AnnaSchwartzGallery images

An installation view of ‘Chosen by a Cat’, an exhibition of recent sculpture and installation-based works by Emily Floyd, in view at Anna Schwartz Gallery until May 25: https://annaschwartzgallery.com/ #emilyfloyd #annaschwartzgallery

Chosen by a Cat 😻 I know & ❤️ how it feels to be Chosen by a Cat which is why I had to see @emilyfloyd0 ‘s show @annaschwartzgallery 👁️‍🗨️ As a perpetual crazy cat lady, Emily Floyd’s feline focused exhibition called to me like the cries of a hungry cat. And neither did her work or the gallery disappoint. The colourful compositions & highly stylised cats in the series of works feel reminiscent of the 1950’s futuristic ideal, fun filled yet somehow current. The Anna Schwartz Gallery is the quintessential white cube art space ⬜️ Perfectly polished from the glass entry door to the uniformly lit, impeccably clean rooms linked by a glistening chrome staircase, this gallery feels expensive. And it is. At my level of collecting, the starting price of ~55k is cost prohibitive but certainly not unreasonable for the calibre of works on offer at this commercial gallery. Even the catalogue is faultless. Printed on gorgeous thick matte paper, edged in black with beautifully shot photos in an A3 folded format. @sweet_polka ‘s write up in @artcollectormagazine about Chosen by a Cat is 👌From its references to @ursulakleguin as a source of inspiration for @emilyfloyd0 to descriptions of the artworks themselves, Zagala’s is 💯 on the money 👊🏻 Chosen by a Cat is on @annaschwartzgallery until the 25th of May. The gallery is at 185 Flinders lane directly across from @supernormal_180 & next door to @kisume_au ☺️It’s easy to miss so keep your eyes peeled for their subtle signage on the front glass door. #theartwonderer #mustlovecats #artmatters #ellatheartwonderer #emilyfloyd #annaschwartzgallery #melbourneart

NOW OPEN | EMILY FLOYD: CHOSEN BY A CAT 5 April - 25 May GALLERY 1 Image ‘Making kin with plastic’, 2024 Polished bronze, aluminium with two-part epoxy paint, steel with black oxide coating 120cm x 85cm x 40cm Installation view, Anna Schwartz Gallery, Naarm/Melbourne Photo: Christian Capurro Read more: link in bio Request a catalogue: [email protected] @emilyfloyd0 @annaschwartzgallery #EmilyFloyd #AnnaSchwartzGallery

“...In a myr­i­ad of ways Floyd’s art prac­tice wor­ries this ques­tion of how we cre­ate mean­ing and con­cepts, and the role of lan­guage and texts in shap­ing cul­ture and soci­ety, more broadly.” From ​‘Art Col­lec­tor Mag­a­zine,’ April 2024 by Anna Zagala Read more: link in bio Request a catalogue: [email protected] — NOW OPEN | EMILY FLOYD: CHOSEN BY A CAT 5 April - 25 May GALLERY 1 Image ‘Both - and’, 2024 Polished and patinated bronze, aluminium with two-part epoxy paint, steel with black oxide coating 120cm x 92cm x 40cm Installation view, Anna Schwartz Gallery, Naarm/Melbourne Photo: Christian Capurro @emilyfloyd0 @annaschwartzgallery #EmilyFloyd #AnnaSchwartzGallery

“...Post human­ism, a strand of phi­los­o­phy that views humans as co-evolv­ing with oth­er life-forms, envi­ron­ment and tech­nol­o­gy, informs Floyd’s cur­rent work. Along­side this enquiry, the artist has drawn on polit­i­cal the­o­ry, social move­ments and ped­a­gogy in think­ing and shap­ing work in the past...” From ​‘Art Col­lec­tor Mag­a­zine,’ April 2024 by Anna Zagala Read more: link in bio Request a catalogue: [email protected] — NOW OPEN | EMILY FLOYD: CHOSEN BY A CAT 5 April - 25 May GALLERY 1 Image ‘The seed grows into a plant from within’, 2024 Patinated bronze, aluminium with two-part epoxy paint, steel with black oxide coating 120cm x 127cm x 40cm Installation view, Anna Schwartz Gallery, Naarm/Melbourne Photo: Christian Capurro @emilyfloyd0 @annaschwartzgallery #EmilyFloyd #AnnaSchwartzGallery

“...Emi­ly Floyd con­tin­ues to devel­op her inter­est in geom­e­try as an organ­is­ing prin­ci­ple that lends shape, dynamism, and vol­ume to the work. It is aug­ment­ed by the artist’s dis­tinc­tive and iden­ti­fi­able colour palette of vivid pri­ma­ry colours. In this work, she com­bines sculp­tur­al ele­ments with the rec­ti­lin­ear dimen­sions of a painting...” From ​‘Art Col­lec­tor Mag­a­zine,’ April 2024 by Anna Zagala Read more: link in bio Request a catalogue: [email protected] — NOW OPEN | EMILY FLOYD: CHOSEN BY A CAT 5 April - 25 May GALLERY 1 Image ‘Making kin with plastic’, 2024 Polished bronze, aluminium with two-part epoxy paint, steel with black oxide coating 120cm x 85cm x 40cm Photo: Christian Capurro @emilyfloyd0 @annaschwartzgallery #EmilyFloyd #AnnaSchwartzGallery

"Chosen by a Cat"  Anna Schwartz Gallery: 5th April - 25th May @annaschwartzgallery  Photography by Christian Capurro #annaschwartzgallery

#emilyfloyd @ #annaschwartzgallery, #flinderslane #melbourne…

“...Le Guin’s sto­ry of a post-apoc­a­lyp­tic soci­ety cen­tres on the sur­vivors known as the Kesh peo­ple. The author – admired for her abil­i­ty to build imag­i­nary worlds – engages in a form of spec­u­la­tive anthro­pol­o­gy invent­ing, among oth­er details, a com­plete alpha­bet and lan­guage for the inhab­i­tants. Floyd ref­er­enced this alpha­bet in an ear­li­er work from 2017 for which she designed a type­face based on the Kesh alpha­bet. The petal-like object rest­ing on the shelf is one of its letterforms...” From ​‘Art Col­lec­tor Mag­a­zine,’ April 2024 by Anna Zagala Read more: link in bio Request a catalogue: [email protected] — NOW OPEN | EMILY FLOYD: CHOSEN BY A CAT 5 April - 25 May GALLERY 1 Image ‘Time gardening’, 2024 Polished bronze, aluminium with two-part epoxy paint, steel with black oxide coating 120cm x 67cm x 40cm Photo: Christian Capurro @emilyfloyd0 @annaschwartzgallery #EmilyFloyd #AnnaSchwartzGallery

“...The exhi­bi­tion draws inspi­ra­tion from the open­ing pages of ​‘Always Com­ing Home’, a nov­el by the famed sci-fi Amer­i­can nov­el­ist Ursu­la K. Le Guin in which the author sit­u­ates the char­ac­ters in rela­tion to the ani­mals and pets they live with...” From ​‘Art Col­lec­tor Mag­a­zine,’ April 2024 by Anna Zagala Read more: link in bio Request a catalogue: [email protected] — NOW OPEN | EMILY FLOYD: CHOSEN BY A CAT 5 April - 25 May GALLERY 1 Image ’To live in a world of responsibility without being connected to everything’, 2024 Polished bronze, aluminium with two-part epoxy paint, steel with black oxide coating 120cm x 85cm x 46cm Photo: Christian Capurro @emilyfloyd0 @annaschwartzgallery #EmilyFloyd #AnnaSchwartzGallery

“The seed grows into a plant from within,” 2024  Patinated bronze, painted aluminium, steel with black oxide.  Solo exhibition “Chosen by a Cat,” now showing at Anna Schwartz Gallery: 5th April - 25th May. With special thanks to legends Robert Hook @yukihooki Ewen and Rose @coatesstudiofoundry and Chris @finiframes  @annaschwartzgallery  Photography: Christian Capurro #annaschwartzgallery

“...Sit­ting on a shelf, framed by a series of bold­ly coloured cres­cent shapes that lead the eye back to the cen­tre, this ele­gant cat occu­pies tar­get posi­tion. Curled del­i­cate­ly beside it is a petal-like object that asserts an intrigu­ing and sur­re­al presence...” From ​‘Art Col­lec­tor Mag­a­zine,’ April 2024 by Anna Zagala Read more: link in bio Request a catalogue: [email protected] — NOW OPEN | EMILY FLOYD: CHOSEN BY A CAT 5 April - 25 May GALLERY 1 Image ‘Making kin with plastic’, 2024 Polished bronze, aluminium with two-part epoxy paint, steel with black oxide coating 120cm x 85cm x 40cm ‘Both - and’, 2024 Polished and patinated bronze, aluminium with two-part epoxy paint, steel with black oxide coating 120cm x 92cm x 40cm Installation view, Anna Schwartz Gallery, Naarm/Melbourne Photo: Christian Capurro @emilyfloyd0 @annaschwartzgallery #EmilyFloyd #AnnaSchwartzGallery

“...[The cat] is an object with a beguil­ing, divine, even erot­ic charge – vibrat­ing with ​‘main char­ac­ter’ ener­gy – an impres­sion under­scored by its posi­tion...” From ​‘Art Col­lec­tor Mag­a­zine,’ April 2024 by Anna Zagala Read more: link in bio Request a catalogue: [email protected] — NOW OPEN | EMILY FLOYD: CHOSEN BY A CAT 5 April - 25 May GALLERY 1 Image ‘The seed grows into a plant from within’, 2024 Patinated bronze, aluminium with two-part epoxy paint, steel with black oxide coating 120cm x 127cm x 40cm Installation view, Anna Schwartz Gallery, Naarm/Melbourne Photo: Christian Capurro @emilyfloyd0 @annaschwartzgallery #EmilyFloyd #AnnaSchwartzGallery

“We gaze at the cat – inscrutable, enig­mat­ic, ungovern­able, autonomous – and it reflects back our soft blink­ing affec­tion­ate gaze. In Emi­ly Floyd’s new exhi­bi­tion ​‘Cho­sen by a Cat’, the cat’s sim­pli­fied and cur­va­ceous form is ren­dered in shiny pati­nat­ed bronze...” From ​‘Art Col­lec­tor Mag­a­zine,’ April 2024 by Anna Zagala Read more: link in bio Request a catalogue: [email protected] — NOW OPEN | EMILY FLOYD: CHOSEN BY A CAT 5 April - 25 May GALLERY 1 Image ‘Old binaries / anti-inflammatories’, 2024 Polished bronze, aluminium with two-part epoxy paint, steel with black oxide coating 120cm x 92cm x 40cm ‘A is you and B is myself’, 2024 Polished and patinated bronze, aluminium with two-part epoxy paint, steel with black oxide coating 120cm x 92cm x 40cm Installation view, Anna Schwartz Gallery, Naarm/Melbourne Photo: Christian Capurro @emilyfloyd0 @annaschwartzgallery #EmilyFloyd #AnnaSchwartzGallery

“A is you and B is Myself”, 2024  Polished and patinated bronze, painted aluminium, steel with black oxide.  “Chosen by a Cat”, solo exhibition now showing at Anna Schwartz Gallery: 5th April - 25th May.  @annaschwartzgallery Photography: Christian Capurro #annaschwartzgallery

“An alphabet, rather than a sentence”, 2024  Polished bronze, painted aluminium, steel with black oxide. Excited to present a new series of concrete poems, alongside my cat lady manifesto, for the solo exhibition “Chosen by a Cat”, now showing at Anna Schwartz Gallery: 5th April - 25th May. Enormous gratitude to Anna, Grace, Melissa, Rob and Renato for an incredible week of opening celebrations and support at the gallery. Thank you to the wonderful Anna Zagala for writing and thinking alongside this project for Art Collector Magazine’s current issue.  @annaschwartzgallery @artcollectormagazine @sweet_polka Photography: Christian Capurro  #annaschwartzgallery #artcollectormagazine #sweet_polka

Working Blue 2021 watercolour on paper 76cm x 55cm Stieg Persson @stiegpersson Via @annaschwartzgallery Image: Christian Capurro #workingblue #watercolour #paper #stiegpersson #art #artist #annaschwartzgallery #melbourne #font #minimalistfont #minimalistluxury #contemporaryart #painting #minimalistpainting

Night Parrot is included in the group exhibition “IN HOUSE” at Anna Schwartz Gallery. In excellent company with Oliver Beer, Angela de la Cruz, Jan Nelson, Rose Nolan, Chiara Shiota, David Noonan and Taryn Simon. With special thanks to Meridian foundry for their expert bronze casting assistance. @annaschwartzgallery @meridiansculpture @tiltindustrialdesign @tomnervegnareed 📸 Christian Capurro #annaschwartzgallery

March of 2024 @sadowskybasses @rheingold_music @elixir_strings Pic by @annaschwartzfotografie Location: Atelier Barczat - Wuppertal - 🇩🇪 #arminalicbass #sadowskybass #sadowskybasses #jazzbass #fivestrings #rheingoldmusic #aurum #amplifier #ba10 #cabinet #cables #elixirstrings #bassist #bassistsofinstagram #atelierbarczat #annaschwartzgallery #wuppertal #germany

Jenny Watson at Anna Schwartz Gallery #annaschwartzgallery #jennywatson #flinderslanemelbourne

Marking the start of its 2024 program, a new inaugural exhibition is currently on show at Anna Schwartz Gallery until 28 March 2024. Commissioned and existing works are presented in conversation with one another, highlighting the diverse materiality and approach in the practice of each individual artist. Titled 'IN HOUSE', the exhibition brings together international and Australian artists including Oliver Beer, Angela De La Cruz, Emily Floyd, David Noonan and Chiharu Shiota, as well as Taryn Simon, Jan Nelson and Rose Nolan, whose works are pictured. 📸 : IN HOUSE, installation view, Anna Schwartz Gallery, 2024 #annaschwartzgallery #tarynsimon #jannelson #rosenolan #melbourneexhibition

#angeladelacruz @ #annaschwartzgallery, #flinderslane #melbourne…

#oliverbeer and #emilyfloyd @ #annaschwartzgallery, #flinderslane #melbourne…

#jannelson and #rosenolan @ #annaschwartzgallery, #flinderslane #melbourne…

#pagesturning #marvellousmelbourne #mischief #annaschwartzgallery #emilyfloydart #jennywatsonart #craftvictoria #streetart #galleryart #wearableart

‘Winter’ by Jenny Watson, from ‘Take Five’, the artist’s exhibition of recent paintings and sculpture, on view at Anna Schwartz Gallery until March 28: https://annaschwartzgallery.com/exhibition/jenny-watson-take-five #art #exhibition #jennywatson #annaschwartzgallery

#stiegpersson @ #annaschwartzgallery, #melbourneartfair, #melbourneconventioncentre #melbourne. #latergram…

— STIEG PERSSON 'Bloom', 2024 Melbourne Art Fair Friday 23 - Sunday 25 February Photo: Christian Capurro, Installation view, Anna Schwartz Gallery at Melbourne Art Fair, Melbourne Convention and Exhibition Centre, Naarm/Melbourne Read more at annaschwartzgallery.com Request a catalogue [email protected] #StiegPersson @stiegpersson #AnnaSchwartzGallery @annaschwartzgallery @melbourneartfair #melbourneartfair #MAF

— STIEG PERSSON 'Bloom', 2024 Melbourne Art Fair Friday 23 - Sunday 25 February Photo: Christian Capurro, Installation view, Anna Schwartz Gallery at Melbourne Art Fair, Melbourne Convention and Exhibition Centre, Naarm/Melbourne Read more at annaschwartzgallery.com Request a catalogue [email protected] #StiegPersson @stiegpersson #AnnaSchwartzGallery @annaschwartzgallery @melbourneartfair #melbourneartfair #MAF

— STIEG PERSSON 'Bloom', 2024 Melbourne Art Fair Friday 23 - Sunday 25 February Photo: Christian Capurro, Installation view, Anna Schwartz Gallery at Melbourne Art Fair, Melbourne Convention and Exhibition Centre, Naarm/Melbourne Read more at annaschwartzgallery.com Request a catalogue [email protected] #StiegPersson @stiegpersson #AnnaSchwartzGallery @annaschwartzgallery @melbourneartfair #melbourneartfair #MAF

— 'Working Blue', 2021 Watercolour on paper 76cm x 55cm Photo: Christian Capurro — STIEG PERSSON 'Bloom', 2024 Melbourne Art Fair Friday 23 - Sunday 25 February Read more at annaschwartzgallery.com Request a catalogue [email protected] #StiegPersson @stiegpersson #AnnaSchwartzGallery @annaschwartzgallery @melbourneartfair #melbourneartfair #MAF

— 'St Agnes', 2022 Watercolour on paper 76cm x 55cm Photo: Christian Capurro — STIEG PERSSON 'Bloom', 2024 Melbourne Art Fair Friday 23 - Sunday 25 February Read more at annaschwartzgallery.com Request a catalogue [email protected] #StiegPersson @stiegpersson #AnnaSchwartzGallery @annaschwartzgallery @melbourneartfair #melbourneartfair #MAF

— 'Dill Sill', 2022 Watercolour on paper 76cm x 55cm Photo: Christian Capurro — STIEG PERSSON 'Bloom', 2024 Melbourne Art Fair Friday 23 - Sunday 25 February Read more at annaschwartzgallery.com Request a catalogue [email protected] #StiegPersson @stiegpersson #AnnaSchwartzGallery @annaschwartzgallery @melbourneartfair #melbourneartfair #MAF

All the Blooms are now deeply out of favour, some more so than others, and this is reflected in many of the themes and subject matters used here, once staples of Western art, now disparaged, ignored, unwanted, and unloved. And it is precisely this condition, this “irrelevance,” that I find empowering, a source of succour and nourishment. Bloom is simultaneously a requiem and a path to renewal.” Stieg Persson — STIEG PERSSON 'Bloom', 2024 Join us at Melbourne Art Fair Friday 23 - Sunday 25 February Read more at annaschwartzgallery.com Request a catalogue [email protected] Image 'Useless', 2022 Watercolour on paper 76cm x 55cm Photo: Christian Capurro #StiegPersson @stiegpersson #AnnaSchwartzGallery @annaschwartzgallery @melbourneartfair #melbourneartfair #MAF

In keeping with this ethos, more than one Bloom fed the imagination. Alongside Leopold, there was the brilliant and flawed curmudgeon Harold Bloom, the “One hundred flowers bloom” policy of Mao Zedong used to flush out and punish dissent under the guise of free and open dialogue, and Bialystock and Bloom, fictional characters that embody the comedic sensibilities of “Borscht Belt” humour. Adjacent to the high art imagery, prosaic foodstuffs: meat pies, chicken parmigiana and bread and butter co-exist with Haute Cuisine… Stieg Persson — STIEG PERSSON 'Bloom', 2024 Join us at Melbourne Art Fair Friday 23 - Sunday 25 February Read more at annaschwartzgallery.com Request a catalogue [email protected] Image '2nd Banana', 2023 Water­colour on paper 76cm x 55cm Photo: Christian Capurro #StiegPersson @stiegpersson #AnnaSchwartzGallery @annaschwartzgallery @melbourneartfair #melbourneartfair #MAF

Anna Schwartz Gallery is thrilled to present Stieg Persson ‘Bloom’, 2024 at Melbourne Art Fair. “These 78 watercolours on paper continue the series, ‘Bloom’, originally conceptualised as a counterpoint to introspection by embracing the methodology of James Joyce in his novel Ulysses, utilising multiple perspectives, social observation, inner dialogue and allusions and references to literature, music, art, mythology, and history…. Stieg Persson — STIEG PERSSON 'Bloom', 2024 Join us at Melbourne Art Fair Friday 23 - Sunday 25 February Read more at annaschwartzgallery.com Request a catalogue [email protected] Image '100 Flow­ers', 2024 Water­colour on paper 76cm x 55cm Photo: Christian Capurro #StiegPersson @stiegpersson #AnnaSchwartzGallery @annaschwartzgallery @melbourneartfair #melbourneartfair #MAF

Rose Nolan's Big Words - One thing after another one thing leads to another, projects from the wall into the world, challenging the experience of perception and resisting apprehension in a single glance. — OPEN NOW | IN HOUSE 17 FEB - 28 MAR 2028 GALLERY 2 Read more at annaschwartzgallery.com Request a catalogue [email protected] Image Rose Nolan 'Big Words - One thing after another one thing leads to another', 2023 - 2024 Acrylic paint, cardboard 18cm x 250cm x 30cm Photo: Christian Capurro #RoseNolan #AnnaSchwartzGallery @annaschwartzgallery

Rose Nolan's Big Words - One thing after another one thing leads to another, projects from the wall into the world, challenging the experience of perception and resisting apprehension in a single glance. — OPEN NOW | IN HOUSE 17 FEB - 28 MAR 2028 GALLERY 2 Read more at annaschwartzgallery.com Request a catalogue [email protected] Image Rose Nolan 'Big Words - One thing after another one thing leads to another', 2023 - 2024 Acrylic paint, cardboard 18cm x 250cm x 30cm Photo: Christian Capurro #RoseNolan #AnnaSchwartzGallery @annaschwartzgallery

Rose Nolan's Big Words - One thing after another one thing leads to another, projects from the wall into the world, challenging the experience of perception and resisting apprehension in a single glance. — OPEN NOW | IN HOUSE 17 FEB - 28 MAR 2028 GALLERY 2 Read more at annaschwartzgallery.com Request a catalogue [email protected] Image Rose Nolan 'Big Words - One thing after another one thing leads to another', 2023 - 2024 Acrylic paint, cardboard 18cm x 250cm x 30cm Photo: Christian Capurro #RoseNolan #AnnaSchwartzGallery @annaschwartzgallery

Emily Floyd’s shining 'Night Parrot' , a critically endangered and elusive species, is here, very present, cast in monumental bronze, a material to endure the future... — OPEN NOW | IN HOUSE 17 FEB - 28 MAR 2028 GALLERY 2 Read more at annaschwartzgallery.com Request a catalogue [email protected] Image Emily Floyd 'Night Parrot', 2023 Silicon Bronze, polished 800cm x 1000cm x 400cm Edition of 3 + 2 AP Installation view, Anna Schwartz Gallery, Naarm/Melbourne Photo: Christian Capurro #EmilyFloyd @emilyfloyd0 #AnnaSchwartzGallery @annaschwartzgallery

David Noonan, in the traditional medium of tapestry, draws upon key aspects of his practice: collage, theatrical themes, found imagery, the relationship between figuration and abstraction and the monochrome palette... — OPEN NOW | IN HOUSE 17 FEB - 28 MAR 2028 GALLERY 2 Read more at annaschwartzgallery.com Request a catalogue [email protected] Image David Noonan 'Untitled', 2023 Jacquard tapestry 290cm x 195cm Photo: Christian Capurro #DavidNoonan @d.j.noonan #AnnaSchwartzGallery @annaschwartzgallery

David Noonan, in the traditional medium of tapestry, draws upon key aspects of his practice: collage, theatrical themes, found imagery, the relationship between figuration and abstraction and the monochrome palette... — OPEN NOW | IN HOUSE 17 FEB - 28 MAR 2028 GALLERY 2 Read more at annaschwartzgallery.com Request a catalogue [email protected] Image David Noonan 'Untitled', 2023 Jacquard tapestry 290cm x 195cm Photo: Christian Capurro #DavidNoonan @d.j.noonan #AnnaSchwartzGallery @annaschwartzgallery

Anna Schwartz Gallery is exhibiting at Melbourne Art Fair this week but the gallery exhibition is also a must see. Rock star artists including @angeladelacruzstudio @d.j.noonan @chiharushiota @emilyfloyd0 to name a few. Extraordinary works. #mustsee #melbartfair #annaschwartzgallery #angeladelacruz #emilyfloydart #artcollector #artcollection #artadvisory #artaddict #artadvisor #artconsultant #artcurators #buildingartcollections #gbartadvisory #gbartconsulting #arteducation

Angela de la Cruz’ Split weaves old canvases into the new, now eager to break free from their confines. Loop creates an illusion of many images with each canvas; however, they are all the same... — NOW OPEN | IN HOUSE 17 FEB - 28 MAR 2028 GALLERY 2 Read more at annaschwartzgallery.com Request a catalogue [email protected] Image Angela de la Cruz 'Split II (Pearl Blue)', 2023 Oil on canvas 28cm x 43cm x 13cm Angela de la Cruz 'Split (Black)', 2023 Oil and acrylic on canvas 53cm x 33cm x 16.5cm Photo: Christian Capurro #AngeladelaCruz @angeladelacruzstudio #AnnaSchwartzGallery @annaschwartzgallery

Chiharu Shiota evolves an entire universe from a single cell, then piles layer upon layer of cut, tangled, knotted thread; building a universe within the frame... — NOW OPEN | IN HOUSE 17 FEB - 28 MAR 2028 GALLERY 2 Read more at annaschwartzgallery.com Request a catalogue [email protected] Image Chiharu Shiota 'State of Being', 2023 Metal frame, books, mirror, thread 80cm x 45cm x 45cm Taryn Simon 'Fundamental Agreement between the Holy See and the State of Israel. Jerusalem, Israel, December 30, 1993', 2015 Archival inkjet print and text on archival herbarium paper in wood frame 215.9cm × 186.1cm × 7cm (framed) Ed. 1/3 + 2 APs Image 4-5 Chiharu Shiota 'State of Being (Masks)', 2023 Metal frame, masks, thread 120cm x 80cm x 45cm Installation view, Anna Schwartz Gallery, Naarm/Melbourne Photo: Christian Capurro #TarynSimon #ChiharuShiota #AnnaSchwartzGallery @annaschwartzgallery

Jan Nelson continues her Black River Running series with an intimate material response to a world full of unfathomable contradictions... — NOW OPEN | IN HOUSE 17 FEB - 28 MAR 2028 GALLERY 2 Read more at annaschwartzgallery.com Request a catalogue [email protected] Image Jan Nelson 'BLACK RIVER RUNNING #15 (BALANCE)', 2023 Cane, Tree Branch, wooden support Basket: 166cm x 50cm Branch: 200cm x 47cm Inner Support: 168cm x 40cm Installation view, Anna Schwartz Gallery, Naarm/Melbourne Photo: Christian Capurro #jannelson #AnnaSchwartzGallery @annaschwartzgallery

Taryn Simon’s work from ‘Paperwork and the Will of Capital’ signifies the precarious nature of survival, with powerful men next to ‘impossible bouquets’ signing political accords, contracts, treaties, and decrees... — NOW OPEN | IN HOUSE 17 FEB - 28 MAR 2028 GALLERY 2 Read more at annaschwartzgallery.com Request a catalogue [email protected] Image Taryn Simon 'Fundamental Agreement between the Holy See and the State of Israel. Jerusalem, Israel, December 30, 1993', 2015 Archival inkjet print and text on archival herbarium paper in wood frame 215.9cm × 186.1cm × 7cm (framed) Ed. 1/3 + 2 APs #tarynsimon #AnnaSchwartzGallery @annaschwartzgallery

From London, Berlin, New York and Melbourne, the inaugural IN HOUSE exhibits works by Oliver Beer, Angela de la Cruz, Emily Floyd, Jan Nelson, Rose Nolan, David Noonan, Chiharu Shiota and Taryn Simon. In precarious times, each work has a sense of fragility. — NOW OPEN | IN HOUSE 17 FEB - 28 MAR 2028 GALLERY 2 Read more at annaschwartzgallery.com Request a catalogue [email protected] Image Angela de la Cruz 'Loop (S) (Pearl Blue)', 2022 Oil and acrylic on canvas 70cm x 50cm x 12cm Angela de la Cruz 'Loop S (Caribbean Blue) II', 2022 Oil and acrylic on canvas 71cm x 50cm x 7.5cm Installation view, Anna Schwartz Gallery, Naarm/Melbourne Photo: Christian Capurro @angeladelacruzstudio #angeladelacruz #AnnaSchwartzGallery @annaschwartzgallery

IN HOUSE presents salient ideas and current trends in the practice of individual artists associated with Anna Schwartz Gallery. Beginning each gallery year, commissioned and existing works are placed in a new context, animated through conversation between diverse materiality and approach. — NOW OPEN | IN HOUSE 17 FEB - 28 MAR 2028 GALLERY 2 Read more at annaschwartzgallery.com Request a catalogue [email protected] Images: Emily Floyd 'Night Parrot', 2023 Silicon Bronze, polished 800cm x 1000cm x 400cm Edition of 3 + 2 AP Oliver Beer 'Resonance Painting (Cloud Memory)', 2023 Pigment on canvas 305.5 x 155 x 6cm (framed) Installation view, Anna Schwartz Gallery, Naarm/Melbourne Photo: Christian Capurro #EmilyFloyd @emilyfloyd0 #OliverBeer @oliverbeerartist #AnnaSchwartzGallery @annaschwartzgallery

OPENING TOMORROW | JENNY WATSON ‘TAKE FIVE’ 17 February - 28 March 2024 Gallery 1 Read more at annaschwartzgallery.com Request a catalogue [email protected] Image 'Bedroom Mont Albert 1962', 2022 Acrylic and Japanese pigment on rabbit skin glue primed Belgian linen with paper collage 221cm x 154cm 'Corner of Broadway and Prince Street New York 1991', 2022 Acrylic and Japanese pigment on rabbit skin glue primed Belgian linen with fabric collage 216cm x 156cm Installation view, Anna Schwartz Gallery, Naarm/Melbourne Photo: Christian Capurro #JennyWatson @postconceptualpainter #AnnaSchwartzGallery @annaschwartzgallery

Since exhibit­ing Jen­ny Wat­son at Anna Schwartz Gallery’s first ini­tia­tive, Unit­ed Artists in 1986, the explo­rations of the themes in her paint­ings have made her a major fig­ure in the world of inter­na­tion­al paint­ing, high­ly val­ued for her inno­va­tion in paint­ing itself, her min­i­mal­ist fig­u­ra­tion, her abstract organ­ic planes of psy­cho­log­i­cal colour and her sear­ing por­tray­al of her self, the artist, in the world. — OPENING TOMORROW | JENNY WATSON ‘TAKE FIVE’ 17 February - 28 March 2024 Gallery 1 Read more at annaschwartzgallery.com Request a catalogue [email protected] Image 'Girl Dancing to Record Player', 2022 Acrylic and Japanese pigment on rabbit skin glue primed Belgian linen 200cm x 170cm 'Winter', 2022 Acrylic and Japanese pigment on rabbit skin glue primed Belgian linen 165cm x 214cm Installation view, Anna Schwartz Gallery, Naarm/Melbourne Photo: Christian Capurro #JennyWatson @postconceptualpainter #AnnaSchwartzGallery @annaschwartzgallery

‘Cor­ner of Broad­way and Prince Street New York 1991’ rep­re­sents the fore­bod­ing enor­mi­ty of the city and the chal­lenge that the artist invoked in enter­ing the inter­na­tion­al are­na with her paintings… — OPENING TOMORROW | JENNY WATSON ‘TAKE FIVE’ 17 February - 28 March 2024 Gallery 1 Read more at annaschwartzgallery.com Request a catalogue [email protected] Image 'Corner of Broadway and Prince Street New York 1991', 2022 Acrylic and Japanese pigment on rabbit skin glue primed Belgian linen with fabric collage 216cm x 156cm Photo: Christian Capurro #JennyWatson @postconceptualpainter #AnnaSchwartzGallery @annaschwartzgallery

‘Cloaked by a Black­bird’ express­es the myth­ic capac­i­ty of Wat­son, to enter the world of psy­cho­an­a­lyt­ic dreams and sym­bols. Her close asso­ci­a­tion wth the nat­ur­al world finds rep­re­sen­ta­tion in the endow­ing of the bird a giant pres­ence; its pro­tec­tion of her self… — OPENING THIS WEEKEND | JENNY WATSON ‘TAKE FIVE’ From 17 February Gallery 1 Read more at annaschwartzgallery.com Request a catalogue [email protected] Image 'Cloaked by a Blackbird', 2022 Acrylic and Japanese pigment on rabbit skin glue primed Belgian linen 215cm x 158cm Photo: Christian Capurro #JennyWatson @postconceptualpainter #AnnaSchwartzGallery @annaschwartzgallery

‘Win­ter’ direct­ly por­trays the artist in her nat­ur­al set­ting, her horse pad­dock, her pos­ture echo­ing her horse’s, how­ev­er her con­cen­tra­tion on her device is per­haps trans­port­ing her to her oth­er life… — OPENING THIS WEEKEND | JENNY WATSON ‘TAKE FIVE’ From Saturday 17 February Gallery 1 Read more at annaschwartzgallery.com Request a catalogue [email protected] Image 'Winter', 2022 Acrylic and Japanese pigment on rabbit skin glue primed Belgian linen 165cm x 214cm Photo: Christian Capurro #JennyWatson @postconceptualpainter #AnnaSchwartzGallery @annaschwartzgallery

Watson’s child­hood bed­room, ‘Bed­room Mont Albert 1962’, becomes as big as the world in antic­i­pa­tion, or in ret­ro­spec­tion, of her world wide career… — OPENING THIS WEEKEND | JENNY WATSON ‘TAKE FIVE’ From Saturday 17 February Gallery 1 Read more at annaschwartzgallery.com Request a catalogue [email protected] Image 'Bedroom Mont Albert 1962', 2022 Acrylic and Japanese pigment on rabbit skin glue primed Belgian linen with paper collage 221cm x 154cm Photo: Christian Capurro #JennyWatson @postconceptualpainter #AnnaSchwartzGallery @annaschwartzgallery

‘Girl Dancing to a Record Player’ express­es the irre­press­ible joy of teenage life, even with­in the con­straints of sub­ur­bia. It acknowl­edges Watson’s own sense of imag­i­na­tion and glam­our that would play in ani­mat­ing her life to come… — OPENING 2024 | JENNY WATSON ‘TAKE FIVE’ From Saturday 17 February Gallery 1 Read more at annaschwartzgallery.com Request a catalogue [email protected] Image 'Girl Dancing to Record Player', 2022 Acrylic and Japanese pigment on rabbit skin glue primed Belgian linen 200cm x 170cm Photo: Christian Capurro #JennyWatson @postconceptualpainter #AnnaSchwartzGallery @annaschwartzgallery

These five paint­ings con­tin­ue and expand Watson’s diaris­tic rep­re­sen­ta­tions of her life as an artist, indi­vis­i­ble from her life itself, in its geog­ra­phy, its dreams, its fan­tasies and imag­in­ings, its fears and its mem­o­ries… — OPENING 2024 | JENNY WATSON ‘TAKE FIVE’ From Saturday 17 February Gallery 1 Read more at annaschwartzgallery.com Request a catalogue [email protected] Image 'Fifties Sunday School Girl', 2022 Bronze 32cm x 15cm x 15cm Ed. 16/20 Installation view, Anna Schwartz Gallery, Naarm/Melbourne Photo: Christian Capurro #JennyWatson @postconceptualpainter #AnnaSchwartzGallery @annaschwartzgallery

“An exhi­bi­tion of 5 paint­ings is a good num­ber, more inti­mate than a larg­er pre­sen­ta­tion of work. The title, while refer­ring to the num­ber exhib­it­ed, also has spe­cif­ic con­no­ta­tions for each paint­ing. I am not a jazz afi­ciona­do, but the exhi­bi­tion title draws on a child­hood mem­o­ry. In the ear­ly 1960’s a rel­a­tive used to play Dave Brubeck Quar­tet records. Serendipitously I once met an Eng­lish woman who had been very good friends with Brubeck’s son, Chris. She told me that the inspi­ra­tion for the tune Take Five and its uncom­mon 5⁄4 time sig­na­ture came from the per­sis­tent drip­ping of a tap on a water tank in California.” - Jenny Watson, 2024 — OPENING 2024 | JENNY WATSON ‘TAKE FIVE’ From Saturday 17 February Gallery 1 Read more at annaschwartzgallery.com Request a catalogue [email protected] Image 'Cloaked by a Blackbird', 2022 Acrylic and Japanese pigment on rabbit skin glue primed Belgian linen 215cm x 158cm Installation view, Anna Schwartz Gallery, Naarm/Melbourne Photo: Christian Capurro #JennyWatson @postconceptualpainter #AnnaSchwartzGallery @annaschwartzgallery

Landscape streets of anglesea #anglesea #art #landscape #painting #paintinglandscapes #art #artgallery #landscapepainter #nicholasharding #marsgallery #annaschwartzgallery #maryboonegallery #studiogalleries #z #x #v #y #1 #fyp #acrylicpainting #landscapeacrylic

#mikeparr #annaschwartzgallery #art #gallery #exhibition #artist #instaart #melbourneart #melbourne

This week Paris Lettau writes on the final part of Mike Parr’s three-part exhibition Sunset Claws at Anna Schwartz Gallery. “We might even say that in the end it is the work that passes judgement on both Parr and Schwartz—just as it might pass judgement on all of us.” 1,2,4,5/ Installation view of Mike Parr, Sunset Claws, Part 3: Going Home, Anna Schwartz Gallery, Melbourne, 2023. Photo: Zan Wimberley 3/ Installation view of Mike Parr, Sunset Claws, Part 3: Going Home, detail of Close the Concentration Camps (2002) in Montage in Space & Time (1971–2016). Anna Schwartz Gallery, Melbourne, 2023. 6 / Installation view of Mike Parr, Sunset Claws, Part 3: Going Home, detail of Montage in Space & Time (1971–2016). Anna Schwartz Gallery, Melbourne, 2023. #mikeparr #annaschwartzgallery #susnsetclaws #performanceart

: On Visiting #MikeParr (s) Sunset Claws Part III Going Home At #AnnaSchwartzGallery (5)

: On Visiting #MikeParr (s) Sunset Claws : Part III : Going Home At #AnnaSchwartzGallery (3/4)

: On Visiting #MikeParr (s) Sunset Claws Part III : Going Home At #AnnaSchwartzGallery (2)

: On Visiting #MikeParr(s) Sunset Claws Part III : Going Home - At #AnnaSchwartzGallery 16th December 2023 (X5)

: Static Noise : On Visiting #MikeParr(s) Painful Works Of Art @ #AnnaSchwartzGallery : (Photography Zelda_Allen)

Paint still wet. Mike Parr’s Sunset Claws at Anna Schwartz Gallery Melbourne. #mikeparr #performanceart #freepalestine #annaschwartzgallery #gazagenocide #sunsetclaws #israelisanapartheidstate #paintstillwet

Oh look, it's a latergram! I just happened to coordinate my outfit with the art for a visit to @areadingroom to see the beautiful exhibition by Melbourne artist Darcey Bella Arnold before it closed. I am wearing one of my Rant 'Moonflower' tops (we have a good selection in store now) with my @rats_official bandanna and @beams_boy_official skirt. The final picture is from @annaschwartzgallery where we were privileged to see an absolutely gorgeous selection of Rose Nolan's cardboard constructions 'Working Models' (and that is a Stephen Bram painting keeping them company through the doorway!). After a whirlwind tour through Victoria I am now back in the shop till 5pm today, so come say hi and I'll bore you with more art stories 😂.

Joseph Kosuth ‘Waiting for-(Texts for Nothing)‘ Samuel Beckett, in play Catalog for the solo exhibition at Anna Schwartz Gallery, Melbourne, Australia Text by Juliana Engberg, Joseph Kosuth, Ronald Jones #josephkosuth #annaschwartzgallery #artbooksephemera

Anna Schwartz Gallery, DCM, Melbourne #architecture #interiorarchitecture #gallery #contemporaryart #annaschwartzgallery

#mikeparr @ #annaschwartzgallery, #flinderslane #melbourne…

PART 2 OPEN NOW MIKE PARR SUNSET CLAWS An exhibition in 3 parts Part 2: Memories of Underdevelopment Until Saturday 25 November 2023 Part 3: to be announced. Image 1: Mike Parr, ‘Memories of Underdevelopment’, 2023 36 black and white negative "Photodrawings” Photographic paper, 1972cm x 320cm Image 2-4: Mike Parr, 'Memories of Underdevelopment', 2023 36 black and white negative ‘Photodrawings’ Photographic paper, 1972cm x 320cm Installation view, Gallery 1, Anna Schwartz Gallery, Melbourne Photo: Christian Capurro @annaschwartzgallery #AnnaSchwartzGallery #mikeparr #ASG