1965 “Like Didion’s descriptions of San Bernardino Valley or Sacramento,” writes Stephanie Huber in the exhibition catalogue, “Diebenkorn’s faces evoke a people at the precipice of a palimpsestic civilization. In the popular imagination the West had become synonymous with an offer of a fresh start—a potential for self-reinvention that was present in the nascent counterculture of the Bay Area, conjuring an idealism that hardens too much when you try to pin it down as a set of life principles.” “Richard Diebenkorn: Figures and Faces” delves into the details of capturing the human form and revives the ordinary. He looks at different things and pulls blue into almost every composition. He leaves the specifics behind, saying “The face had to lose a measure of its personality” because “the first response in taking it had to be relational.” The exhibition is on view from May 2 – June 28, 2024 at @VanDorenWaxter. Installation images courtesy @VanDorenWaxter. Artwork © Richard Diebenkorn Foundation Quote taken from the essay “Faces and Figures: Richard Diebenkorn’s Formative Space” by Stephanie Huber in the exhibition catalogue Richard Diebenkorn: Figures and Faces. Published by @VanDorenWaxter, 2024 #RichardDiebenkorn #Diebenkorn #DiebenkornToday #DiebenkornExhibition #VanDorenWaxter #NYart #artexhibition #BayAreaFigurativeArt #Americanartist #California #figurativepainting #UES #NYartgallery #spring #instadaily #Fridayvibes #Mayart #Maymood

5/10/2024, 9:54:30 PM

Today and tomorrow are the final days to view 'Richard Diebenkorn: Works on Paper' at L.A. Louver 🟦⁠ ⁠ Thank you to @patrickzapien for reviewing the exhibition yesterday in Caesura 🤍 Read the full article and explore the exhibition online by finding this post in our linkin.bio. ⁠ ⁠ Learn more about 'Richard Diebenkorn: Works on Paper,' closing 11 May 2024, on our website at lalouver.com. ⁠ ⁠ --⁠ Richard Diebenkorn, "Untitled (CR 1304)," 1954, ink, gouache, and charcoal on paper, paper: 11 x 8 1/2 in., framed: 16 3/8 x 13 5/8 in.

5/10/2024, 7:05:19 PM

Opening Reception tomorrow! Friday, May 10, 5-7 PM. The exhibitions are on view through June 8. Memory is similar to a map: constructed in superimposed layers. Reading a map requires gathering multiple levels of information, viewed and processed to get a whole picture, in both two and three-dimensional viewpoints. Anderson and Brown present two unique approaches to the same subject of mapping memory of place and space. Joan Hanley paints family members on cell phones, coupling, grouping, and uncoupling as if seen by a plant in the room or a tree out the window. When Hanley paints (as when she meditates) she tries to retreat from thinking. This non-thinking is close to the traditional understanding of the vegetative soul. Hanley’s paintings invite us to contemplate both the gifts and dangers of this unconscious, still, collective, non-verbal, and unthinking consciousness. The objects of Stilleven, Flemish for "Still Life", which Denis Versweyveld chooses to paint or sculpt are mostly ordinary things seen together or separately. Through imaginative efforts, these are transformed and reborn anew. This new entity is a metaphor for things that, like life itself, are both fragile and resilient. His overall intention is to pay tribute to daily life and the importance of the physical surroundings in which we live, creating a respite from the chaos and stress of our threatened environment, political chaos, and social upheaval. For these four artists, time is the focus of their practice, and by mapping (or documenting) intervals, we are transported by the fruits of that narrative. #contemporaryart #contemporarypainting #contemporarysculpture #vermontartist #newenglandartist #giorgiomorandi #stilllifepainting #popart #painterly #diebenkorn #heyuppervallery #nhartsconnect #newhampshireartist

5/9/2024, 8:11:11 PM

#diebenkorn

5/9/2024, 8:05:20 PM

#RichardDiebenkorn replaces a yellow triangle with a red polygon. He smooshes red angles into a green shard and changes the blue rectangle to yellow. He washes the whites in blue. Our #DiebenkornDraws series continues with a second Ocean Park abstraction from the 80s, complementary yet different. “However, a veritable thesaurus of accidents in the application was discovered and consulted for the same purpose,” wrote Jane Livingston. “‘Crudities’ was what Diebenkorn enjoyed calling them. They are, at once, freedoms within the obstacle of the narrow frame and obstacles themselves to its narrow perfection. They invite the notice of the careful viewer who soon discovers that attentive and inattentive looking may give not only different but also conflicting knowledge.” Untitled, 1984, gouache, acrylic, and crayon on paper, 25 x 38 in. (63.5 x 96.5 cm) Quote taken from the exhibition catalogue "The Art of Richard Diebenkorn" by Jane Livingston. Published by the @UC_Press in association with the @WhitneyMuseum of American Art, 1997 #RichardDiebenkorn #Diebenkorn #DiebenkornInsights #DiebenkornLineandSpace #gouacheonpaper #gouachedrawing #drawingseries #worksonpaper #crayondrawing #crayononpaper #acrylicdrawing #acryliconpaper #Wednesday #create #AmericanArtist #color #arthistory #instadaily #instagram #abstractart #SantaMonica #LAart #LosAngeles #OceanPark #California

5/8/2024, 11:15:09 PM