AngelicaMesiti images

👿 𝒞𝑅𝒰𝐸𝐿𝐿𝒜 𝒟𝐸-𝒱𝐼𝐿 😈 Curated by Noam Alon Friday April 5th Until Saturday June 01, 2024 @galeriesultana Sultana Summer Set, Arles [email protected] The devil often whispers at night. Backbiting is seductive, and the villain’s allure shines brightly. In the Russian version of 101 Dalmatians, Cruella is called Stervella - a name that refers to the Russian word for bitch. The temptation to malice indeed spares no one. This exhibition is precisely in line with this untimely desire to indulge in cruelty for a moment, to give free rein to the pleasure of biting the other to the quick. The violent gesture can also bring relief. Le diable chuchote souvent la nuit. La médisance est séduisante, les atours de læ vilain·e brillent d’un certain éclat. Dans la version russe du film Les 101 Dalmatiens, Cruella s’appelle Stervella – un nom qui la renvoie au mot russe employé pour désigner une bitch. La tentation à la malveillance n’épargne en effet personne. Cette exposition s’inscrit précisément dans ce désir intempestif de s’adonner un instant à la cruauté, de laisser libre cours au plaisir de mordre l’autre à pleine dents. Le geste violent peut aussi soulager. Group show : Mathis Altmann, Omar Castillo Alfaro, Léa de Caqueray, Jean Claraca, Adriano Costa, Jesse Darling, Julian Farade, Justin Fitzpatrick, Angelica Mesiti, Pati Hill, Mel O’Callaghan, Megan Plunkett, Torbjorn Redland, Philipp Timischl, Trevor Yeung. Photographies: François Deladerrière @francoisdeladerriere @omar_castillo_av @lea.decacqueray @jeanclaracq @adrianocostaluis @horsmilieux @justinfitzpatr1ck @angelicamesiti @mel_ocallaghan @rodland.jpg @philippphilipp @plantertrevor @mendeswooddm @galerieallen @airdeparis @galeriederouillon @fitzpatrick_gallery @emanuellayr @emalinofficial #noamalon #mathisaltmann #omarcastilloalfaro #leadecaqueray #jeanclaraca #adrianocosta #jessedarling #julianfarade #justinfitzpatrick #angelicamesiti #patihill #melocallaghan #meganplunkett #torbjornrodland #philipptimischl #trevoryeung #galeriesultana #sultanasummerset #mendeswooddm #allen #airdeparis #derouillon #fitzpatrick #emanuellayr

« CRUELLA DE-VIL » Curated by Noam Alon Vernissage/Opening : Friday April 5th Until Saturday June 01, 2024 Sultana Summer Set, Arles [email protected] La violence omniprésente dans nos vies, nos corps et nos muscles altère notre quotidien. Les émotions négatives qu’elle engendre s’accumulent, bien qu’elles soient souvent jugées illégitimes par la société. Pourtant, les réactions de rage et de colère ne sont-elles pas naturelles face à un monde malsain ? Les œuvres rassemblées dans l’exposition CRUELLA DE-VIL donnent forme à l’envie de détruire, de dévorer, d’abîmer – que la société refoule pour s’en protéger. Elles oscillent, chacune à sa manière singulière, entre le cru et le cruel. The violence that pervades our lives, our bodies and our muscles alters our daily lives. The negative emotions it engenders accumulate, even though they are often deemed illegitimate by society. Yet aren’t rage and anger natural reactions to an unhealthy world? The works in CRUELLA DE-VIL give form to the desire to destroy, to devour, to spoil - which society represses to protect itself. They oscillate, each in its own singular way, between the raw and the cruel. Group show : Mathis Altmann, Omar Castillo Alfaro, Léa de Caqueray, Jean Claracq, Adriano Costa, Jesse Darling, Julian Farade, Justin Fitzpatrick, Angelica Mesiti, Pati Hill, Mel O’Callaghan, Megan Plunkett, Torbjørn Rødland, Philipp Timischl & Trevor Yeung. @noamaloniz @omar_castillo_av @lea.decacqueray @jeanclaracq @adrianocostaluis @horsmilieux @justinfitzpatr1ck @angelicamesiti @mel_ocallaghan @rodland.jpg @philippphilipp @emalinofficial @plantertrevor @mendeswooddm @galerieallen @airdeparis @galeriederouillon @fitzpatrick_gallery @emanuellayr #noamalon #mathisaltmann #emalingallery #omarcastilloalfaro #leadecaqueray #jeanclaracq #adrianocosta #jessedarling #julianfarade #justinfitzpatrick #angelicamesiti #patihill #melocallaghan #meganplunkett #torbjørnrødland #philipptimischl #trevoryeung #galeriesultana #sultanasummerset #arles #mendeswooddm #galerieallen #airdeparis #galeriederouillon #fitzpatrickgallery #emanuellayr

DANSE : QUAND FAIRE C'EST DIRE Angelica Mesiti au Palais de Tokyo 2019 #photobescos #photography #paris #fotojuanbescos #fotobescos #tk21 #revuetk21 #corridorelephant #smariselaphus #danse #palaisdetokyo #angelicamesiti

DANSE : QUAND FAIRE C'EST DIRE Angelica Mesiti au Palais de Tokyo 2019 #photobescos #photography #fotojuanbescos #fotobescos #jeanbescos #revuetk21 #tk21 #corridorelephant #smariselaphus #danse #palaisdetokyo #paris #angelicamesiti

DANSE : "QUAND FAIRE C'EST DIRE", Angelica Mesiti au Palais de Tokyo 2019 Paris #photobescos #photography #fotojuanbescos #fotobescos #jeanbescos #revuetk21 #tk21 #corridorelephant #smariselaphus #danse #palaisdetokyo #paris #angelicamesiti

𝓢𝓞𝓞𝓝 𝓘𝓝 𝓐𝓡𝓛𝓔𝓢 « CRUELLA DE-VIL » Curated by Noam Alon Vernissage/Opening : Friday April 5th Until Saturday June 01, 2024 Sultana Summer Set, Arles [email protected] La violence omniprésente dans nos vies, nos corps et nos muscles altère notre quotidien. Les émotions négatives qu’elle engendre s’accumulent, bien qu’elles soient souvent jugées illégitimes par la société. Pourtant, les réactions de rage et de colère ne sont-elles pas naturelles face à un monde malsain ? Les œuvres rassemblées dans l’exposition CRUELLA DE-VIL donnent forme à l’envie de détruire, de dévorer, d’abîmer – que la société refoule pour s’en protéger. Elles oscillent, chacune à sa manière singulière, entre le cru et le cruel. The violence that pervades our lives, our bodies and our muscles alters our daily lives. The negative emotions it engenders accumulate, even though they are often deemed illegitimate by society. Yet aren’t rage and anger natural reactions to an unhealthy world? The works in CRUELLA DE-VIL give form to the desire to destroy, to devour, to spoil - which society represses to protect itself. They oscillate, each in its own singular way, between the raw and the cruel. Group show : Mathis Altmann, Omar Castillo Alfaro, Léa de Caqueray, Jean Claracq, Adriano Costa, Jesse Darling, Julian Farade, Justin Fitzpatrick, Angelica Mesiti, Pati Hill, Mel O’Callaghan, Megan Plunkett, Torbjørn Rødland, Philipp Timischl, Trevor Yeung. Image: Justin Fitzpatrick, Gas cathedral, 2022. @noamaloniz @omar_castillo_av @lea.decacqueray @jeanclaracq @adrianocostaluis @horsmilieux @justinfitzpatr1ck @angelicamesiti @mel_ocallaghan @rodland.jpg @philippphilipp @plantertrevor @mendeswooddm @galerieallen @airdeparis @galeriederouillon @fitzpatrick_gallery @emanuellayr #noamalon #mathisaltmann #omarcastilloalfaro #leadecaqueray #jeanclaracq #adrianocosta #jessedarling #julianfarade #justinfitzpatrick #angelicamesiti #patihill #melocallaghan #meganplunkett #torbjørnrødland #philipptimischl #trevoryeung #galeriesultana #sultanasummerset #mendeswooddm #allen #airdeparis #derouillon #fitzpatrick #emanuellayr

ANGELICA MESITI The Rites of When @artgalleryofnsw 21 September 2024 – mid 2025 After #adrianvillarrojas and #louisebourgeois, a major new commission in the Tank at @artgalleryofnsw by one of Australia’s most acclaimed contemporary artists. @angelicamesiti #angelicamesiti #artgalleryofnsw #sydneymodern #tank

Have you ever wondered what fossilised rain looks like? This is from a series by @angelicamesiti "The rain that fell in the faint light of a young sun" (2022), part of the exhibition 'The Recent' at @talbotricegallery which is on until Saturday 17th. As the artist has explained, "these are imprints of raindrops preserved in stone from storms that occurred millions of years ago... The permanent evidence of a fleeting moment of weather on a young planet" It's a beautiful and thought-provoking show exploring art, time, ecology, geology and the natural world which I would definitely recommend seeing before it closes. What art are you seeing this weekend? #Encounters_Art #ExhibitionReview #AngelicaMesiti #TalbotRiceGallery #ThingsToDoThisWeekend #EdinburghThingsToDo #DeepTime

The oldest material of our planet, zircon, crushed and filmed in free-fall looking like the universe from whence it came; and prints and the sound of the rain, reconstructed from geological collections and listening to children’s play. These two works by Nicolas Mangan and Angelica Mesiti that bookend #TheRecent want us to think in deeper timeframes, do as the geologists do, and turn our attention to the deep future. #TheRecent closes at @talbotricegallery on Saturday so catch it if you can - these artists are an absolute treat to have in the gallery, filling our rooms and halls with images, scent, dance, music, luminescence and tactility of the geological memory of our planet. #EglėBudvytytė, #HelenCammock, #DorothyCross, #ReginadeMiguel, #MikalaDwyer, #NicholasMangan, #AngelicaMesiti, #OtobongNkanga, #KatiePaterson, #MicolRoubini and #SimonStarling @talbotricegallery #talbotrice

What to see this week: The Recent @talbotricegallery which is free and on until 17th Feb. Would definitely recommend catching this before it ends. It's a group show which explores geology, deep time, the natural world and essentially reminds us that humans are just a tiny footnote in the planet's history. Some of my highlights were Angelica Mesiti's 'Future Perfect Continuous' which filled the gallery with the sound of a rain storm, only to reveal a group of people making those sounds themselves, inspired by a game the artist witnessed in a playground in Paris. I was moved and humbled by Dorothy Cross' 'Stalactite', a large-scale vertical projection of a young chorister singing like a siren beneath a 7-metre stalactite in Ireland that is thought to be over 500,000 years old. Pictured here is 'Diamonds', a new commission by Mikala Dwyer, bringing together a huge boulder of empty air which treads the line between heavy and light, besides a vivid wall painting which takes inspiration from stratigraphy. And there's the lovely @jennifercourt_art for scale! #AngelicaMesiti #DorothyCross #MikalaDwyer #EdinburghThingsToDo #ExhibitionReview #TheRecent #TalbotRiceGallery #Encounters_Art

Mathilde Roman - Habiter l’exposition. L’artiste et la scénographie (2020) . « The medium is the message (Marshall McLuhan). C’est ce que Mathilde Roman explore dans ce livre alors que nombre d’artistes aujourd’hui jouent du “médium”, avec tout ce que cela peut signifier, tant sur le plan politique, sociologique ou historique que sensible. Avec le temps, le médium, mot de prime abord utilisé dans le contexte de l’avènement des nouvelles technologies de communication, en est venu à comprendre aussi l’exposition et même le lieu d’exposition, voire également le spectateur. (…) La voie est ouverte pour un art qui interroge tant nos manières d’exister que nos modes de pensée et de vie. Difficile dès lors de penser que le message est complètement phagocyté par le médium, alors qu’entre les mains des artistes qui lui injectent de la chair et de la matière grise, celui-ci est devenu un outil critique. (…) Tout per-forme dans ce monde où nous sommes appelés à habiter l’exposition. (…) » Extrait de la préface par #chantalpontbriand . #mathilderoman #habiterlexposition #art #scenographie #spectateur #experience #corps #espace #oeuvres Entretiens avec: #eijaliisaahtila #dougaitken #alexisbertrand #paulineboudry & #renatelorenz #jordicolomer #thomasdemand #dominiquegonzalezfoerster #dangraham #laurentgrasso #isaacjulien #angelicamesiti #tonyoursler #laureprouvost #julianrosefeldt #mikarottenberg #anrisala #caroleeschneemann #livschulman #xavierveilhan

@talbotricegallery #AngelicaMesiti fossilised rain prints

#AngelicaMesiti #MichaelLee #BonitaEly #우리가모여산을이루는이야기

STAFF PICK: Angelica Mesiti's 'Future Perfect Continuous' chosen by our Gallery Assistant Vira Putri! 💬 Why is this piece your favourite? "I remember when I was younger, I used to record the sound of rainstorms every time it rained. The overwhelming sound of a tropical rainstorm would distract me for ages as I tried to discern between the sounds of individual raindrops to multiple, and then zoning in and out to listen to the entire orchestra of rain, thunder and wind. Not only was this nostalgic recollection what drew me to this film, but it was also how it provides a teaser to an imagined reality where humans are not separate from the elements, but also asks how it looks like if we were to become a natural force, like the weather. Mesiti's film also celebrates this innate, primordial bond we have with the rain and the way it has shaped civilisation (from agriculture to potable water, globalisation, to the symbolism we project onto this element in art). Absolutely enthralling!" #StaffPick #AngelicaMesiti #FuturePerfectContinuous #Rainstorm

Don’t miss the last weeks for ANGELICA MESITI in The Recent Until 17 Feb 2024 at @talbotricegallery with: Eglė Budvytytė, Helen Cammock, Dorothy Cross, Regina de Miguel, Mikala Dwyer, Nicholas Mangan, Angelica Mesiti, Otobong Nkanga, Katie Paterson, Micol Roubini and Simon Starling @angelicamesiti #angelicamesiti

Goodbye 2023! A big thank you to all the artists, collaborators, funders and everyone who came in to see us, and we look forward to seeing you in 2024! It's been wild, with four fantastic exhibition seasons to look back on...👀 Tell us - what was your favourite show at TRG this year? Until 18 Feb 2023 📷 Qiu Zhijie, 'The Art of War', 2022, ink on paper scroll. Detail under UV light. 📷 Lara Favaretto, 'Momentary Monument - The Library', 2012-2022 2,488 vintage books containing folded photos from the artist’s archive 📷 Nira Pereg, 'Patriarchs' 'ABRAHAM ABRAHAM SARAH SARAH', 2012, Al-Haram Al-Ibrahimi / the Tomb of the Patriarchs in Al-Khalil/Hebron, Occupied Palestinian Territories. 17 Mar - 27 May 2023 'The Accursed Share' Marwa Arsanios, Sammy Baloji, Cian Dayrit, Moyra Davey, Hanna von Goeler, Goldin+Senneby, Lubaina Himid, Hana Miletić, terra0 📷 Lubaina Himid, 'Naming the Money' 2004, 40 hand-painted figures 24 Jun - 30 Sep 2023 📷 Jesse Jones, 'The Tower', 2023 📷 Lawrence Abu Hamdan, '45th Parallel', 2022 📷 Hephzibah Israel, 'the nature of difference', 2023 28 Oct 2023 - 17 Feb 2024 'The Recent' Eglė Budvytytė, Helen Cammock, Dorothy Cross, Regina de Miguel, Mikala Dwyer, Nicholas Mangan, Angelica Mesiti, Otobong Nkanga, Katie Paterson, Micol Roubini and Simon Starling 📷 Mikala Dwyer, 'Diamonds', 2023 #TRG2023 #Goodbye2023 #QiuZhijie #LaraFavaretto #NiraPereg #TheAccursedShare #MarwaArsanios #SammyBaloji #CianDayrit #MoyraDavey #HannavonGoeler #GoldinSenneby #LubainaHimid #HanaMiletić #terra0 #JesseJones #LawrenceAbuHamdan #HephzibahIsrael #TheRecent #EglėBudvytytė #HelenCammock #DorothyCross #ReginadeMiguel #MikalaDwyer #NicholasMangan #AngelicaMesiti #OtobongNkanga #KatiePaterson #MicolRoubini #SimonStarling

#서울시립미술관 #leewen #kiridalena #amandaheng #garyrosspastrana #hamyangah #brianfuata #hongleehyunsook #fyerooldarma #kimbeom #angelicamesiti

This week's staff pick of the week is Angelica Mesiti, chosen by our colleague Gillian McCay, Curator of the Cockburn Collection of Geology! 💬 Why is this piece your favourite? 'The rain that fell in the faint light of the young Sun' and 'Future Perfect Continuous' by Angelica Mesiti, are linked to nature's actions, which I feel deeply connected to. The fossilised rain prints in 'The rain that fell in the faint light of the young Sun' are objects that record an instant in time – individual raindrops of a single storm, and yet record a timeless and enduring force – the rainfall over millions of years. These images and the sound overflowing from 'Future Perfect Continuous' create a glorious sensory experience. Then when you round the corner, and suddenly the reveal of 'Future Perfect Continuous', you realise that the sound is not of rain but of clapping hands, which conjures thoughts of human hands creating a lasting impression on the geological record. As we live through the Anthropocene, human actions will leave much more extensive impressions on the planet's future than rain impressions in mud. #StaffPick #AngelicaMesiti #Geology #Anthropocene #RainImpressions

The Recent This exhibition explores what artists can do to stretch the human imagination, and locate us in a more expanded timeframe - one in which we might take action for not just our children and their children, but everyone who will come after us. Artists have shared work from around the world - some made here on site, etched into our walls and refracting their light around the galleries. Sound pulls you from room to room, and more than once since it opened I’ve found myself grabbing my umbrella to go outside, only to realise that the sound of Angelica Mesiti’s percussive choral rain-storm had fooled me once again. It’s a show to wander around, let the artworks pour over you, or deep dive into the writing in the guide. Including notebooks and specimens from the Charles Lyell collection, ‘The Recent’ shows that we’ve known about the impact that humans are having on the geological processes of this planet for a very long time. Geology, hope, ancestors, games, asbestos, reproduction, diamonds, biology, lichen, bird-song, zircon, self-destruction, incense, symbiosis, renewal, extinction, boulders, tapestry, the universe, votives, stratigraphy, cyborgs, rain prints, wildfire, stalactites, first forest, last forest, fossils and the future. The team will be focussing on all the different artists over the coming months of the exhibition, so please follow @talbotricegallery if you want to see it all. Some shows are gathered on instinct, hunch, memory and faith, and when you sit down to write about the works, they offer themselves up and show you all the complexity and richness you’d felt in your bones. This is one of them. I love every single piece and hope you all come to see it. 💚🪨💚 #therecent #whatweowethefuture #talbotricegallery #deeptime #charleslyell Images: 1. #MikalaDwyer @mikaladwyer 2. #NicholasMangan @nicholas.mangan 3. #ReginadeMiguel @reginadmiguel 4. #AngelicaMesiti @angelicamesiti 5. #simonstarling 6. #KatiePaterson @studio.katie.paterson 7. #DorothyCross @dorothy_cross 8. #micolroubini 9. #OtobongNkanga #HelenCammock @otobongnkanga @cammockhelen 10. #EglėBudvytytė @egle_budvytyte

Australian author Danielle Celemajer's thought-provoking tour #TalbotRice included readings from her book 'Summertime: Reflections on a vanishing future', which asks us to “look around [and] become present to all beings who are living and dying through the loss of our shared home.” #TheRecent 👀 Keep your eyes peeled for future TRG Friday lunch-time tours! 💬 "I understand that Katie is seeking to find a way past what we might call ‘the seduction of the image” – to get to us through smell, that most irrational, irreducible of our senses; the sense that has us experience ourselves not only in another place, but sometimes in another time – a childhood memory, a memory of connection, or love, or loss, or all of them. And through smell, not only to be present to loss, but also to love and the attachment that might have us wish to act in solidarity with the threatened." #KatiePaterson #ToBurnForestFire 💬 "How humans act now will be laid down in the geological record. To even think time this way [...]– and to do that in ethical terms demands of us a stretching of our imaginations and our sense of self. What is it to experience ourselves at that intersection? We meet ourselves there, perhaps when we stand in front of one of these mirrors." #MikalaDwyer #Diamonds 💬 "Looking at this piece of work, I am struck by the apparent paradox between something as light and ephemeral as rain, and the permanence of these impressions across time. This again takes me back to questions I raised earlier about the difficulties of coming to terms with, with grasping changes that can be so momentous, that can in fact change the geological record, but that in other ways, seem so fleeting." #AngelicaMesiti #TheRainThatFellInTheFaintLightOfTheYoungSun #TheRecent #TalbotRice #DanielleCelemajer #FridayTour

Rec & Mix 5.1 of "Tremblement", a movie by @angelicamesiti , for the "By Night" series of @galeriedesgaleries , production by @misiafilms , with @ensemble_nist_nah (Will Guthrie and Amélie Grould). Paris, 2023. Link in bio for more info. #rec #mix5.1 #angelicamesiti #galerieslafayettes #misiafilms #galeriedesgaleries #ihearanewworld #immersivestudio #immersivesound #3Dsound #spatialsound #immersivemusic #3Dmusic #spatialmusic #immersivemix #3Dmix #spatialmix #soundspatialization #ambisonic #binaural #dolbyatmos #spatialaudio #quadriphonic #surround #artgallery #artinstallation #vr #immersiveexperience

Rec & Mix 5.1 of "Tremblement", a movie by @angelicamesiti , for the "By Night" series of @galeriedesgaleries , production by @misiafilms , with @ensemble_nist_nah (Will Guthrie and Amélie Grould). Paris, 2023. Link in bio for more info. #rec #mix5.1 #angelicamesiti #galerieslafayettes #misiafilms #galeriedesgaleries #ihearanewworld #immersivestudio #immersivesound #3Dsound #spatialsound #immersivemusic #3Dmusic #spatialmusic #immersivemix #3Dmix #spatialmix #soundspatialization #ambisonic #binaural #dolbyatmos #spatialaudio #quadriphonic #surround #artgallery #artinstallation #vr #immersiveexperience

Rec & Mix 5.1 of "Tremblement", a movie by @angelicamesiti , for the "By Night" series of @galeriedesgaleries , production by @misiafilms , with @ensemble_nist_nah (Will Guthrie and Amélie Grould). Paris, 2023. Link in bio for more info. #rec #mix5.1 #angelicamesiti #galerieslafayettes #misiafilms #galeriedesgaleries #ihearanewworld #immersivestudio #immersivesound #3Dsound #spatialsound #immersivemusic #3Dmusic #spatialmusic #immersivemix #3Dmix #spatialmix #soundspatialization #ambisonic #binaural #dolbyatmos #spatialaudio #quadriphonic #surround #artgallery #artinstallation #vr #immersiveexperience

Très belle expérience nocturne, d'enregistrer et mixer les cloches des @galerieslafayette pour le film "Tremblement" de @angelicamesiti , pour la série "By Night" de @galeriedesgaleries , avec @misiafilms , par l'@ensemble_nist_nah (Will Guthrie et Amélie Grould) . #enregistrementdecloches #mix5.1 #galerieslafayettes #angelicamesiti #misiafilms

« Malamente », diplôme d’Anaïs Legros @le.g.ana étudiante en 3e année Atelier Angelica Mesiti « Showtime! Malamente est une performance-vidéo holographique. Le spectacle met en scène une entité anthropomorphique modélisée et animée par l’artiste. Elle interprète le titre Puro Teatro de la queen of latin soul, la grande La Lupe. Fascinée par le vivant et la technologie, Anaïs nous invite à faire l’expérience des transferts qui s’opèrent entre ces mondes qui se confondent. » Crédit photo (1) : @dahlia_nakamura @atelier_mesiti #angelicamesiti #hologram #lipsync #lalupe #puroteatro #cgi #youngcontemporaryartist #beauxartsparis #fineart #artcontemporain #ecoledart #fineartschool #emergingartist #DNAP #artdiploma #VivreLaCulture @culture_gouv

🎥 Ça tourne 🎥 Ca y est ! Les trois derniers courts-métrages de la série By Night sont en ligne (lien en bio). L'occasion de revenir sur trois sessions de tournage aux univers riches et presque magiques. Les @galerieslafayette s'offrent aux yeux des artistes une fois ses portes fermées ✨ •Tremblement• de @angelicamesiti avec @willguthrie et #AmélieGrould. Photographies par @claraeon2 •Rhizome• de @claracullen avec @lalamichmich . Photographies par @dianearques •Rituel• de @michelletshibola avec @houseofladuree aux @galerieslafayettechampselysees ✨ @misiafilms #galerieslafayette #films #misiafilms #cinema #angelicamesiti #claracullen #michelletshibola

Dans le cadre de la série BY NIGHT, artistes et réalisateurs sont invités à déambuler dans le grand magasin pour en proposer une vision nouvelle et personnelle, révélant les multiples facettes des @galerieslafayette : à la fois monument historique, théâtre du commerce et symbole culturel témoignant des tendances et des modes de vie. 🎬 TREMBLEMENT de @angelicamesiti L’artiste australienne plonge le spectateur dans une visite intimiste et sonore des coulisses des #GaleriesLafayette Paris Haussmann. Des abords secrets de la coupole historique à un bureau délaissé pour la nuit, les percussions de l’ensemble @ensemble_nist_nah (Will Guthrie et Amélie Grould) envahissent crescendo les espaces endormis du grand magasin, jusqu’à les animer d'une vibration. 👀 BY NIGHT est disponible en ligne (lien en bio du compte @galeriedesgaleries) @guillaume_houze @misiafilms @clarrigaldie #groupegalerieslafayette #galeriedesgaleries #misiafilms #films #cinema #creation #angelicamesiti

„Im Rausch sein” beschreibt einen Zustand des Kontrollverlusts, in dem wir uns körperlich und geistig etwas hingeben, das uns die engen Grenzen unseres Ichs überschreiten lässt. Lass dich rund um das Theatergebäude auf eine Reise durch sechs Videoinstallationen ein, die dich in einige von vielen möglichen Welten von Rausch und Ekstase leitet. Die Ausstellung „How Can I Forget Myself?“ zeigt Arbeiten der international renommierten Videokünstler*innen Stephanie Barber, Layton Lachman, Angelica Mesiti, Florian Pugnaire & David Raffini, Michael Robinson, Andrew Norman Wilson. Kuratiert wurde die Ausstellung von Tasja Langenbach, Künstlerische Leiterin der Videonale Bonn, in Kooperation mit der @videonale – Festival für Video und zeitbasierte Kunstformen. Täglich geöffnet ab eine Stunde vor Veranstaltungsbeginn. Mehr Infos und Tickets über den Link in der Bio. Fotos: Ethan Allison Folk für Layton Lachman: Doom (Bild 1), Florian Pugnaire & David Raffini: Energie Sombre (Bild 2), Angelica Mesiti: Rapture (silent anthem) (Bild 3), Stephanie Barber: Another Horizon (Bild 4), Andrew Normal Wilson: In the Air Tonight (Bild 5) #HowCanIForgetMyself #Videoausstellung #Videonale #LaytonLachman #AngelicaMesiti #FlorianPugnaire #DavidRaffini #MichaelRobinson #AndrewNormanWilson #StephanieBarber #Raffelbergpark #TasjaLangenbach #TheaterAnDerRuhr #Rausch1 #Vorverkauf #Spielzeiteröffnung #MülheimAnDerRuhr #TheaterRausch #AllesAnders #AllesAndersImTheaterAnDerRuhr #Rausch #TheaterAnDerRuhrImRausch

Angelica Mesiti [1976, Sydney, AUS] Future Perfect Continuous, 2022— HD video, 16:9, black and white, 5:1 surround sound, 8 min Courtesy: the artist and @galerieallen , Paris 📸: @marinocolucci This video gathers together playfulness, time, community, and nature. A group of young people engages in a theatrical warm-up exercise through a series of rhythmic actions generating a sound performance that imitates the sound of a thunderstorm. Gesture and sound become tools to share an experience that, as in ancient times of humanity, connects to the understanding of natural phenomena and the attempt to establish order and logic. #thecourtballet #nucré #artopiagallery #puglia #contemporaryart #apuliart #cegliemessapica #cegliegram #castle #angelicamesiti

Angelica Mesiti [1976, Sydney, AUS] Future Perfect Continuous, 2022— HD video, 16:9, black and white, 5:1 surround sound, 8 min Courtesy: the artist and @galerieallen , Paris 📸: @marinocolucci This video gathers together playfulness, time, community, and nature. A group of young people engages in a theatrical warm-up exercise through a series of rhythmic actions generating a sound performance that imitates the sound of a thunderstorm. Gesture and sound become tools to share an experience that, as in ancient times of humanity, connects to the understanding of natural phenomena and the attempt to establish order and logic. #thecourtballet #nucré #artopiagallery #puglia #contemporaryart #apuliart #cegliemessapica #cegliegram #castle #angelicamesiti

« Lolita », diplôme de Noemi Leneman / Dahlia Rebecca @dahlia__rebecca, étudiante en 3e année, Atelier Angelica Mesiti et Emmanuelle Huynh « Depuis plusieurs mois je travaille sur la figure de Lolita. Cette recherche a pris vie dans la réalisation d’un opéra-ballet filmé en trois actes dont j’ai composé la musique et produit la bande sonore avec @hyrelvenn. Le personnage principal est une danseuse du nom de Lolita. Afin de se plier au regard, désir et projections de son élu elle va essayer d’interpréter plusieurs rôles. Tantôt ballerine, enfermée dans une boîte à musique. Puis bergère, figure transitoire, ambiguë entre admiration, pouvoir et soumission aux agneaux. Et enfin cantatrice, personnage dominateur et menaçant qui se transforme peu à peu en loup. Cette vidéo détourne et joue des codes esthétiques de la représentation traditionnelle de la scène. Autour de ce projet, toute une équipe de jeunes femmes artistes de mon entourage s’est formée, collaborant ensemble pendant plusieurs mois, essayant de tendre au mieux à une forme de Female gaze pour aborder ce sujet. L’univers dans lequel évolue Lolita se déploie et se détourne dans l’espace de monstration. Comme les codes de l’opéra, amplifiés dans le film, (les musiciennes qui sortent de la fosse et qui sont sur scène, les patchworks de rideaux en velours côtelés qui remplacent les traditionnels rideaux rouges etc.) La scène de théâtre se retrouve dans l’espace d’exposition en un podium rose poudré; disloqué, divisé, éparpillé. Les éléments de scénographies deviennent sculptures/acteurs de l’espace posés sur des bouts du podium. La performeuse est absente et remplacée par des souvenirs, collage d’objets du film rendus abstraits ». Crédits repros : @samara.krahenbuhl et @oskarfougeirol Crédits et remerciements pour l'installation en commentaires @atelier_mesiti @angelicamesiti #angelicamesiti @atelierhuynh @mua.emmanuelle.huynh #emmanuellehuynh #youngcontemporaryartist #beauxartsparis #fineart #artcontemporain #ecoledart #fineartschool #emergingartist #DNAP #artdiploma #VivreLaCulture @culture_gouv

A little walk down memory lane today which I will spread over 4 posts! It’s been fun reminiscing over this! Back in 2007, following a serendipitous meeting with Doug Wright, (Senior Lecturer in charge of Painting at the University of Ballarat), Mark conceived the idea of an Art Prize. It started as the seed of an idea over a bottle of red, and grew into the vision for a contemporary art prize which Mark and I committed to sponsor to be run bi-annually over 10 years. It would be open to contemporary Australian artists working in existing media and new technologies “new art” - whatever that meant at the time - and whatever it means now! Mark was really enthused by the energy that could be created at a national level - with the prize open to artists from all over Australia, and at a community level with the connection that could be enabled between Federation University (or back then the University of Ballarat) @feduniaustralia @pogallery and the Art Gallery Ballarat @artgalleryofballarat It took 6 years of discussion and planning for the vision to be realised. 10 years ago this April was the inaugural Guirguis New Art Prize (GNAP 2013) We celebrated our first winner Ash Keating with his multi-screen video - West Park proposition. The 2013 GNAP finalists were - @rebecca_baumann @ash_keating @richard_lewer @angelicamesiti @davidrosetzky @darrensylvester @paul.yore Fergus Binns Petrina Hicks Bonnie Lane Brendan Van Hek #rebeccabaumann #fergusbinns #petrinahicks #ashkeating #bonnielaneart #richardlewer #angelicamesiti #davidrosetzky #darrensylvester #brendanvanhek #paulyore Image 📷 Ash Keating 2013 multi-screen video West Park proposition,

One last post from my backlog - some small exhibitions I saw at #nationalgalleryaus at the beginning of the year, I think they are now closed (I really should post more promptly) . 1& (🔊 on) 2: Project 3 #AngelicaMesiti - this video installation (the mock amphitheatre is part of it) was Australia's entry in the 2019 Venice Biennale*. The videos show people making music and moving/dancing in, mostly, Old Parliament House (though you'd have to be Canberran to recognise the location), at the time I found the experience of being in it (sitting in the amphitheatre feels like participating rather than simply watching) beautiful but weird, I thought 'I like this, even though I don't really get it'. Later I read the explanation and did get it, but was glad I didn't read the explanation first, the mystery of the piece is part of its magic 3: Project 2 #KaraWalker - it's confronting, as work about slavery should be, I found the images of slaves begging to be treated as humans particularly moving (oppressed people shouldn't have to beg, but the reality is that they do, that's what it means to be oppressed). The 'Project' in the title of this exhibition (and the Mesiti one) refers to its being part of the #KnowMyName initiative, I'm not sure if there will be more of these 'projects', but I hope there will be, and that they'll be as bold as this one (there are lots of women artists out there, NGA didn't have to feature one so confronting, or one working on a theme that's not directly relevant to Australians, but I'm glad they did, expanding our horizons is what they should be doing) 4: #BridgetRiley Dancing To The Music of Time - this site-specific wall painting is just a bunch of giant polka dots (quite unlike the motion sickness inducing Op Art Riley is known for), yet it's completely mesmerising, when you get close you realise that the dots are far bigger than they look, and each seems to have its own character! . #contemporaryart #visitcanberra #igerscanberra . * I went to the Biennale but didn't visit the Australian pavilion because I knew that NGA had bought this piece, I then spent over 2 years waiting for NGA to put it on display!

This International Women's Day we give a very thankful nod to Annabel Rees (née Lawson), co-founder of Arnolfini. Without her contribution to the vision of Arnolfini we wouldn't all be here nor have been able to showcase the talents of Paula Rego, Jannis Kounellis, Rachel Whiteread, Judy Chicago, Heather Trott, Jo Spence, Veronica Ryan, Chantal Joffe, Sonia Boyce, Eliza Hatch, Polly Braden, Donna Huanca, Bharti Kher, Katy Hessel, Amak Mahmoodian, Angelica Mesiti, Ayo Akingbade, Salena Godden, Paloma Tendero, Anna Fox, Polly Penrose, Susan Hiller, Tai Shani, Daphne Wright among many, many other incredible women. 📷 Annabel Rees pictured at Arnolfini, courtesy of the Rees family.

This International Women's Day we give a very thankful nod to Annabel Rees (née Lawson), co-founder of Arnolfini. Without her contribution to the vision of Arnolfini we wouldn't all be here nor have been able to showcase the talents of Paula Rego, Jannis Kounellis, Rachel Whiteread, Judy Chicago, Heather Trott, Jo Spence, Veronica Ryan, Chantal Joffe, Sonia Boyce, Eliza Hatch, Polly Braden, Donna Huanca, Bharti Kher, Katy Hessel, Amak Mahmoodian, Angelica Mesiti, Ayo Akingbade, Salena Godden, Paloma Tendero, Anna Fox, Polly Penrose, Susan Hiller, Tai Shani, Daphne Wright among many, many other incredible women. 📷 Annabel Rees pictured at Arnolfini, courtesy of the Rees family.

🌟 PORTRAIT23 ARTIST ANNOUNCEMENT 🌟 Next up is internationally renowned, Paris-based artist Angelica Mesiti! Angelica creates video installations that are absorbing and profound experiences for audiences. Her work ASSEMBLY, shown in the Australian Pavilion at the 2019 Venice Biennale, was later acquired by the National Gallery of Australia. Angelica’s work explores collective actions, non-linguistic and non-human forms of communication, perceptions of time and space, and questions the anthropocentric model of the world. Her video work Future Perfect Continuous, exhibited at Anna Schwartz Gallery in Naarm/Melbourne in 2022, pairs a montage of young people using their hands to evoke the sound of rain with images of fossilised rain prints preserved in stone millions of years ago. Angelica has presented solo exhibitions worldwide, including at the Palais de Tokyo Paris, MAXXI Rome and Musée d’Art Contemporain de Montréal. 💜 Make sure to keep an eye on our socials for another exciting artist reveal! For more info, check out our website (link in bio 🔗). [📷 Angelica Mesiti, 2022 by @nikki_toole. Photographed in Paris, France.]

Visit the Gallery to see ‘Mother Tongue’ by internationally renowned Australian artist Angelica Mesiti. Taking a cue from the Danish tradition of ‘fællessang’ (communal morning singing), ‘Mother Tongue’ explores the musical and performance traditions of diverse social and cultural groups across the Danish city of Aarhus, to construct a sensitive and layered portrait of a modern city. More information on the website at bendigoartgallery.com.au ~~ Installation view, Angelica Mesiti ‘Mother Tongue’ 2017, Bendigo Art Gallery, 2022. Photo: Leon Schoots ~~ #AngelicaMesiti #BendigoArtGallery #VideoInstallation

‘Mother Tongue’ is a dual-channel video installation by Paris-based Australian artist Angelica Mesiti, acquired by Bendigo Art Gallery in 2019. Drawing on the Danish tradition of communal singing and its symbolic demonstration of togetherness, this work explores the music traditions of diverse communities across the Danish city of Aarhus, inviting reflection on our social and private lives. ~~ Angelica Mesiti ‘Mother Tongue’ (video still details) 2017 two-channel HD video installation, 17 min, 54 sec Bendigo Art Gallery Collection.RHS Abbott Bequest Fund, 2019 Video stills: Bonnie Elliot. Courtesy of the artist and Anna Schwartz Gallery ~~ #AngelicaMesiti #BendigoArtGallery

50% FESTIVE SALE NOW ON! Need some gift inspiration? This festive season we are offering an extra special 50% OFF many of our #TalbotRice Catalogues! Including #celinecondorelli #angelicamesiti #emekaogboh #samsonyoung #jessejones #rachelmaclean #aliceneel #luctuymans #paularego - and more! Visit the shop now via link in our bio. (Order by 14 December for xmas delivery) #TalbotRice @edinburghcollegeofart @edinburghuniversity #xmas2022 #festive #festiveseason #festivesale #xmasgifts

This morning I went to an exhibition at the @bendigoartgallery and saw an exhibition which I loved. Treasures of Dai Gum San. Some details of what I loved. Also the video installation by Angelica Mesiti was 🌟🌟🌟 And the excellent company Kasie @thegreenstore.com.au (missing @thecottageherbalist ) #exhibition #gratitude #inspiration #textile #detail #metal #work #angelicamesiti

#paris #palaisdetokyo #shadow #morse #art #angelicamesiti #france #photography

Assembly by UNSW Art & Design moving image alumni Angelica Mesiti (BFAhons, MFA) at the National Gallery of Australia. Assembly was commissioned for the 2019 Venice Biennale and exited and prototyped at UNSW Art & Design in the Black Box. Posted @withrepost • @angelicamesiti So excited to be presenting ASSEMBLY in Australia for the first time as part of the permanent collection of the @nationalgalleryaus Until January 29, 2023 National Gallery of Australia, Kamberri/Canberra, acquired 2019 © Angelica Mesiti - Courtesy the artist and Anna Schwartz Gallery #angelicamesiti #videoart #videoartist #australianart

Introducing a major recent acquisition for the Bendigo Art Gallery Collection, Angelica Mesiti’s ‘Mother Tongue’, 2017. Opens today. This video installation offers a glimpse into the lives, sounds and creative expression of diverse communities across the city of Aarhus, Denmark. In a poetic and intimate composition resembling a musical score, ‘Mother Tongue’ brings into conversation contrasting environments and distinct cultural expressions of music, dance and song to reflect on place, belonging and identity and how contemporary communities find ways to connect and live together in the daily rhythms of discord and harmony. ~~ 'Mother Tongue' (video still detail), 2017, two-channel HD video installation, 17min, 54 sec. Bendigo Art Gallery Collection, RHS Abbott Bequest Fund, 2019. Video stills: Bonnie Elliot. Courtesy the artist and Anna Schwartz Gallery. ~~ #BendigoArtGallery #AngelicaMesiti #VideoInstallation

OPENS TODAY | ANGELICA MESITI ‘ASSEMBLY’ Until 29th January 2023 National Gallery of Australia, Canberra Angelica Mesiti’s videos are portraits that consider how communities are formed through shared movement and communication. Commissioned by Australia Council for the Arts on occasion of the 58th Venice Biennale, this work explores "...the space where communication moves from verbal and written forms to non-verbal, gestural and musical forms." Images: Angelica Mesiti, ASSEMBLY, 2019. Three-channel video, 6 channel mono audio, in an architectural amphitheatre, 25 minutes. @nationalgalleryaus @angelicamesiti #AngelicaMesiti #KnowMyName #NationalGalleryofAustralia #NGA40 #AnnaSchwartzGallery #ASG

Angelica Mesiti: Assembly Available from our online store. Link in bio or click product tag. — Angelica Mesiti’s three-channel video work ‘Assembly’, commissioned by @auscouncilarts for the Australian Pavilion at the 2019 Venice Biennale, explores the fragility of democracy. — #formisteditions #angelicamesiti #assembly #venicebiennale #veniceartbiennale #markgowing

During my 12 days in jail, I was deprived of all my personal freedom. The moment I entered the cell, my mind was instantly taken back to my childhood: they locked me in the house every day, leaving me alone to play with the blocks. When they came home from work at night, they were greeted with endless quarrels and fights, and this was my childhood. - MISSING: 14/01/2021: Me, My dad Adam and my mom Eve were making Lego flower bouquets together in the garden of Eden. Suddenly they disappeared after eating a fruit from the Lego flower bouquet! If seen or if you have any information please call my number (ZHUANG) or the police. ADAM: 6.14 feet, 151 lbs, red eyes, alcoholic, thick gray fur, low frequency howling never up to 338 Hz EVE: 5.56 feet, 132 lbs, big black eyes, dominant, red neck fur, high frequency howling never below to 770 Hz Missing posters 42cmx29.7cm, Six channels of stereo audio, Lego flower bouquet on a black booth, “Lego” plates with texts, Interactive 3D Video game, A Shotgun on a “Lego” booth, A pair of “Lego” chains, A “Lego” food bowl, “Lego” path, Black soil, An Iron cage 304cmx273cm Crédit photos : @jiayun_deng Crédit vidéo : @zhen_yu_zhou Thank you to Angelica Mesiti, @raphaelisdant, Martin Christensen, @johanna_gustafsson_furst, Andreas Hammar, Thank you to @puqiliu for the 3D printings, and @jiayun_deng, @zhen_yu_zhou for the amazing photos and videos. And thank you to @sixtyten69, @xue_manling, @liusi.raw and all my friends for helping me with this exhibition. @atelier_mesiti #angelicamesiti #youngcontemporaryartist #beauxartsparis #fineart #artcontemporain #ecoledart #fineartschool #emergingartist #DNSAP #artdiploma #VivreLaCulture @culture_gouv

« If you've ever met Adam and Eve, Please pass them this shotgun (Round II) », diplôme de Zhuang Han @hanzhuangg étudiant en 5e année Atelier Angelica Mesiti   « During my 12 days in jail, I was deprived of all my personal freedom. The moment I entered the cell, my mind was instantly taken back to my childhood: they locked me in the house every day, leaving me alone to play with the blocks. When they came home from work at night, they were greeted with endless quarrels and fights, and this was my childhood. - MISSING: 14/01/2021: Me, My dad Adam and my mom Eve were making Lego flower bouquets together in the garden of Eden. Suddenly they disappeared after eating a fruit from the Lego flower bouquet! If seen or if you have any information please call my number (ZHUANG) or the police.   ADAM: 6.14 feet, 151 lbs, red eyes, alcoholic, thick gray fur, low frequency howling never up to 338 Hz EVE: 5.56 feet, 132 lbs, big black eyes, dominant, red neck fur, high frequency howling never below to 770 Hz Missing posters 42cmx29.7cm, Six channels of stereo audio, Lego flower bouquet on a black booth, “Lego” plates with texts, Interactive 3D Video game, A Shotgun on a “Lego” booth, A pair of “Lego” chains, A “Lego” food bowl, “Lego” path, Black soil, An Iron cage 304cmx273cm Crédit photos : @jiayun_deng Crédit vidéo : @zhen_yu_zhou   Thank you to Angelica Mesiti, @raphaelisdant, Martin Christensen, @johanna _gustafsson_furst, Andreas Hammar, Thank  you to @puqiliu for the 3D printings, and @jiayun_deng, @zhen_yu_zhou for the amazing photos and videos. And thank you to @sixtyten69, @xue_manling, @liusi.raw and all my friends for helping me with this exhibition. »   @atelier_mesiti #angelicamesiti #youngcontemporaryartist #beauxartsparis #fineart #artcontemporain #ecoledart #fineartschool #emergingartist #DNSAP #artdiploma #VivreLaCulture @culture_gouv

« Tactiques de Permanence », diplôme d’Isadora Soares-Belletti @isadorabhz étudiante en 3e année Ateliers Angelica Mesiti et Petrit Halilaj & Alvaro Urbano « Je m’intéresse à l’imaginaire des jardins comme lieux utopiques et à leur réalité contradictoire issue des relations coloniales. Tactiques de Permanence, mon exposition de diplôme, est un déroulement de cet intérêt. J’ai cherché à créer un espace d’enchantement à l’image des jardins fantastiques en mettant en évidence des formes de vie qui ont été déplacées de leurs habitats d'origine et ont dû s’adapter - comme certains animaux ou plantes. Mon étude de cas était le Jardin de l’Hôtel Chimay : un espace mystérieux au sein des Beaux-Arts qui reçoit la visite des perruches à collier quotidiennement - des oiseaux d'origine afro-asiatique qui se sont envolés du marché exotique en Europe. Pendant ces derniers mois, j’y ai passé plusieurs jours, ce qui a donné vie aux images présentes dans l’exposition. J’ai voulu créer un environnement de permanence et de rêve, où le public est invité à s'abriter sous des fleurs/parasols géants ou à découvrir la réalité à travers des couleurs normalement invisibles aux yeux humains, grâce aux images en film infrarouge. Néanmoins, si on regarde de plus près, cette atmosphère séduisante peut nous dévoiler des incohérences biotiques et culturelles liées à une vision eurocentrée des jardins et peut-être de la nature tout court. Obrigada à Angelica Mesiti, @claval_concept, @matthiasjoulaud, @alvaro_urbano, @xixellojme e à todes que ajudaram essa exposição à tomar forma. » @atelier_mesiti #angelicamesiti @atelierhalilajurbano @petrit.halilaj @alvaro_urbano #petrithalilaj #alvarourbano #youngcontemporaryartist #beauxartsparis #fineart #artcontemporain #ecoledart #fineartschool #emergingartist #DNAP #artdiploma #VivreLaCulture @culture_gouv

Installation view of ‘Future Perfect Continuous’, an exhibition of recent new media works by Angelica Mesiti, on view at Anna Schwartz Gallery in Melbourne until October 8: https://annaschwartzgallery.com/exhibition/future-perfect-continuous #art #exhibition #gallery #video #newmedia #angelicamesiti #annaschwartzgallery #melbourne

Diplôme de Clara Eon @claraeon2 étudiante en 3e année Ateliers Angelica Mesiti et Clément Cogitore « Depuis mon arrivée à l’Ecole, j'explore les domaines de l’intimité et de la sensualité à travers la mise en scène des corps, quels que soient leur âge, leur genre ou leur formation. Je cherche autant à chorégraphier des gestes réduits à leur plus simple expression, facile à adapter par toutes et tous, qu’à travailler avec des danseurs professionnels. Dans ma pratique de la performance, j'ai créé un personnage d’une effeuilleuse burlesque, nommée La Cigale, inspirée des meneuses de revues des années 20. J’interroge la manière de voir un effeuillage et le rapport qu’entretient le performeur avec le public. Pour ces projets j’ai collaboré avec les danseurs Dorine Aguilar @dodo_ledodo et Guillaume Chan Ton @guillaummmme, sur une musique originale de Jeanne-Peri Foucault @jeanneperi.foucault, dans « Balade à deux ». Ainsi que l’actrice Tamar Baruch @tamarbaruchofficial dans « My car ». Et Malo Lecollinet @yaourtmalo dans le diptyque vidéo « Rêveries ». » @atelier_mesiti @ateliercogitore #angelicamesiti #clementcogitore #youngcontemporaryartist #beauxartsparis #fineart #artcontemporain #ecoledart #fineartschool #emergingartist #DNAP #artdiploma #VivreLaCulture @culture_gouv

« vrmvrm », diplôme de Loïs Saumande @loissmd étudiant en 3e année Ateliers Julien Prévieux avec Liv Schulman et Angelica Mesiti « All my life, I’ve been waiting for a good time, so let me ride » (@charli_xcx) Performance écrite pour et avec Aurélien Vieillard. Fanzine réalisé en collaboration avec Jade Boudet @butterfly_rixe, Briac Julliand @333x333t333r et Marie Ward @marmarwarwar Un immense merci à @charlie.aubry @jeanbaptistegeorjon Yann Trividic et toustes celleux qui se sont impliqué.e.s de la mise en forme de ce projet. Crédit vidéo (1) : @carl_amiard Crédit photo (2) : Jean-Baptiste Georjon @atelierprevieux @atelier_mesiti @liv_schulman_ #julienprevieux #livschulman #angelicamesiti #youngcontemporaryartist #beauxartsparis #fineart #artcontemporain #ecoledart #fineartschool #emergingartist #DNAP #artdiploma #VivreLaCulture @culture_gouv

Protocinema Summer Series: 🌞 ANGELICA MESITI Over the next few weeks we're looking back through our collaborations and commissions, to artists we've worked with through the years, exploring some of their artworks that teach us something. Angelica Mesiti: Citizens Band 2012 Four channel video installation. High definition video, 16:9, PAL, surround sound duration: 21mins 25secs. In Citizens Band, Mesiti shares with viewers intimate and dignified musical performances by four separate people. Each, lost in memory, performs music from his or her birthplace in the urban environment of an adopted home. Loïs Geraldine Zongo, born in Cameroon, drums on the water of a public swimming pool in Paris, practicing the akutuk, or water drumming, taught to her by her grandmother. Mohammed Lamourie, an Algerian refugee, sings and plays a song by the assassinated Raï musician Cheb Hasni on the Métro. Bukchuluun Ganburged (Bukhu), a Mongolian throat singer, plays the morin khuur (horse-hair fiddle) on a street corner in a suburb of Sydney, and Sudanese-born Asim Goreshi whistles in the front seat of his Brisbane cab. Their accomplished performances carve out transcendent moments. Musical traditions and their performers find and make new homes while recalling the old. Deeply personal, quiet moments are made universal. Angelica Mesiti explores non-verbal communication and the transformations of cultural expression in video, performance and installation. Bree Richards, Curator of Contemporary Art Practice at the National Gallery of Australia, describes Mesiti’s videos as “refined,” and writes that she “bears witness to enchanted moments of inner life with her camera.” Citizens Band was commissioned for NEW12 at the Australian Centre for Contemporary Art, Melbourne. @angelicamesiti @annaschwartzgallery @galerieallen #ProtocinemaSummerSeries #AngelicaMesiti #PROTOCINEMA

For her new series of works Australian artist Angelica Mesiti sourced images of fossilised rain prints, which were then printed in black and white and further photographed against coloured backdrops.The result are images that appear accurate and uncanny at the same time. The series titled 'The rain that fell in the faint light of the young Sun' is now on view as part of Mesiti's third solo exhibition at @annaschwartzgallery, presented until 8 October. #angelicamesiti #annaschwartzgallery #melbourneexhibition #contemporaryart #australianartist #articulateloves

#angelicamesiti @ #annaschwartzgallery, #flinderslane #melbourne…

Our top 5 exhibitions to see this week: . Natalya Hughes ’The Interior’ at the Institute of Modern Art, Brisbane. @ima_brisbane @nattywhos Image: Natalya Hughes, 'The Interior', work in progress, 2021. Courtesy of the artist, Sullivan+Strumpf, and Milani Gallery. . David Sequeira ‘Songs’ at Umbrella Studio Contemporary Arts, Townsville. @umbrellastudiotsv @davidsequeirastudio Image: David Sequeira, 'Song for Transition', 2019, gouache on paper, 29.7 x 21 cm. . Kyra Mancktelow ‘Gubagulabu’ at N.Smith Gallery, Sydney. @n.smithgallery @kyramancktelow Image: Kyra Mancktelow, 'Gubagulabu I', 2022, unique bronze sculpture, 22 x 40 x 24 cm. Image courtesy of the artist and N.Smith Gallery, Gadigal Country / Sydney. . 'Rauschenberg & Johns: Significant Others’ at the National Gallery of Australia, Canberra. @nationalgalleryaus Image: Jasper Johns, 'Gemini G.E.L.', Figure 1; from 'Color numeral series', 1969, colour lithograph printed from one stone and two aluminium plates, 69.6 h cm, 55.6 w cm, National Gallery of Australia, Kamberri/Canberra, Purchased 1973. © Jasper Johns. VAGA/Copyright Agency. . Angelica Mesiti 'Future Perfect Continuous’ at Anna Schwartz Gallery, Melbourne. #AnnaSchwartzGallery #AngelicaMesiti Image: Angelica Mesiti, 'Future Per­fect Continuous', 2022, (still) HD video, 16:9, black and white, sur­round sound, 8 min­utes 08 seconds.

OPEN NOW ANGELICA MESITI ‘Future Perfect Continuous’ Until October 8 Exhibition text by Kathleen Ritter Shot in black and white, the film is a mon­tage of hands per­form­ing the ges­tures that col­lec­tive­ly and con­vinc­ing­ly mim­ic the sound of rain— rub­bing, snap­ping, clap­ping, slap­ping. The sound­track is com­posed sole­ly of the sounds gen­er­at­ed by per­form­ers’ hands. The cam­era moves between their hands and faces as they lis­ten to each oth­er. As with sev­er­al of Mesiti’s ear­li­er works, the pos­si­bil­i­ty of col­lec­tiv­i­ty is a recur­rent theme. Here she brings togeth­er a diverse cast of peo­ple in their ear­ly 20s, at the start of their adult life. We can imag­ine them leav­ing home and enter­ing soci­ety, form­ing new com­mu­ni­ties, per­haps vot­ing for the first time. Image: Angelica Mesiti, ‘Future Perfect Continuous’, installation view, Anna Schwartz Gallery Melbourne. Photography: Christian Capurro @angelicamesiti #AngelicaMesiti #FuturePerfectContinuous #AnnaSchwartzGallery #ASG

#Exhibition Angelica Mesiti 'Future Perfect Continuous' at @annaschwartzgallery until October 8 The title for Mesiti’s work, 𝘍𝘶𝘵𝘶𝘳𝘦 𝘗𝘦𝘳­𝘧𝘦𝘤𝘵 𝘊𝘰𝘯𝘵𝘪𝘯𝘶𝘰𝘶𝘴, describes a verb tense for actions that con­tin­ue up until a point in the future. 𝘉𝘺 𝘵𝘰𝘮𝘰𝘳­𝘳𝘰𝘸, 𝘪𝘵 𝘸𝘪𝘭𝘭 𝘩𝘢𝘷𝘦 𝘣𝘦𝘦𝘯 𝘳𝘢𝘪𝘯­𝘪𝘯𝘨 𝘤𝘰𝘯­𝘵𝘪𝘯­𝘶­𝘰𝘶𝘴­𝘭𝘺 𝘧𝘰𝘳 𝘢 𝘸𝘦𝘦𝘬. It is a spe­cif­ic gram­mat­i­cal con­struc­tion for a time that projects for­wards in antic­i­pa­tion of events that have not yet hap­pened, but will like­ly hap­pen. It is spec­u­la­tive and real at the same time. Image: Angelica Mesiti, 𝘍𝘶𝘵𝘶𝘳𝘦 𝘗𝘦𝘳­𝘧𝘦𝘤𝘵 𝘊𝘰𝘯𝘵𝘪𝘯𝘶𝘰𝘶𝘴 (still), 2022. Courtesy the artist and Anna Schwartz Gallery, Naarm/Melbourne. #art #contemporaryart #angelicamesiti #annaschwartzgallery

Heading to "The Picture of Dorian Gray" at the Playhouse this afternoon and with a spare 45mins I popped into Buxton Contemporary to see "Still Life". My favourite, the first photo, by John Wolseley, who I've featured before. Other artists include: #MikalaDwyer, #NicholasMangan, #AngelicaMesiti #ClareMilledge #VeraMöller #JamesMorrison #IsadoraVaughan #JahnnePasco-White #AdeleWilkes #MulkunWirrpanda and #JohnWolseley #artexhibition #melbourne @melbourneart #buxtoncontemporary

Exhibition ‘The echo of a distant time Comes willowing across the sand / Les échos d’un temps lointain arrivent en sifflant sur le sable’ at POUSH Manifesto art residency, Paris - Aubervilliers (France). Through August 19th, 2022. __ Images / Artworks: 1. ‘Anomalie Temporelle IV (Flaques liquides)’ (2022) by Angela Jiménez Durán 2. ‘Eclipse’ (2022) by Marlon de Azambuja, and ‘Relay’ (2018) by Gerard & Kelly 3. ‘Milk spirit’ (2022) by Mariana Hahn, and ‘The Exhibition Between Us’ (2019-2022) by Charbel-joseph H. Boutros 4. ‘Sans titre 2’ (2022) by Matisse Mesnil 5. ‘Fenêtres’ series (2021-2022) by Katarzyna Wiesiolek 6. ‘Le livre de Job’ (2018) by Marie-Luce Nadal, and ‘Au musée du sommeil’ (2009) by Joris Lacoste 7. ‘Le livre de Job’ (2018 - Detail) by Marie-Luce Nadal 8. ‘Sans titre 1’ (2022) by Matisse Mesnil 9. ‘Sans titre 3 & 4’ (2022) by Matisse Mesnil 10. ‘Silent Polyphony’ (2015) by Angelica Mesiti. __ Curator: Yvannoé Krüger. __ #AngelaJiménezDurán @angela.jimenezduran #MarlonDeAzambuja @marlondeazambuja #GerardAndKelly @gerardandkelly #MarianaHahn @mariana.hahn #CharbelJosephHBoutros @charbeljosephhboutros #MatisseMesnil @matissemesnil #KatarzynaWiesiolek @katarzyna.wiesiolek #MarieLuceNadal @marieluce.nadal #JorisLacoste #AngelicaMesiti @angelicamesiti #TheEchoOfADistantTimeComesWillowingAcrossTheSand #LesEchosdUnTempsLointainArriventEnSifflantSurLeSable #LesEchosdUnTempsLointain #YvannoéKrüger @yvannoe #POUSHManifesto #POUSH @poush @manifestoparis #Aubervilliers #Paris #ContemporaryArt #ArtContemporain #PinkFloyd #Artist #ArtResidency #ExhibitionView

“if only flowers could talk", diplôme de Clarisse Pillard @clarrrrise étudiante en 3e année Ateliers Claude Closky et Angelica Mesiti “ — Ce soir, je suis invitée à dîner. Demain, c’est l’anniversaire d’une amie. La semaine prochaine, la fête des mères. J’achèterai des fleurs. Dans ma pratique, je questionne les consommables: ces objets que l’on achète ou offre, moyennant une somme monétaire. Je me demande ce que l’achat et la possession de ces consommables révèle de nos schémas sociaux et de nos croyances et superstitions.  Offrir des fleurs peut signifier de la joie, de la sincérité, des sentiments. Marquer une forme d’attention ou une demande d’attention. Parfois, les fleurs remplacent ces mots qui nous sont impossibles de formuler. Offrir des fleurs, ces objets éphémères, semble plus tenir de l’ordre d’une performance sociale. Dans une installation qui joue de mots et d’image, je questionne leur commodification et je cherche à mettre en lumière les systèmes de dépendance qui régissent nos échanges, et les boucles systémiques — qui nous portent, nous poussent et nous contraignent — dans lesquelles nous sommes pris.e.s. “if only flowers could talk” cherche à confronter notamment deux sphères, celle des échanges monétaires et celle des échanges émotionnels qui semblent si éloignées et pourtant si proches. Dans cette pièce, vous ne verrez pas (ou presque pas) de fleur car ce projet n’est pas à propos des fleurs en tant que telles ni de leur pouvoir esthétique, mais de tout ce qui les entourent avant qu’elles n’arrivent sur la table de votre salle à manger. ” Le livre photo “I heard that without pain, there ain’t no gain.” a été réalisé en collaboration avec Adèle Pavia @alaid_povio   @atelier_mesiti #angelicamesiti #claudeclosky #youngcontemporaryartist #beauxartsparis #fineart #artcontemporain #ecoledart #fineartschool #emergingartist #DNAP #artdiploma #VivreLaCulture @culture_gouv

Angelica Mesiti at Art Sonje Center, 2018 #angelicamesiti @artsonje_center

« Les Restes », diplôme d’Ors Batmaz @orsbatmaz étudiant en 3e année Atelier Angelica Mesiti « C’est bientôt la fin mon fils, dit un jour mon père à l’approche du 35e anniversaire du début de sa carrière dans la restauration. Cette phrase m’a amené à me questionner sur la place qu’avait pris le restaurant familial dans nos vies. Entre nos rêves brisés, nos souvenirs, notre réalité, ceux qui ne sont que de passage et ceux qui nous ont quittés j’ai voulu créer un dialogue poétique et politique entre mon père, mon frère, nos clients et moi sur ce qu’il nous restera de cette entité bicéphale qu’est le restaurant à la toute fin. » @atelier_mesiti #angelicamesiti #youngcontemporaryartist #beauxartsparis #fineart #artcontemporain #ecoledart #fineartschool #emergingartist #DNAP #artdiploma #VivreLaCulture @culture_gouv

« You Must Believe in Spring », diplôme de Shoichiro Kawashima @shoichiro.kawashima étudiant en 5e année Ateliers Clément Cogitore et Angelica Mesiti « Librement inspiré de Clair-obscur de Sôseki, romancier japonais (1867-1916), le film se déroule aux Beaux-Arts de Paris. La veille de son diplôme, en pleine préparation, Tania reçoit la visite de diverses personnes : Michael, un homme marié, avec qui elle entretient une relation ambiguë. Kylian, son petit ami avec qui elle essaye de rompre. Nathalie, la fiancée de son frère décédé, et Yann, le nouveau compagnon de Nathalie. Leur conversation tourne autour des souvenirs de chacun, à la fois tristes et joyeux. » Interprétation : @louisegreggory, @alix_draillarddechalon, @benjamin.bur_bajao, @jeanchristophefreche, Alexandre Padovani Chef opérateur : @corentin_courage_ Ingénieur du son : @__oudy Assistant mise en scène : @laurinkaiser Equipe image : @saoirse.aidenn, @amphyy_photo, @louis.bailly, @helioshelioshelios Equipe son : @narcissus_m4a, @uley_oab Collaboration artistique : @yang_.yi @ateliercogitore @atelier_mesiti #angelicamesiti #clementcogitore #youngcontemporaryartist #beauxartsparis #fineart #artcontemporain #ecoledart #fineartschool #emergingartist #DNSAP #artdiploma #VivreLaCulture @culture_gouv

« Danse d'un conte éveillé », diplôme de Sarah Konté @sarahkonte étudiante en 5e année Atelier Angelica Mesiti « Dans cette installation performance déclenchée par deux ouvreuses, le film se dévoile au gré du mouvement de l’audience, révelant peu à peu une cinématographie éclatée au sein de laquelle la narration devient libre. Interprétant moi-même une variation de griotte (conteuse de tradition orale en Afrique de l’Ouest), présentant une histoire mais la laissant ici être contée par l’audience, l'histoire vire-volte. Une histoire illusoire, une histoire décousue, elle sommeille, elle danse, elle jazz. Le film est ainsi performatif. L’audience entre dans ce film qui prend forme sous ses yeux. » Crédit photo (1) : Sacha Boccara @sachaboccara @atelier_mesiti #angelicamesiti #youngcontemporaryartist #beauxartsparis #fineart #artcontemporain #ecoledart #fineartschool #emergingartist #DNSAP #artdiploma #VivreLaCulture @culture_gouv

#justopened – ‘Over the Air and Underground’ by Angelica Mesiti, from ‘Still Life’, a curated group exhibition at Buxton Contemporary, on view until Nov 6: https://buxtoncontemporary.com/exhibitions/still-life/ #gallery #exhibitions #buxtoncontemporary #angelicamesiti #stilllife @buxton_contemporary

« Façades », diplôme de Gabrielle Taron-Rieussec @gabrielle_taronr étudiante en 5e année Ateliers Emmanuelle Huynh et Angelica Mesiti   « Se façonner des apparences Comme des façades derrière lesquelles se retrancher - remparts entre les projections d’une pensée dominante et la complexité des identités. Même le médium photo supposé transparent se heurte aux multiples niveaux d’opacité des images. Dans leurs replis se logent des histoires, des désirs, de potentielles mutations qui viendront déjouer ces stigmates que l’on exhibe parfois pour les renvoyer à l’expéditeur. Ici des corps minorisés, qui à force de subir l’autorité des regards normatifs ont forgé des aspects comme des armures dont la brillance est polie par la tendresse des alliances. Objets de curiosité / de désir Les laisser statiques nous regarder Profiter de ce temps de répit que nous offrent les stratégies de désidentification pour exulter dans les différences. »   Eux palimpsestes – impressions sur plexiglass à partir de scan argentiques montées en caissons lumineux. Vis à vis – installation vidéo à partir de performances filmées. Armura3 – performance, colle à peau et miroir acrylique.   Performeurs : Gabriel K/nell @gabrielkaslashnell et Yixuan Xiao @triplepaisseur   Crédit photos : An Sung Ho (1 à 6) @an_sungho et Sacha Boccara (7 à 9) @sachaboccara   @atelierhuynh @atelier_mesiti @emmanuelle_huynh #emmanuellehuynh #angelicamesiti #youngcontemporaryartist #beauxartsparis #fineart #artcontemporain #ecoledart #fineartschool #emergingartist #DNSAP #artdiploma #VivreLaCulture @culture_gouv

ANGELICA MESITI participates in the inaugural exhibition in the magnificent new studios and exhibition at @poush @angelicamesiti @yvannoe @hervedigne #angelicamesiti

ANGELICA MESITI participates in the exhibition DES VOIX TRAVERSÉES at @iacvilleurbanne Curated by @rphlbrnl and @annelouvicente #angelicamesiti @angelicamesiti

« Sans un mot », diplôme de Sung Ho An @an__sungho étudiant en 5e année Atelier Angelica Mesiti   « Je m’intéresse aux gestes humains. Les gestes accompagnent souvent la parole, comme s’ils complétaient notre expression vocale. Parfois, les gestes expriment mieux que la parole. Je cherche à voir le potentiel d’expression des gestes humains en les regardant de plus près dans toutes leurs nuances, parfois aussi hors de leur contexte habituel pour arriver à une expression plus libre. »   Crédit photo : Sacha Boccara (1 et 5) @sachaboccara   @atelier_mesiti #angelicamesiti #youngcontemporaryartist #beauxartsparis #fineart #artcontemporain #ecoledart #fineartschool #emergingartist #DNSAP #artdiploma #VivreLaCulture @culture_gouv

Jouant de la résonance entre les corps, les lieux et les êtres, « Des voix traversées » propose, d’un espace l’autre, de traverser des voix et de nous laisser traverser par elles, temporairement ou durablement -> La fabrique du nous 1 : #desvoixtraversées -> commissariat de @annelouvicente & @rphlbrnl @whatyouseeiswhatyouhear_paris -> @iacvilleurbanne -> 31 juillet #lafabriquedunous #groupshow #fabrique #voix #son #sonore #langage #iac #villeurbanne 1- #angelicamesiti 2- #pedrobarateiro 3- #monavarichon 4- #maximebondu & #simonripollhurier 5-6 #anneletroter 7- #annabarham 8- #paulineboudryrenatelorenz

« Apprendre à fouler la terre », diplôme de Dorine Bernard @dorine__bernard  étudiante en 3e année Ateliers Pascale Marthine Tayou et Angelica Mesiti   « Ce diplôme est une esquisse de ces allers-retours constants entre Paris et Ormenans. Entre la ville et la campagne, puis la campagne et la ville. Dans une période où nos façons d’habiter et de penser ce monde sont en constante évolution, je propose entre l’auditif, l’olfactif et le visuel, des paysages habitables que nos corps peuvent éprouver de manière sensible. En pénétrant un dispositif artificiel mais empruntant les traces du vivant, je propose de se pencher sur les notions de transmissions, rituels, et traditions. Dans une vision plus globale, et histoire de toujours entrevoir comment, dans un ailleurs, les choses sont vues, comprises et interprétées, la mémoire corporelle et cognitive régit nos gestes présents. » Crédit photos :@hortenser   @tayouland @atelier_mesiti @angelicamesiti #pascalemarthinetayou #angelicamesiti #youngcontemporaryartist #beauxartsparis #fineart #artcontemporain #ecoledart #fineartschool #emergingartist #DNAP #artdiploma #VivreLaCulture @culture_gouv

In ‘Still Life’, a new group exhibition of 11 contemporary artists, imagination blurs with empirical observation. This exhibition celebrates the complexities of the natural world, emphasising the interdependence of living things and their shifting states of being. Angelica Mesiti presents her otherworldly ‘Over the Air and Underground’ in which the artist turns her exploration of communication and translation to forest communication, carried through the living systems beneath our feet and through the air around us. In the root structures and growth networks beneath forests, as well as through airborne processes, plant life is known to communicate – to share information about threats and pests, and to even distribute sugar to enable the survival of ‘the community’, which forester and author Peter Wohlleben calls ‘social security’. Like Dutch vanitas paintings of old – still life paintings reminding viewers of mortality – ‘Over the Air and Underground’ is a meditative encounter that reminds us we are not separate from the world around us. ‘Still Life’ runs until 6 November, 2022 at Buxton Contemporary. Image: Angela Mesiti, ‘Over the Air and Underground’, 2020, five-channel video, ten channels of mono audio, 9 minutes. Commissioned by the Busan Biennale 2020. @angelicamesiti @buxton_contemporary @unimelb #AngelicaMesiti #BuxtonContemporary #StillLife #AnnaSchwartzGallery #ASG