📽️🍿 Have you ever seen a one-trick pony In the fields so happy and free? #thewrestler
Wedding moments captured beautifully on Super8mm film... Cinematography by Austin Hendricks @8byoz ~ www.eightbyoz.com Film scans by Frame Discreet www.framediscreet.com Still frames of the Timed & Flat versions Questions about filmmaking, film scanning, film in general? [email protected] 416-901-5332
GIALLO A OSLO is shot on that hip new thing called celluloid. Mostly shot on a Bolex EL super16mm. But certain scenes also in super8 (Max8 widescreen mod) on a Canon XLS1014. Canon's top of the line model. It's kid brother the 814XLS it's probably easier to get hold of, a decent one should'nt cost more than $100-200. And for that you get a superb camera with a extremely bright viewfinder and XLS means you get max exposure of the film. In this scene the camera was load with 7203 Kodak's D50, which looks just fantastic!!!
Honest Film Stories 🎥 ✨ #honestfilmstories #thomasbernardin #thomasbernardinfilms #thomasbernardinfilmmaker #cinematographer #director #editor #videoeditor #documentaryfilmmaker #documentaryeditor #evansvillefilmmaker #nashvillefilmmaker #louisvillefilmmaker #indyfilmmaker #videographer #evansvillevideographer #filmproduction #indianafilmproduction #indianavideographer #indianavideographers #16mmfilm #super16mm #krasnogorsk3 #k3 #kodak200t #kodak7213 #kodakvision3 #m42lens #filmisnotdead #filmisalive
10 Visualisers for @junodreamband 💙 Creative direction for ‘Pools of Colour’ 01 ‘Fever Dream’ Visualiser 02 ‘The Oranges’ Visualiser 03 Overview 04 Slit scan artwork for ‘The Oranges’ Artist: @junodreamband Record Label: @awal MGMT: @gummanagement Video Creative Direction: @nedbotwood Director: @nedbotwood Producer: @benscarey DOP: @josephdunn____ Gaffer: @charlie_lodge Production Designer: @liachiarinart Editor: @nedbotwood Colourist: @wvrdell Post Producer: @thekreeger @timebasedarts ‘The Oranges’ Photography: @nedbotwood ‘KITCHEN SINK DRAMA’ CREDITS: (As played on CRTV Screen) Director: David East & Dougal Gray Producer: Ben Carey DOP: Simon Plunket Gaffer: Charlie Lodge Editor: Callum Pearson On-Set Stills Photographer: @barney_curran Prop Hire: @film_medical Studio: The Russian Club Rental House: @emmyland Process and Scan: @digital_orchard Shot on @kodak_shootfilm Thank you to: @somesuchandco @_kkayleigh_ @milly_mcalister @makilahking @byfrankiespence #16mm #super16mm #500t #bolex #bolexh16 #vision3 #kodak
The Bolex pistolgrip. Nice for handheld shoting - till you have to put the camera down and have to find a clean surface to lay it on. GIALLO A OSLO is mostly shot on a Bolex EL super16 on that hip new thing called celluloid.
3 rolls coming your way @kodakfilmlabatl . . #shootfilm #kodak #500t #aaton #aatonaminima #super16mm #cinematography
Lifestyle Saturday is brought to you by... Filmmaking 🎥 🎬🎬🎬🎬🎬🎬🎬🎬🎬🎬🎬🎬🎬🎬 Fun fact about me I studied cinema and filmmaking in college and university I'm using a Bolex super 16mm camera 🎥 Photo courtesy by @melissa.de.masi #cinema #filmmaking #bolex #super16mm #16mmcamera #16mm #filmcamera #lifestylesaturday #aboutme
Recovered beauty 16mm found footage film with optical sound track. This film is in the early stages of visual decay, note the red hue on the Flat scan. Expertly recovered by our colorist. Cinematography by Jake Parker Scott @jakeparkerscott Film scans by Frame Discreet www.framediscreet.com Still frames of Timed (Recovered) & Flat scans Questions about filmmaking, film scanning, film in general? [email protected] 416-901-5332
Another ad-shot. I D.I.Y'd that clappboard some 27yrs ago. Doesn't use it much since I edit myself, seldome have many takes and the Bolex make enough noise to determine exactly when it runs. GIALLO A OSLO shot mostly in Bolex super16 on that hip new thang called celluloid. This shot on Olympus PenFT + Kodak colorplus200.
check out my feature for my short film @sofi.thefilm 🎞️ on @lunacollectivemag 💐 thank you to the team at Luna for the love 💌 check it out link is in my bio! #filmmaking #indiefilmmaking #lunacollectivemag #sofithefilm #femaledirector #latinadirector #shotonfilm #super16mm
The beauty of film experimentation! Works by Cole James @_c0jaa Film scans and colour-timing by Frame Discreet www.framediscreet.com Still frames from timed & flat versions Questions about filmmaking, film scanning, film in general? [email protected] 416-901-5332
"Where's Woody?". My vintage Woody Woodpecker shirt (I find his laughter intoxicating). Now also featured in GIALLO A OSLO.
Lining up a shot by the Olympus PenFT of the Bolex in a cameo. Io in my vintage 70s Woody Woodpecker shirt (also part of the cameo). GIALLO A OSLO is shot on that new hep thing called celluLOUD!!!!
I had to stop using the redheads because the fuse kept blowing. Unfortunatly the bulbs go to. So their just a prop for this shot. GIALLO A OSLO shot in that hip new thing called celluLOUD!!!!
Here’s the Coachella rig 🎥 Running an Arri SR3 Super 16mm, PL mount with 2k HD assist videotap, Zeiss vario sonnar 10-100 F1.8 T2 PL lens and a Superspeed super 16 16mm T1.3 lens, Zoom H4 Essential 32bit float audio recorder, Rode NTG3B microphone, Small HD Ultra 5 monitor, Lanparte followfocus, Elokuva LWS-SR rails, Tilta micro matte box, Ratwprks side plate and top handle plate and an Arri remote trigger side handle. Filmstock: Kodak Vision 3 250D Kodak Vision (1st Gen) 250D Kodak Vision 50D Kodak Ektachrome 7240 reversal film (Tungsten). Light meter is a Spectracine Professional IV. For film loading and unloading I’ve got a Harrison film pup tent and an Amazon changing bag. Power via original Arri SR3 batteries with auxiliary power via a small power bank for the audio recorder. Audio and run on the camera are NOT running via any dual trigger, will be manual start on each separately. Going to post lots more as the gig evolves 😎 #arrisr3 #16mmfilm #coachella #zeisslens #zoomh4essential #zeisssuperspeeds #16mm #16mmfilmmaking #kodak #shotonfilm #shotonkodak #arriflex #arriflexsr3 #super16mm #super16 #videotap #smallhd #followfocus #cine #moviemaking #musicvideo #musicvideoproduction #dop #cinematography #cinematic
Alright Film-lovers, it's ready. We’ve spent the last few months tinkering, putting together the best existing solutions, and combining it all with some classic custom Feral parts… The Feral Bolex EBM. ✅ Super 16 ✅ PL Mount ✅ VideoTap - so you can monitor and even pull focus! ✅ D-tap Powered (Very Useful for use with a certain body rig) ✅ Custom Run/Stop Solution ✅ Mounting Cheeseplate + Bars This little camera is a classic and needs no introduction. Rig it up fully for your A-cam or strip it back to handheld mode for your film inserts on a mixed media shoot. Beyond this versatility, we’ve been asked for a long time to offer a 16mm camera lightweight enough to pair with our rigs, and this camera is just that, whether its on the Orbital Rig or the Feral Body Rig. We're also excited to start stocking a range of super 16 glass, including Cooke and Canon zooms as well as S16 Kowa Super Speeds. As we are delving into the world of 16mm, it felt wrong to not offer the usual Feral vintage camera service - we are therefore stocking all common 16mm stock and offering overnight process and scan, so you don’t have to worry about sourcing stock or dropping it off to a lab! Contact us now - our film inventory will be expanding soon so keep your eyes peeled! . . . #FeralEquipment #bolex #super16 #kodakshootfilm #Cinematography #Filmmaking #CameraEquipment #feral #feralequipment #rehoused #filmgear #filmequipment #filmkit #film #filmproduction #rentalhouse #kithouse #gearhouse #filmrental #filmmaking #filmproduction #dop #cinematography #16mmfilm #super16mm #filmphotography
SWIT MINO S70 on an Eclair ACL #kodak #shootfilm #super16 #super16mm #swit #vmount @swit_global @swit_europe @swit_america_official @atlaslensco
Canon 8–64mm S16 T2.4 @ OCTAMAS rental Canon's 8-64mm T2.4, also known as "The Hurt Locker" lens, is a cinematic powerhouse designed for Super 16mm. It provides a clean and sharp look while maintaining a distinct vintage character. With low contrast and a slightly warm tone, it offers a flattering effect on portraits. Notably, it boasts an exceptional close focus of 57cm with minimal focus breathing. With a constant T2.4 aperture and an impressive focal range, all within a compact 2.26kg weight, this lens offers remarkable versatility. Its 8X zoom range makes it perfect for flexible filmmaking, allowing filmmakers to adapt easily to various shooting scenarios. 📸 1-5: The Hurt Locker (Dir. Kathryn Bigelow & DP. Barry Ackroyd, BSC) Come by for a #testandcoffee ☕ #HurtLockerLens #Canon8to64 #VintageCinematography #FilmmakingEssentials #CinematicMagic #LensLove #StorytellingTool #VintageVibes #CinematicLook #FilmProduction #CanonCinema #FilmmakersFavorite #Super16mm #LightweightLens #CinematicCharacter #FilmIndustry #OnSetEssentials #DocumentaryFilmmaking #CinematographyTools
windows|❤️’•*´ s.16.arri . . . . . . #super16mm #vasiliospapaioannu
GIALLO A OSLO shot on that hip new thing called celluloid. This scene on a Canon 1014XLS max8 modded. Super8 stock: Kodak 7219 Vision 3.
GIALLO A OSLO shot on that hip new thing called celluloid. This scene Canon XLS1014 Max8 moded. 7219 Kodak Vision 3 super8 stock.
"Neonlights". GIALLO A OSLO shot on that hip new thing called celluloid. This from the K3 ultra 16mm 2nd unit roll. Fujifilm 8692.
GIALLO A OSLO shot on that hip new thing called celluloid. This nightmare sequence shot in max8 on a Canon XLS1014. Super8 7219 Kodak Vision 3 stock.
#eclipse #punchhole #super16mm #bolex
GIALLO A OSLO. The club scene was shot on a converted Canon XLS 1014. The gate of this super8 camera has been modified. Evident in the lower half where the consecutive frame blends over. GIALLO A OSLO is shot on that hip new thing called celluloid. This scene is 7219 Kodak Vision 3.
Our mid-length feature “His White Eyes” at the Pacific Cinematheque. Vancouver, BC. Some of the actors came to the showing: Leif Nygaard, Greg Strasky, Tyler Moore. #vancouverfilm #indiefilm #asian #asiancanadian #super16mm #kodak #16mmfilm #romancestory
The first “big” film I ever made, made when I was 22. It is 40 minutes and premiered at Slamdance 2010. His White Eyes is about a university student who mistakes her own identity as a prostitute. She ends up in 4 hotel rooms, where one of the men attempts to prove her otherwise. The super 16mm film stars Tricia Collins, Leif Nygaard, Anthony Roach, and Tyler Moore. #Asian #love #film #independentfilmmaking #slamdance #kodak #super16mm #arrisr2 #bolex
inspirada y destrozada. 🫀 #natalialafurcade #danza #danzacontemporanea #flores #super16mm
GIALLO A OSLO shot in BolexSuper16 on that hip new thing called celluloid.
Again: "smoking is hazardous to your health". (The cig is fake). GIALLO A OSLO shot in BolexSuper16mm on that hip new thing called celluloid.
#bts #super16mm #enlagrabadera #chinofilms305 #miamifilms #onset #bn #bnw
#bts #enlagrabadera #super16mm #chinofilms305 #onset #miamifilms
"In the dark cabin". GIALLO A OSLO shot in BolexSuper16 on that hip new thing called celluloid.
#bts #enlagrabadera #chinofilms305 #super16mm #miamifilms #onset
#bts #enlagrabadera #super16mm #onset #miamifilms #chinofilms305
GIALLO A OSLO shot in BolexSuper16mm on that hip new thing called celluloid.
"Second shooting day". From mid april '21. GIALLO A OSLO shot in BolexSuper16 on that hip new thing called celluloid.
"Making a deal with the orderly at the morgue". GIALLO A OSLO shot in BolexSuper16 on that hip new thing called celluloid (been doing that since '97).
"Last peek at the script". GIALLO A OSLO shot in BolexSuper16mm on that hip new thing called celluloid.
GIALLO A OSLO shot in BolexSuper16mm on that new hip thing called celluloid. This scene vintage Fujifilm 8662.
Antibes 2023 ♥️🇫🇷🍓 #super16 #super16mm #krasnogorsk3 #kodak #shotonkodak #kodak7207
COME & SEE - an easter film opener videos for this years easter weekend. emulating kodak ektachrome 100 film stock on bmpcc6k cameras, aswell as bold 60s typography from early 70mm films of the time. big inspo from lawrence of arabia, which matched the biblical setting. full vid on my website #cinematography #super8film #kodakfilm35mm #kodakfilm #ektachrome100 #super16mm #kodakmotionpicturefilm #arri #kodakfilms
GIALLO A OSLO shot on that hip new thing called celluloid. This scene: Canon XLS1014 on 7219 Kodak Vision 3.
"Almost 1978". Just have to replace the storesign (and some newer bldngs). My first home (71-75) is visible just past the city-tram. The old operahouse on the left. GIALLO A OSLO shot on that hip new thing called celluloid. From the K3 ultra16mm 2nd. unit roll.
"Almost period". Have to remove the bldng on far left and replace the store signs otherwise it's quite authentic. ("M" didn't reach these shore until 1980). GIALLO A OSLO shot on that hip new thing called celluloid. From the K3 ultra16mm 2nd unit roll.
Vivaia Women's Day - Stills 2/2 ____________ Client: @vivaia_official Dir/Photo: @alicia_shi Prod: @victoriashchep DP: @robby_sabi First AC: @maxrschwarz Sound: @pat_zimmon Gaffer: @dimitrybocharov Styling: @aleksandra.nyc 💯 Digi: @brianhyx Talent: @lunamontana @saraleekesslerofficial @aliciamaeholloway_ @gwynethyuma @drsantry Stage: @industriasuperstudio Equipment: @greenwoodcine Film: @kodak_shootfilm Super 16mm 250d 7207 And more! ____________ #fashion #editorial #commercial #photo #studio #womensday #internationalwomensday #dp #directorofphotography #arri #alexa #arrialexa #fujinon #cabrio #alexa35 #dance #ballet #shoes #vivaia #vivaiashoes #kodak #kodakshootfilm #16mm #bolex #super16 #super16mm #fashion #studio #commercialphotography #commercial #campaign
"Down at the morgue". Even though this scene was only 8sec and essentially silent the set took some work (looks gloomy alrite!) GIALLO A OSLO shot in BolexSuper16mm on that hip new thing called celluloid.
Cotton Candy Skies | Incredibly grateful to be a part of this #super16mm short directed by @michaelcurtisjohnson A big thank you to @lindseyfilmfest and @treefortfest @microdose_cinema
"Curtains". The curtains (actually a bedsheet) was saved from the original set and used in this ad.shot. GIALLO A OSLO shot in BolexSuper16mm on that hip new thing called celluloid. This shot vintage Fujifilm 8662.
Vivaia Women's Day - Stills 1/2 ____________ Client: @vivaia_official @lexiechan007 Dir/Photo: @alicia_shi Prod: @victoriashchep DP: @robby_sabi First AC: @maxrschwarz Sound: @pat_zimmon Gaffer: @dimitrybocharov Styling: @aleksandra.nyc 💯 Digi: @brianhyx Talent: @lunamontana @saraleekesslerofficial @aliciamaeholloway_ @gwynethyuma @drsantry Stage: @industriasuperstudio Equipment: @greenwoodcine Film: @kodak_shootfilm Super 16mm 250d 7207 And more! ____________ #fashion #editorial #commercial #photo #studio #womensday #internationalwomensday #dp #directorofphotography #arri #alexa #arrialexa #fujinon #cabrio #alexa35 #dance #ballet #shoes #vivaia #vivaiashoes #kodak #kodakshootfilm #16mm #bolex #super16 #super16mm
Thank you to @atlaslensco for inviting us to their Wednesday Lens Day event last week! If you attended you got to see our fully built out @ofgcustoms Bolex EBM. For those of you who have been following our progress and patiently awaiting any news on these accessories being made available for purchase, we want to let you know the wait is almost over. Soon we will be offering everything you see here including: - HD Video Tap - Gold Mount Battery Plate, with Crystal Sync and R/S - Full Custom Cage: side plate, top plate, base plate, 15mm LWS bracket - RS Hand Grip And more! Formal announcement coming soon. Follow OFG Customs for updates… #oldfastglass #ofgcustoms #bolex #lodakshotonfilm #16mmfilm #super16 #super16mm
"Hair". GIALLO A OSLO shot 100% on that hip new thing called celluloid. This scene filmed on a Canon XLS1014 on 7203 Kodak Vision 3.
“Everything” MV - @myahmakesmusic Mixed #super16mm # #super8mm and #minidv Director: Julian Baner (@spaceghoost) Director of Photography: Karim Dakkon (@karimdakkon) Artist Hair & Makeup: Alexandra Roman (@alexromanmua) Producers: Colleen Sullivan & Vicki Culhane (@bettercollsull, & @vickieculhane) Production Designer & Puppeteer: Rick Lee (@ricklee467) Key Grip: Nam Le (itsnammertime_) Gaffer: Aaron Jackson (@gambitlighting) Grip: Bryan Vo (@bryan.vo_) Swing: Burleigh Holder (@burlothegod) 1st AC / Steadicam: Justin Lin (@justlininstagram) 2nd AC / Loader: Martin Velasquez (@vel.c.martin) Production Assistant: Alex Ramirez Production Assistant: Alba Feliz Huerta (@albaafeliz) BTS Stills: Raea (@by_raea) Additional BTS: Nick Bardin & James Smith (@nickbardintv, @alizeti.artist) Filmstock: Kodak (@kodak, @kodak_shootfilm) Starring Clarence the Frog as Himself & Luke Dimyan as the Groom (@dimwitted_dimyan) post: Editor & Sound Design: Julian Baner (@spaceghoost) Colourist: Jakes Maina (@jakes.colour_) & Rafaim! (@rafaim_) Colour House: The Colour Factory ( @factory_collective_ ) VFX: Mack Lawrence (@macklawrencestudio) Additional VFX: Naga Sodiboyina (@naga_sodiboyina) Vendor: @visualharassment
"Autopsy report". Weeks was spent on fabricating documents, newsclippings, cigarettpacks and assorted productlabels. Would have been easier if we had old equipment like typewrites, xerox, stencilers and a printpress. Since an actual autopsy-report is not obtainable here we had to guess and base it on the american one. GIALLO A OSLO shot in BolexSuper16 on the hip new thing called celluloid. This scene vintage Fujifilm 8662.
"Tombs" GIALLO A OSLO shot 100% on that hip new thing called celluloid. From the K3 ultra16mm 2nd unit roll. Vintage Fujifilm 8692.
!!! - @_onepointfour Director: @nickenriquez Editor: @josiahspencer #super16mm #shootfilm #kodak #kodakshootfilm
"Friday night lights out of focus". GIALLO A OSLO shot on the hip new thing called cellyloid. From the K3 ultra 16mm 2nd unit roll. Vintage Fujifilm 8692.
Great News: TIME IS NOT @timeisnot_shortfilm has received an official selection at the Toronto International Nollywood Film Festival ( @tinffestival)!🎉🤩👍🤗 #timeisnot #shortfilm #super16mm #shotonfilm #tinfffestival