APPLY TO SFSIA 2024 in NYC June 17 – 26: “Art, Apparatus and Neural-Digital Entanglement in Cognitive Capitalism” APPLICATION DEADLINE: May 5 FACULTY Highlight ——> Currently working between New York and Berlin as curator at large to Performa, DEFNE AYAS has served as a director, co-director, curator, and advisor to several cultural institutions and research initiatives before, including Melly (formerly known as Witte de With Center for Contemporary Art) (2012-2017), Arthub Asia, New Museum, and V-A-C Foundation. At Performa, Ayas recently presented Protest and Performance: A Way of Life (w/ Kathy Noble, 2023) that included performances by artists including Gregg Bordowitz and Pamela Sneed, Rana Hamadeh, and Göksu Kunak, and co-organized Sonic Tonic Assembly (w/ publics). Ayas co-curated the 13th Gwangju Biennale (w/ Natasha Ginwala) in 2021, the 6th Moscow Biennale in 2015, and 11th Baltic Triennale in 2012. Ayas is a founding curator of Blind Dates (w/ Neery Melkonian), which tackles the traces or ‘what remains’ of the peoples, places and cultures that once constituted the diverse geography of the Ottoman Empire (1299-1922). Her latest endeavor Sarkis: 7 Days, 7 Night was on view at Kunsthalle Baden-Baden until February 2024. Tuned to the shifting sands of cultural, political, and social landscapes across the globe, Ayas works closely with artists and thinkers to articulate their vision to a broad public in a variety of media including exhibitions, live performances, and publications Application link in bio 🔗 HOSTED by @creativetime + @montezpressradio Saas-Fee Summer Institute of Art | 2024 FACULTY: #DefneAyas #DavideBalula #SuparnaChoudhury #StephanieDinkins #ThyrzaGoodeve #LyleAshtonHarris #IsaacJulien #LizMagicLaser #RezaNegarestani #WarrenNeidich #AlisonNguyen #DianeSeverinNguyen #BarrySchwabsky #MarthaSchwendener #MindySeu #AnuradhaVikram and more to be announced.
CALL FOR APPS – SFSIA 2024 | NYC > June 17 – 26 “Art, Apparatus and Neural-Digital Entanglement in Cognitive Capitalism” APPLICATION DEADLINE: May 5 FACULTY Highlight ——> WARREN NEIDICH gathers poesis and uses methods of pataphysics to generate text-based, conceptual art works of illuminated neon glass that manifest as politically-motivated, conceptual and diagrammatic constellations in collision with painting, video and photography. These installations question the ways art objects, things in the world, and their ideas mutate the conditions of the socio-cultural-technological milieu and the expanded brain, the situated intracranial-extracranial complex. He is the founding director of Saas-Fee Summer Institute of Art (2015-present), a nomadic, intensive summer academy with shifting programs in contemporary critical theory that stresses an interdisciplinary approach to understanding the relationship between art and politics. Recent awards include Maison Sugar Fellowship, Paris (2023), Getty Research Fellowship (2023), Stiftung Kunstfonds NEUSTART KULTUR (2020 and 2021), Hauptstadtkulturfonds (2021), Katalogförderung des Berliner Senats (2017), and Vilém Flusser Theory Award, Transmediale (2010). He is author of Blow-up: Photography, Cinema and the Brain (DAP, 2002), Cognitive Architecture: From Biopolitics to Noo-politics (010 Publishers, 2010), The Psychopathologies of Cognitive Capitalism, Part 1 (2013), 2 (2015), and 3 (Archive Books, 2017), An Activist Neuroaesthetic Reader (Archive Books, 2022), and The Glossary of Cognitive Activism (Eris and Columbia University Press, 2024). APPLY >> sfsia.art HOSTED by @creativetime + @montezpressradio Saas-Fee Summer Institute of Art | 2024 FACULTY: #DefneAyas #DavideBalula #SuparnaChoudhury #StephanieDinkins #ThyrzaGoodeve #LyleAshtonHarris #IsaacJulien #LizMagicLaser #RezaNegarestani #WarrenNeidich #AlisonNguyen #DianeSeverinNguyen #BarrySchwabsky #MarthaSchwendener #MindySeu #AnuradhaVikram and more to be announced.
CALL FOR APPS – SFSIA 2024 | NYC > June 17 – 26 “Art, Apparatus and Neural-Digital Entanglement in Cognitive Capitalism” APPLICATION DEADLINE: May 5 FACULTY Highlight ——> LIZ MAGIC LASER is a multimedia video and performance-based artist from New York City. Her recent work explores the efficacy of new age techniques and psychological methods active in both corporate culture and political movements. Laser’s work has been shown at venues such as The Smithsonian American Art Museum (2023); Pioneer Works, Brooklyn (2023); ICA Boston (2023); Kunsthal Charlottenborg, Copenhagen (2022); Guggenheim Museum, New York (2021); and MUDAM The Contemporary Art Museum of Luxembourg (2021). Her work has been critically acclaimed in publications such as Text zur Kunst, Artforum, The New York Times, The Los Angeles Times, Frieze, and Art in America. APPLY >> sfsia.art HOSTED by @creativetime + @montezpressradio Saas-Fee Summer Institute of Art | 2024 FACULTY: #DefneAyas #DavideBalula #SuparnaChoudhury #StephanieDinkins #ThyrzaGoodeve #LyleAshtonHarris #IsaacJulien #LizMagicLaser #RezaNegarestani #WarrenNeidich #AlisonNguyen #DianeSeverinNguyen #BarrySchwabsky #MarthaSchwendener #MindySeu #AnuradhaVikram and more to be announced.
CALL FOR APPS – SFSIA 2024 | NYC > June 17 – 26 “Art, Apparatus and Neural-Digital Entanglement in Cognitive Capitalism” APPLICATION DEADLINE: May 5 FACULTY Highlight ——> MINDY SEU is a designer and technologist based in New York City and Los Angeles. Her expanded practice involves archival projects, techno-critical writing, performative lectures, design commissions, and close collaborations. Her latest writing surveys feminist economies, historical precursors of the metaverse, and the materiality of the internet. Mindy’s ongoing Cyberfeminism Index, which gathers three decades of online activism and net art, was commissioned by Rhizome, presented at the New Museum, and awarded the Graham Foundation Grant. She has lectured internationally at cultural institutions (Barbican Centre, New Museum), academic institutions (Columbia University, Central Saint Martins), and mainstream platforms (Pornhub, SSENSE, Google), and been a resident at MacDowell, Sitterwerk Foundation, Pioneer Works, and Internet Archive. Her design commissions and consultation include projects for the Serpentine Gallery, Canadian Centre for Architecture, and MIT Media Lab. Her work has been featured in Frieze, Vanity Fair, Dazed, Gagosian Quarterly, Brooklyn Rail, i-D, and more. Mindy holds an M.Des. from Harvard’s Graduate School of Design and a B.A. in Design Media Arts from the University of California, Los Angeles. As an educator, Mindy was formerly an Assistant Professor at Rutgers Mason Gross School of the Arts and Critic at Yale School of Art. She is currently an Associate Professor at University of California, Los Angeles in the Department of Design Media Arts. APPLY >> sfsia.art HOSTED by @creativetime + @montezpressradio Saas-Fee Summer Institute of Art | 2024 FACULTY: #DefneAyas #DavideBalula #SuparnaChoudhury #StephanieDinkins #ThyrzaGoodeve #LyleAshtonHarris #IsaacJulien #LizMagicLaser #RezaNegarestani #WarrenNeidich #AlisonNguyen #DianeSeverinNguyen #BarrySchwabsky #MarthaSchwendener #MindySeu #AnuradhaVikram and more to be announced. Photo: Alexa Viscius
CALL FOR APPS – SFSIA 2024 | NYC > June 17 – 26 “Art, Apparatus and Neural-Digital Entanglement in Cognitive Capitalism” APPLICATION DEADLINE: May 5 FACULTY Highlight ——> BARRY SCHWABSKY is art critic for The Nation and co-editor of international reviews for Artforum. His recent books include The Observer Effect: On Contemporary Painting (Sternberg Press) and The Perpetual Guest: Art in the Unfinished Present (Verso) as well as two collections of poetry, Water from Another Source (Spuyten Duyvil) and Feelings of And (Black Square Editions). @mr_tranquil_tranquil_waters APPLY >> sfsia.art HOSTED by @creativetime + @montezpressradio Saas-Fee Summer Institute of Art | 2024 FACULTY: #DefneAyas #DavideBalula #SuparnaChoudhury #StephanieDinkins #ThyrzaGoodeve #LyleAshtonHarris #IsaacJulien #LizMagicLaser #RezaNegarestani #WarrenNeidich #AlisonNguyen #DianeSeverinNguyen #BarrySchwabsky #MarthaSchwendener #MindySeu #AnuradhaVikram and more to be announced.
Excerpts and stills from my animation series about Covid called “ the Garden of Discontent” currently on view in group show “ pluriverse” at (re)create gallery in Venice during the biennale. Last year these animations formed a part of my solo exhibition of multi channel videos in Hudson ny performance space, The Basilica. Pleased to have my work included in this great group show currently in Venice. #(re)creategalleryvenice #venicebiennale #jeremydennis #illonsrich #annmccoy #warrenneidich #basilicahudson
“The Pressures of Duality” is installed for my show at Opening Gallery 42 Walker Street, Tribeca scratch the surface some of us it’s pleasure some of us it’s pressure some of us suffer some of us rejoice all live duality I am going to miss @gigi.prints at the opening tonight they cannot be there but will attend the artist talk on April 5th 6:00-8:00pm Joey McFadden, my other model, will be in attendance. my wolf sadly will not be there @joeyt.mcfadden @openinggallery #gigiprints #warrenneidich #sydkrochmalny #garyryan #margerynewman #elenabajo #survivors #pressure #pleasure #duality #happyplace #girl #boy #nonoftheabove #stevenrudinart #tribecagallery #walkerstreet
I am Pleased to have a work included in this compelling exhibition during the Venice biennale which opens on April 16. If you are in Venice….. #venicebiennale. #re-createvenice #jeremydennis. #annmcoy. #warrenneidich. #illonarich
As a curator, a personal landmark exhibition in the old Smack Mellon space in DUMBO, a creaky wooden warehouse that rained down leftover spice from the rafters as the building shifted in the wind. I’m haunted by David Abir’s sculptural layering of Mahler’s Fifth; Paul Pfeiffer’s astounding work with Chris Kubick’s exquisite Language Removal Services; and upstairs, the enchanting soundscape of sound art pioneer Stephen Vitiello. Have you seen the superb Paul Pfeiffer show currently at MoCA Geffen? @pmp2021 @stephenvitiello @warrenneidichstudio @davidabirstudio @stephensollins #johncage #warrenneidich @moca
Rumor to Delusion - Venice Art Biennale 2019 | Part 3 #biennale #biennaledivenezia #venicebiennale #biennalearte2019 #art #artist #warrenneidich #neonart #artevent #artexhibition #artistoninstagram #venice #veniceitaly
Rumor to Delusion - Venice Art Biennale 2019 | Part 1 #biennale #biennaledivenezia #venicebiennale #biennalearte2019 #art #artist #warrenneidich #neonart #artevent #artexhibition #artistoninstagram #venice #veniceitaly
Join me for the opening this Saturday from 3:30-6pm! #leibercollection #aureliotorres #gardenoffriends #kathrynmarkelfinearts #bridgehampton #bridgehamptonart #sabinastreeter #laurielambrecht #monicabanks #billstewart #warrenneidich #jeremynative
🍕🍕🍕🍕🍕 #PIZZA è il sesto tema scelto per la newsletter di Generazione Critica, che per questa rassegna ospita i lavori di Arthur Golyakov, Warren Neidich, Danilo Torre e Filippo La Vaccara, Matt Johnson, PCNC_BAY x Blunt x Skensved, Giulia Crispiani, Annette Kelm, Noah Levenson, Antilopen Gang e Michelle Devereux. Vuoi iscriverti alla prossima newsletter? Manda una mail di richiesta a [email protected] ————————— #PIZZA is the sixth theme chosen for the Generazione Critica newsletter. This review features the works of Arthur Golyakov, Warren Neidich, Danilo Torre and Filippo La Vaccara, Matt Johnson, PCNC_BAY x Blunt x Skensved, Giulia Crispiani, Annette Kelm, Noah Levenson, Antilopen Gang, and Michelle Devereux. Do you want to subscribe to the next newsletter? Please, send an email to [email protected]. @krabel1 @warrenneidichstudio @filippolavaccara @tamed_archive @mtatjhnoson @bluntxskensved @manu_anima @annette.kelm @antilopengang @michelle_devereux #GenerazioneCritica #PIZZA #newsletter #contemporaryart #ArthurGolyakov #WarrenNeidich #DaniloTorre #FilippoLaVaccara #MattJohnson #PCNC_BAY #BluntXSkensved #GiuliaCrispiani #AnnetteKelm #NoahLevenson #AntilopenGang #MichelleDevereux
#AdrianPiper who walked around #NewYorkCity wearing a shirt emblazoned with the words ‘wet paint’ helped push artist #WarrenNeidich to moisten the age-old term Conceptualism. Follow #linkinbio to read about #WetConceptualism (—as well as its counterpoint #DryConceptualism)naand the exhibition that launched the term at @theopeninggallery. ⚡💦
Some fun and happy design objects, interiors and installations from last month in Paris during #parisdesignweek2023 to cheer up the rainy grey day. #lykcarpet #uchroniaworld #galeriejosephparis #galeriepriskapasquer #warrenneidich #pierreaugustinrose #printempsparis #colorfuldesign #artisticdesign #handmadedesign #designeclectic #materialmixdesign
🕸🍕🕸🍕🕸🍕🕸 “Pizzagate Neon” (2019) è l’opera dell’artista statunitense Warren Neidich, che si presenta come una grande installazione composta da scritte al neon colorate, attaccate tramite dei fili al soffitto e lasciate appese in mezzo alla stanza. L’opera si impegna a portare l’attenzione sugli effetti della diffusione delle informazioni e la loro manipolazione tra vero e falso costruito ad arte, attraverso il web e i social network. L’opera fa parte di #PIZZA, rassegna che Generazione Critica dedica ad una selezione tematica di opere e artisti contemporanei. 🍕 Per iscriversi alla newsletter mandare una mail di richiesta a [email protected] Link in bio per l’articolo completo. ————————— “Pizzagate Neon” (2019) is the artwork of the American artist Warren Neidich, which presents itself as a large installation composed of colorful neon signs attached to the ceiling with wires, left hanging in the middle of the room. This artwork aims to draw attention to the effects of information dissemination and its manipulation between carefully constructed truth and falsehood through the internet and social networks. The artwork is part of #PIZZA, a review dedicated by Generazione Critica to a thematic selection of contemporary artworks and artists. 🍕 To subscribe our newsletter please write an email to [email protected] Link in bio for the full article. @warrenneidichstudio #WarrenNeidich #PizzagateNeon #PIZZA #pizzagate #installation #neon #information #contemporaryart
Henrik Plenge Jakobsen Eye of Ra 2020 Hand-stamped postcards ** Few copies available ** contact for more information ——————————————— STAMP POSTCARDS (Mail art) 2020 - ongoing Limited edition hand-stamped postcards, each numbered in editions of 50. with #elenabajo #davidebertocchi #antoniocaro #nicodockx #ryangander #alexisgautier #gerlachenkoop #jenshanning #davidhorvitz #warrenneidich #henrikplengejakobsen #raqsmediacollective #joseruizdiaz #tercerunquinto #christopheterlinden #lucavitone ——————————————— c/o LA GALERIE IMAGINAIRE Curated by Sébastien Delire ——————————————— #mailart #lagalerieimaginaire #danishart #conceptualart #stamppostcard #eyeofra @henrikplengejakobsen
Soundtrack for a Seascape (Round), 2023 Annenberg Community Beach House, Santa Monica, CA. My response to Barry Schwabsky’s poem, Soundtrack for the Seascape, was having it read in the structure of a musical round by six readers through megaphones. They were standing at the edge of the water and their voices mixed with the sound of the waves crashing on the shore. Curators Warren Neidich Renee Petropoulos Anuradha Vikram Guild Hall Director East Hampton, NY Julie McKim East Coast Collaborator Barry Schwabsky West Coast Collaborator David Schafer Support Annenberg Community Beach House Santa Monica 18th Street Arts Center Santa Monica Guild Hall Museum East Hampton, Long Island, NY Performance Readers Kaya Cooper Liam Harden Siorne John Maria Cervantes-Mejia Jean-Paul Miller Bree Phimphachanh @mr_tranquil_tranquil_waters @jean.paul.miller @bryannaalysa @liamhardenart @kaya_cooper @siornejohn @bugmarts @juliemckimprojects #soundart #fluxus #dada #sweptaway #annenbergbeachhouse #davidschaferstudio #warrenneidich #anuradhavikram #reneepetropoulos #barryschwabsky
The Artist #warrenneidich in his #Art #Work about #AI #Gen.AI #KI #chatgpt #bigdata #algorithmicbias #singularity @GalleryPriskaPasquer #Paris
August becomes September Thanks to @warrenneidich @warrenneidichstudio #warrenneidich #warrenneidichstudio #multidisciplinaryartist #multidisciplinaryart #postconceptualart #september
Preview Art exhibition: Get ready for an exhilarating preview on 26th August 2023, from 6 to 9 pm CEST at Galery, PRISKA PASQUER PARIS. Dive into the realm of the "Pluriverse" – a thought-provoking exploration that challenges the singular concept of the universe. Drawing inspiration from Latin origins, the exhibition invites us to experience a multiplicity of expressions and worlds. It questions the dominance of European scientific rationalism, advocating for the harmony of diverse epistemologies. From Indigenous to Digital, all ways of knowing are celebrated, not to overshadow Western rational-scientific methods, but to incorporate them into a larger tapestry of understanding. It's not just an art exhibition; it's a call for a future that embraces diversity, mutual respect, and ecological sustainability. Mark your calendars for the grand opening on 2nd September 2023. Our excitement is palpable, and we can't wait for you to experience the wonders of the Pluriverse! 🌍🌌🎨 #Art #AI #WarrenNeidich #ElenaBajo #EdgarCalel #MithuSen Vorschau-Kunst-Ausstellung: Macht euch bereit für eine aufregende Vorschau am 26. August 2023 von 18 bis 21 Uhr in der Galerie, PRISKA PASQUER PARIS. Taucht ein in die Welt des "Pluriverse" - eine tiefgreifende Erkundung, die das singuläre Konzept des Universums herausfordert. Inspiriert von lateinischen Ursprüngen, lädt die Ausstellung uns ein, eine Vielfalt von Ausdrucksformen und Welten zu erleben. Sie hinterfragt die Dominanz des europäischen wissenschaftlichen Rationalismus und setzt sich für die Harmonie verschiedener Erkenntnistheorien ein. Von indigen bis digital werden alle Wissenswege gefeiert. Nicht um den westlichen rational-wissenschaftlichen Methoden den Schatten zu stellen, sondern um sie in ein größeres Verständnisgewebe einzubinden. Es handelt sich nicht nur um eine Kunstausstellung, sondern auch um einen Aufruf zu einer Zukunft, die Vielfalt, gegenseitigen Respekt und ökologische Nachhaltigkeit umarmt. Markiert eure Kalender für die große Eröffnung am 2. September 2023. Unsere Vorfreude ist greifbar, und wir können es kaum erwarten, dass ihr die Wunder des Pluriverse erlebt!
Saas-Fee Summer Institute of Art (@sfsia) is a nomadic, intensive summer academy with shifting programs in contemporary critical theory that stresses an interdisciplinary approach to understanding the relationship between art and politics. The program consists of seminar-style lectures, deep readings, and experimental workshops. An evening lecture program is free and open to the public. This year’s Saas-Fee Summer Institute of Art, which runs from August 7-11th, has been co-conceived with Abdul-Karim Mustapha and explores the concept of Cognitive Justice and the Crisis of Epistemology in collaboration with The Brooklyn Rail online and Residency Unlimited (@residencyunlimited) on-site in Brooklyn. Faculty include Antonia Alampi with Suumil Móokt’aan, Armen Avanessian, Clémentine Deliss, Jeremy Dennis, Anna Mikaela Ekstrand, Nora N. Khan, Syd Krochmalny, Sanford Kwinter, Erin Manning, Warren Neidich (founder/director), Reza Negarestani, Barry Schwabsky (co-director), Javier Téllez, and Anuradha Vikram. Through the link in our bio read more about this year’s Saas-Fee Summer Institute of Art ✨ Image: Braid of sweetgrass and electrical wires by Paul Weeks #sfsia #AntoniaAlampi #SuumilMóoktaan #ArmenAvanessian #ClémentineDeliss, #JeremyDennis #SanfordKwinter #ErinManning #AbdulKarimMustapha #WarrenNeidich #RezaNegarestani #BarrySchwabsky #JavierTéllez #AnuradhaVikram
THIS WEEK, ALL WEEK – SFSIA 2023 | NYC > August 7–11 “Cognitive Justice and the Crisis of Epistemology” with @brooklynrail + @residencyunlimited FACULTY Highlight ——Syd Krochmalny is a multidisciplinary artist and thinker. He holds multiple roles, including artist, writer, poet, novelist, researcher, musician, curator, musician, gallerist, and professor. No single description or theme can encapsulate his many endeavors, which range from the political to the humorous to musings on the interactions between society and technology, and from which emerge a unique and profound form of social commentary. Following his completion of a Ph.D. in Social Sciences from the University of Buenos Aires, where he also obtained Bachelor's and Master’s degrees, he pursued Postdoctoral studies on Latin American Art at Columbia University in New York. Krochmalny's multimedia work (from performance to video, from photography to painting, from sculpture to installation, from experimental writing to essay, from poetry to literature) has been exhibited around the globe at prestigious institutions such as the Reina Sofia Museum, Harvard University, David Rockefeller Center, the MALBA, the Americas Society, Cultural Center of Memory Haroldo Conti, Remembrance Park, University of Oslo, Universidade Federal do Rio de Janeiro, MAC de Niteroi, Pinacoteca San Pablo, The University of Edinburgh, Museum of Contemporary Art in Buenos Aires, Tecnópolis and others. Notably, he is the author of several books, including "Darios del Odio” [Journals of Hate], n direcciones, 2016; "Débil” [Weak], pánico el pánico, 2017; "Los Sueños: Gino Germani en la revista Idilio con fotomontajes de Grete Stern” [The Dreams: Gino Germani in the magazine 'Idilio' with photomontages by Grete Stern], Caja Negra, 2018; "El tamaño de mi mundo” [The Size of My World], Mansalva, 2021; and "Ramona: debates en el arte al filo FACULTY: #AntoniaAlampi w/ #SuumilMóoktaan #ArmenAvanessian #ClémentineDeliss, #JeremyDennis #NoraNKhan #SanfordKwinter #ErinManning #SydKrochmalny #WarrenNeidich #RezaNegarestani #BarrySchwabsky #JavierTéllez #AnuradhaVikram Please see our website or contact [email protected] for more information.
#沃倫奈迪奇 #WarrenNeidich #從景觀社會到意識工業 就是明天！沃倫．奈迪奇首檔在臺個展 「從景觀社會到意識工業」最後一天！ 如果對於認知作戰、假資訊以及大腦意識等議題有興趣，千萬不要錯過最後的機會！ 趕快來DAC看展吧！🔚 另外明天13:00-17:00也有 7000×7000.tw 跨域媒合共創計畫階段發表系列活動， 歡迎一同來參加！ ▂▃▂▃▂▃▂▃▂▃▂▃▂▃▂▃▂▃▂ 從景觀社會到意識工業——沃倫．奈迪奇個展 From the Society of the Spectacle to the Consciousness Industry 2023.06.20~07.23 更多展訊詳見LINK IN BIO
Thought of this @warrenneidich word piece the other day. Found this pic from a few years ago. / In 1999 Warren and I appeared in the same PAJ Issue - Performing Arts Journal. Which was a big deal! I was in my 20s still. To be published in a very cool Art Journal by @johnshopkinsu ~ @mitpress was/is incredible! Larry was visiting my studio when he saw my open notebook on the floor with drawings and handwritten notes. “This is amazing!” he said - “Can I publish this?” He typed up my notes for me at his office. (I had no typewriter or computer) Then they printed it with my drawings from my notebook. Hilariously the editors received hate mail from angry readers demanding they credit the author of my article. — It was me! I wrote it. 😂 Larry loved that! PAJ edited by: @larrybqualls Daryl Chin⚡️🗽🔥 . PAJ Issue 63 September 1999 . #sunday #humidsunday #nyc #art #photo #contemporaryart #words #text #warrenneidich #conceptualart #artists #painting #poetry #newyorkcity #memory #story #artist #blakesandberg
#DAC展覽特報 #作品選讀 #沃倫奈迪奇 #WarrenNeidich #從景觀社會到意識工業 #披薩門事件 #Pizzagate 此次展覽有兩件作品展出，分別是《披薩門事件：從謠言到妄想Pizzagate──From Rumor to Delusion》與《從景觀社會到意識工業》，今天帶大家深入瞭解《披薩門事件：從謠言到妄想》此件作品！從中討論假新聞可能導致的後果？以及虛構的言論能否撼動社會大眾的認知？ 「披薩門」是2016年美國總統大選期間衍伸出的陰謀論。當時，一間名為「彗星乒乓COMET」的披薩店被指控希拉蕊和她的競選幕僚在其地下室涉嫌經營兒童性剝削，因此老闆和員工不斷受到騷擾，甚至有民眾持槍攻擊披薩店。同年，已經有多家新聞媒體證實為假消息，但是直至2019年，披薩店仍然遭受民眾威脅。 而沃倫．奈迪奇（Warren Neidich）將此真實社會案件製作成實驗性紀錄片《披薩門事件：從謠言到妄想》。他認為作品可與居伊‧德波（Guy Debord）提出的景觀社會（The Society of the Spectacle）、數據及神經社會連結，人們基於虛假的認知所形成的「景觀社會」反而取代了現實世界，進而成為大家所認為的｢真實｣。因此，沃倫利用此作品討論現今後真相（Post-truth）社會的現象。讓觀眾窺探數位化時代下，當人類的認知與行為受到大數據資訊操弄的影響，探討何謂「真相」。而作品本身的編輯風格：多重視窗、快速剪接、扭曲畫面等，呈現的效果與多螢幕裝置相似，藉此探討注意力經濟（Attention Conomy）和非注意力經濟之間的關係。 想進一步了解如何在假訊息與真實中取得平衡與其「共存」嗎？快來DAC觀看披薩門事件！🍕 ▂▃▂▃▂▃▂▃▂▃▂▃▂▃▂▃▂▃▂ 從景觀社會到意識工業——沃倫．奈迪奇個展 From the Society of the Spectacle to the Consciousness Industry 2023.06.20~07.23 更多展訊詳見LINK IN BIO
#DAC展覽特報 #沃倫奈迪奇 #WarrenNeidich #從景觀社會到意識工業 #行動主義神經美學 從本次展覽的藝術家沃倫．奈迪奇（Warren Neidich）於2019年創造的「行動主義神經美學」此一術語切入，觀看此次展覽《從景觀社會到意識工業》，可以發現，我們每一個人作為心智勞動者（mental labours），正在建構集體的網絡意識工業。 「行動主義神經美學」認為大腦是一個不斷變動的活體器官，大腦不僅存在於頭殼裏面，也存在於頭顱外。頭顱之外含括各種元素：社會、政治、經濟、科技、宇宙、網絡關係與深度歷史（deep history，超越人類生存尺度的歷史）等。因此我們的肉體，意即大腦，不斷創造出各種數據與資料，共同建構出現今龐大的、集體的機械意識工業。 展期到7月23日，一起來觀展吧！ ▂▃▂▃▂▃▂▃▂▃▂▃▂▃▂▃▂▃▂ 從景觀社會到意識工業——沃倫．奈迪奇個展 From the Society of the Spectacle to the Consciousness Industry 2023.06.20~07.23 更多展訊詳見LINK IN BIO
#DAC展覽特報 #沃倫奈迪奇 #WarrenNeidich #從景觀社會到意識工業 你知道，其實我們都活在同溫層泡泡中嗎？ 其實我們都活在同溫層泡泡中，被搜尋引擎和社交媒體控制著；我們以為擁有供過於求的海量資訊，卻也截斷了我們自身和所處世界的真實全貌...... 展覽「從景觀社會到意識工業」揭示我們認知世界的同溫層泡泡，透過作品對其議題提出想法，並加以探討。 還在等什麼？趁著週末大家一起來DAC看展吧！🌞
#從景觀社會到意識工業 沃倫·奈迪奇個展 #臺北數位藝術中心 #WarrenNeidich
CALL FOR APPS – SFSIA 2023 | NYC > August 7–11 “Cognitive Justice and the Crisis of Epistemology” DEADLINE: July 9 >> sfsia.art FACULTY Highlight ——> BARRY SCHWABSKY is art critic for The Nation, co-editor of international reviews for Artforum, and has taught at Hunter College, Yale University, Maryland Institute College of Art, and Goldsmiths College. His recent books include The Perpetual Guest: Art in the Unfinished Present (Verso, 2017) and The Observer Effect: On Contemporary Painting (Sternberg Press, 2019), as well as two collections of poetry, Feelings of And (Black Square Editions, 2022) and Water from Another Source (Spuyten Duyvil, 2023). APPLY at http://sfsia.art HOSTED by @brooklynrail + @residencyunlimited Saas-Fee Summer Institute of Art | 2023 FACULTY: #AntoniaAlampi w/ #SuumilMóoktaan #ArmenAvanessian #ClémentineDeliss, #JeremyDennis #NoraNKhan #SanfordKwinter #ErinManning #AbdulKarimMustapha #WarrenNeidich #RezaNegarestani #BarrySchwabsky #JavierTéllez #AnuradhaVikram
CALL FOR APPS – SFSIA 2023 | NYC > August 7–11 “Cognitive Justice and the Crisis of Epistemology” DEADLINE: July 9 >> sfsia.art FACULTY Highlight ——> Reza Negarestani is a philosopher and writer. He has lectured and taught at numerous international universities and institutes. His latest philosophical work is Intelligence and Spirit (2018, Sequence Press/Urbanomic/MIT), a monograph on artificial general intelligence at the intersection of theoretical computer science, philosophy of mind and German Idealism. Negarestani is currently working on a book dealing with the multifaceted enigma of time and its relation to imagination entitled The Vicious Transparency of Time. APPLY at http://sfsia.art HOSTED by @brooklynrail + @residencyunlimited Saas-Fee Summer Institute of Art | 2023 FACULTY: #AntoniaAlampi w/ #SuumilMóoktaan #ArmenAvanessian #ClémentineDeliss, #JeremyDennis #NoraNKhan #SanfordKwinter #ErinManning #AbdulKarimMustapha #WarrenNeidich #RezaNegarestani #BarrySchwabsky #JavierTéllez #AnuradhaVikram
#藝術家開幕座談 #沃倫奈迪奇 #WarrenNeidich #從景觀社會到意識工業 感謝週二來參與沃倫・奈迪奇個展開幕的來賓朋友們🧠🧠🤩 本次開幕講座邀請到美國藝術家沃倫・奈迪奇、臺灣研究者林映彤與韓國研究者李澤廣，透過不同角度的思考面向，討論假新聞、認知作戰等當代資訊環境議題與人類大腦、意識、心智的交互作用，讓我們在觀看作品時，同時也能夠了解背後所涵括的資訊議題！ 📌 展覽現正展出中，趁著端午假期趕快來DAC看展吧！ 【端午連假開館時間】 6/22 (四) 11:00-18:30 6/23 (五) 11:00-18:30 6/24 (六) 11:00-18:30 6/25 (日) 11:00-18:30 ▂▃▂▃▂▃▂▃▂▃▂▃▂▃▂▃▂▃▂ 從景觀社會到意識工業——沃倫．奈迪奇個展 From the Society of the Spectacle to the Consciousness Industry 2023.06.20~07.23
CALL FOR APPS – SFSIA 2023 | NYC > August 7–11 “Cognitive Justice and the Crisis of Epistemology” DEADLINE: July 9 >> sfsia.art FACULTY Highlight ——> Antonia Alampi is the founding artistic and executive director of Spore Initiative. Her professional practice as a cultural organizer, curator, and director has been defined by working collaboratively with artists and professionals from different fields and backgrounds and within small-scale, socially-sensitive, politically-engaged and structurally vulnerable organizations. She was the artistic co-director of SAVVY Contemporary from 2016 to 2020, on the curatorial team of sonsbeek20-24, curator of Kunsthal Extra-City from 2017 to 2019, and curator of Beirut in Cairo from 2012 to 2015, among other things. She has co-founded projects with strong positions, erratic lives, and little to no funding such as Future Climates (with iLiana Fokianaki) and Toxic Commons (with Caroline Ektander and Simone Müller, a.o.). Within and outside of institutions she has curated or been involved in many types of cultural and artistic projects, research, movements, publications and actions that pursue social, political and environmental justice and support forms of living and relating to the Earth that have often been historically repressed or erased. She occasionally teaches, writes essays, edits books and talks in public. She is the mother of a girl and lives in Berlin. APPLY at http://sfsia.art HOSTED by @brooklynrail + @residencyunlimited Saas-Fee Summer Institute of Art | 2023 FACULTY: #AntoniaAlampi w/ #SuumilMóoktaan #ArmenAvanessian #ClémentineDeliss, #JeremyDennis #NoraNKhan #SanfordKwinter #ErinManning #AbdulKarimMustapha #WarrenNeidich #RezaNegarestani #BarrySchwabsky #JavierTéllez #AnuradhaVikram Photo: Raisa Galofre
NEW FACULTY and NEW DEADLINE!! While the priority deadline has just passed, we are pleased to announce the addition of Nora N. Khan as a new faculty member and the regular deadline for SFSIA 2023 > July 9! CALL FOR APPS – SFSIA 2023 | NYC > August 7–11 “Cognitive Justice and the Crisis of Epistemology” DEADLINE: July 9 >> sfsia.art FACULTY Highlight ——> NORA N. KHAN is an editor, curator, and writer of criticism on digital visual culture and philosophy of emerging technology. Her research focuses on art, music, and literature made with and about software, machine learning, and artificial intelligence. Her practice extends to a wide span of artistic collaborations, producing things like scripts, librettos, and a tiny house. Her short books are Seeing, Naming, Knowing (Brooklyn Rail, 2019) on the logic of machine vision, and co-written with Steven Warwick, Fear Indexing the X-Files (Primary Information). As curator of Manual Override at The Shed (NY) in 2020, she worked closely with Sondra Perry, Morehshin Allahyari, and Lynn Hershman Leeson on new commissions, in an exhibition that also featured major works by Simon Fujiwara and Martine Syms. She frequently publishes prose and criticism, in essays for publications like Artforum and Art in America. From 2018-2021, she was a professor at Rhode Island School of Design, in Digital + Media, teaching critical theory and artistic research, experimental writing for artists and designers, and technological criticism. APPLY at http://sfsia.art HOSTED by @brooklynrail + @residencyunlimited Saas-Fee Summer Institute of Art | 2023 FACULTY: #AntoniaAlampi w/ #SuumilMóoktaan #ArmenAvanessian #ClémentineDeliss, #JeremyDennis #NoraNKhan #SanfordKwinter #ErinManning #AbdulKarimMustapha #WarrenNeidich #RezaNegarestani #BarrySchwabsky #JavierTéllez #AnuradhaVikram Photo: Lyndsy Welgos
CALL FOR APPS – SFSIA 2023 | NYC > August 7–11 “Cognitive Justice and the Crisis of Epistemology” PRIORITY DEADLINE: June 18 >> sfsia.art FACULTY Highlight ——> ANURADHA VIKRAM is a writer, curator, and educator born in New York and based in Los Angeles. They are co-curator of the 2024 Portland Biennial and guest curator of the Getty PST Art exhibition Atmosphere of Sound: Sonic Art in Times of Climate Disruption (2024–25) at UCLA Art Sci Center. Recent curatorial projects include Jaishri Abichandani: Flower-Headed Children at Craft Contemporary, Los Angeles (2022), Swept Away: Love Letter to a Surrogate with Warren Neidich, Renée Petropoulos, and Christina Strassfield at Guild Hall, East Hampton Main Beach, New York (2022) and 18th Street Arts Center, Santa Monica State Beach, California (2023), and eX-aMEN-ing Masculinities with LA Freewaves at Los Angeles State Historic Park in 2022. Vikram’s book Decolonizing Culture (Sming Sming Books, 2017) helped initiate a global movement to decolonize arts institutions and monuments. Their latest book is Use Me At Your Own Risk: Visions from the Darkest Timeline (X Artists’ Books, 2023), using speculative fiction to address current and future social conditions from a techno-critical point of view. They are a contributor to art periodicals including Art in America, The Brooklyn Rail and Los Angeles Review of Books, and publications from Paper Monument, Archive Books, Heyday Press, Routledge, Wiley, and Oxford University Press. They are an Editorial Board member at X-TRA and an editor at X Artists’ Books. Vikram is faculty at UCLA School of the Arts and Architecture. They hold an MA in Curatorial Practice from California College of the Arts and a BS in Studio Art from NYU. APPLY at http://sfsia.art HOSTED by @brooklynrail + @residencyunlimited Saas-Fee Summer Institute of Art | 2023 FACULTY: #AntoniaAlampi w/ #SuumilMóoktaan #ArmenAvanessian #ClémentineDeliss, #JeremyDennis #SanfordKwinter #ErinManning #AbdulKarimMustapha #WarrenNeidich #RezaNegarestani #BarrySchwabsky #JavierTéllez #AnuradhaVikram Photo: Pau S. Pescador
CALL FOR APPS – SFSIA 2023 | NYC > August 7–11 “Cognitive Justice and the Crisis of Epistemology” PRIORITY DEADLINE: June 18 >> sfsia.art FACULTY Highlight ——> ERIN MANNING studies in the interstices of philosophy, aesthetics and politics, concerned, always, about alter-pedagogical and alter-economic practices. Pedagogical experiments are central to her work, some of which occur at Concordia University in Montreal where she is a research chair in Speculative Pragmatism, Art and Pedagogy in the Faculty of Fine Arts. Recent monographs include The Minor Gesture (Duke, 2016), For a Pragmatics of the Useless (2020) and Out of the Clear (forthcoming, minor compositions). Her artwork is textile-based and relationally-oriented, often participatory. She is interested in the detail of material complexity, in what reveals itself to perception sideways, in the quality of a textural engagement with life. Her work often plays synesthetically with touch, of recent in acknowledgement and experimentation with the ProTactile movement for DeafBlind culture and language. Tactile propositions include large scale hangings produced with a diversity of tools including tufting, hooking, knotting, weaving. 3e is the main direction her current research takes – an exploration of the transversality of the three ecologies: the social, the environmental and the conceptual. An iteration of 3e is a land-based project north of Montreal where living and learning is experimented. Legacies of SenseLab infuse the project, particularly the question of how collectivity is crafted in a more-than-human encounter with worlds in the making. APPLY at http://sfsia.art HOSTED by @brooklynrail + @residencyunlimited Saas-Fee Summer Institute of Art | 2023 FACULTY: #AntoniaAlampi w/ #SuumilMóoktaan #ArmenAvanessian #ClémentineDeliss, #JeremyDennis #SanfordKwinter #ErinManning #AbdulKarimMustapha #WarrenNeidich #RezaNegarestani #BarrySchwabsky #JavierTéllez #AnuradhaVikram
CALL FOR APPS – SFSIA 2023 | NYC > August 7–11 “Cognitive Justice and the Crisis of Epistemology” PRIORITY DEADLINE: June 18 >> sfsia.art FACULTY Highlight ——> JAVIER TÉLLEZ is a New York-based artist born in Venezuela. His work reflects a sustained interest in bringing peripheral communities and invisible situations to the fore of contemporary art addressing disabilities and mental illness as marginalizing conditions. Tellez’s projects have often involved working in collaboration with people diagnosed with mental illness to produce film installations that question the notions of the normal and the pathological. Tellez has been the subject of solo exhibitions at the Memorial Art Gallery, Rochester (2018); San Francisco Art Institute (2014); Kunsthaus Zürich (2014); SMAK, Ghent (2013); Museum of Contemporary Art Cleveland (2011); Bronx Museum of the Arts, New York (2005); and Museo de Arte Carrillo Gil, Mexico City (2004). He has participated in group exhibitions at MoMA PS1, Long Island City; Museum Boijmans Van Beuningen, Rotterdam; Castello di Rivoli, Torino; ZKM, Karlsruhe, Germany; Museum of Fine Arts, Houston; ICA, Boston; and Renaissance Society, Chicago, as well as dOCUMENTA, Kassel, Germany (2012); Manifesta, Trento, Italy; Sydney Biennial; and Whitney Biennial, New York (all 2008); Venice Biennale (2001 and 2003); and Yokohama Triennial (2001). He received a Guggenheim Fellowship in 1999, and in 2016 the Global Mental Health Award for Innovation in the Arts from Columbia University, New York. APPLY at http://sfsia.art HOSTED by @brooklynrail + @residencyunlimited Saas-Fee Summer Institute of Art | 2023 FACULTY: #AntoniaAlampi w/ #SuumilMóoktaan #ArmenAvanessian #ClémentineDeliss, #JeremyDennis #SanfordKwinter #ErinManning #AbdulKarimMustapha #WarrenNeidich #RezaNegarestani #BarrySchwabsky #JavierTéllez #AnuradhaVikram
CALL FOR APPS – SFSIA 2023 | NYC > August 7–11 “Cognitive Justice and the Crisis of Epistemology” PRIORITY DEADLINE: June 18 >> sfsia.art FACULTY Highlight ——> ARMEN AVANESSIAN is Professor for Media Theory at Zeppelin University in Friedrichshafen, Germany. His English monographies include Irony and the Logic of Modernity (DeGruyter, 2015), Present Tense. A Poetics (Bloomsbury, 2015) and Metanoia. A Speculative Ontology of Language, Thinking, and the Brain (Bloomsbury, 2017), both with Anke Hennig, Overwrite. Ethics of Knowledge – Poetics of Existence (Berlin: Sternberg Press, 2017), Miamification (Sternberg Press, 2017), and Future Metaphysics (Polity, 2019). Recently, he published One plus One. Spekulative Poetik von Feminismus, Algorithmik, Politik und Kapital (Berlin, 2019) in English and German with Anke Hennig, as well as Konflikt. Von der Dringlichkeit, die Probleme von morgen schon heute zu lösen (Berlin, 2022). APPLY at http://sfsia.art HOSTED by @brooklynrail + @residencyunlimited Saas-Fee Summer Institute of Art | 2023 FACULTY: #AntoniaAlampi w/ #SuumilMóoktaan #ArmenAvanessian #ClémentineDeliss, #JeremyDennis #SanfordKwinter #ErinManning #AbdulKarimMustapha #WarrenNeidich #RezaNegarestani #BarrySchwabsky #JavierTéllez #AnuradhaVikram Photo: Lena Reiter
CALL FOR APPS – SFSIA 2023 | NYC > August 7–11 “Cognitive Justice and the Crisis of Epistemology” PRIORITY DEADLINE: June 18 >> sfsia.art FACULTY Highlight ——> JEREMY DENNIS is a contemporary fine art photographer, an enrolled Tribal Member of the Shinnecock Indian Nation in Southampton, NY, and lead artist and founder of the non-profit Ma’s House & BIPOC Art Studio, Inc. In his work, he explores Indigenous identity, culture, and assimilation. Dennis was one of 10 recipients of a 2016 Dreamstarter Grant from the national non-profit organization Running Strong for American Indian Youth. Most recently, Dennis received the Artist to Artist Fellowship by the Art Matter Foundation. In 2013, Dennis began working on the series, Stories—Indigenous Oral Stories, Dreams and Myths. Inspired by North American indigenous stories, the artist staged supernatural images that transform these myths and legends to depictions of an actual experience in a photograph. He has been part of several group and solo exhibitions, including Stories—Dreams, Myths, and Experiences, for The Parrish Art Museum’s Road Show (2018), Stories, From Where We Came, The Department of Art Gallery, Stony Brook University (2018); Trees Also Speak, Amelie A. Wallace Gallery, SUNY College at Old Westbury, NY (2018); Nothing Happened Here, Flecker Gallery at Suffolk County Community College, Selden, NY (2018); On This Site: Indigenous People of Suffolk County, Suffolk County Historical Society, Riverhead, NY (2017); Pauppukkeewis, Zoller Gallery, State College, PA (2016); and Dreams, Tabler Gallery, Stony Brook, NY (2012). Dennis holds an MFA from Pennsylvania State University, State College, PA, and a BA in Studio Art from Stony Brook University, NY. He currently lives and works in Southampton, New York on the Shinnecock Indian Reservation. APPLY at http://sfsia.art HOSTED by @brooklynrail + @residencyunlimited Saas-Fee Summer Institute of Art | 2023 FACULTY: #AntoniaAlampi w/ #SuumilMóoktaan #ArmenAvanessian #ClémentineDeliss, #JeremyDennis #SanfordKwinter #ErinManning #AbdulKarimMustapha #WarrenNeidich #RezaNegarestani #BarrySchwabsky #JavierTéllez #AnuradhaVikram Photo: Simon Howell
CALL FOR APPS – SFSIA 2023 | NYC > August 7–11 “Cognitive Justice and the Crisis of Epistemology” PRIORITY DEADLINE: June 18 >> sfsia.art FACULTY Highlight ——> CLÉMENTINE DELISS works across the borders of contemporary art, cultural studies, and curatorial practice. She studied contemporary art and anthropology in Vienna, Paris, and London, and received her Ph.D. from the School of Oriental and African Studies, University of London. She is currently Global Humanities Professor of History of Art at the University of Cambridge, Associate Curator at KW Institute for Contemporary Art Berlin and Lecturer in Spatial Design at the Technical University Vienna. Since 2018, she has held an International Chair at the Laboratoire d’excellence des arts et médiations humaines, Université Paris 8 and Centre Georges Pompidou, was Guest Professor at the Ecole nationale supérieure d’art Paris-Cergy, Interim Professor of Curatorial Theory and Dramaturgical Practice at the Karlsruhe University of Arts and Design, Professor for Art Theory and History at the University of Fine Arts, Hamburg, and Guest Professor at the Städelschule art academy in Frankfurt. She is a Fellow of the Institute of Advanced Study in Berlin (Wissenschaftskolleg), is a Guest Mentor of the Berlin Program for Artists, and Faculty at Large of SVA Curatorial Practice in New York. Her recent book The Metabolic Museum (2020) was published by Hatje Cantz in co-production with KW Institute for Contemporary Art Berlin. It has been translated into Russian and published by Garage Museum, Moscow (2021) and recently came out in Spanish translation with Caniche Madrid (2023). @metabolic_eyes APPLY at http://sfsia.art HOSTED by @brooklynrail + @residencyunlimited Saas-Fee Summer Institute of Art | 2023 FACULTY: #AntoniaAlampi w/ #SuumilMóoktzaan #ArmenAvanessian #ClémentineDeliss, #JeremyDennis #SanfordKwinter #ErinManning #AbdulKarimMustapha #WarrenNeidich #RezaNegarestani #BarrySchwabsky #JavierTéllez #AnuradhaVikram Photo: Christian Werner
WARREN NEIDICH #warrenneidich #novacancy #markshotel #ues #madisonave
[INSP. ] ☀️ Inspired by Warren Neidich #Allconnected #WarrenNeidich
] • Warren Neidich: ‘Earthling’ Pointed Leaf Press, 2006 Hardcover with pictorial boards. 84 pages. First Edition. A selection of photographs featuring human eyes behind newspapers & magazines altered by American artist #WarrenNeidich (b.1958). With an introduction by Barry Schwabsky & an interview with Hans Ulrich Obrist. Very good or better condition with light shelf wear & interior pages showing a degree of age-toning. • Available • DM to purchase #PointedLeafPress #Earthling
"The Center Will Not Hold" A durational performance with #deborahlynnart and #fridacano on the #santamonicabeach near the #annenbergbeachhouse For #SweptAway on #earthday April 22, 2023 Curated by #anuradhavikram #warrenneidich #reneepetropoulos Gathering the water.... #performance #stitch #ocean #waterashealing #water #sand #losangelescontemporaryart #sitespecificart #sitespecificperformance #beach #performanceart #18thstreetartscenter
Soundtrack for a Seascape (Round), 2023 Annenberg Community Beach House, Santa Monica, CA Swept Away: Love Letters to a Surrogate(s) In the fall of 2022, sixty-five artists from Los Angeles provided sets of instructions in the form of love letters to an equal number of artists from the East End of Long Island who performed them at the waters’ edge in front of the pavilion at Main Beach in East Hampton. In the spring of 2023, East End artists wrote love letters to LA artists that were performed at Will Rogers State Beach, Santa Monica in conjunction with the 18th Street Arts Center. Over two consecutive days, April 22 and 23, West Coast artists responded to prompts submitted by their East Coast counterparts addressing themes of deep ecology and the interdependence of humans with other living beings and ecological networks. My response to Barry Schwabsky’s poem, Soundtrack for the Seascape, was having it read in the structure of a musical round by six readers through megaphones. They were standing at the edge of the water and their voices mixed with the sound of the waves crashing on the shore. Curators Warren Neidich Renee Petropoulos Anuradha Vikram Guild Hall Director East Hampton, NY Julie McKim East Coast Collaborator Barry Schwabsky West Coast Collaborator David Schafer Support Annenberg Community Beach House Santa Monica 18th Street Arts Center Santa Monica Guild Hall Museum East Hampton, Long Island, NY Performance Readers ❤ Kaya Cooper Liam Harden Siorne John Maria Cervantes-Mejia Jean-Paul Miller Bree Phimphachanh @mr_tranquil_tranquil_waters @jean.paul.miller @bryannaalysa @liamhardenart @kaya_cooper @siornejohn @bugmarts @juliemckimprojects #soundart #fluxus #dada #sweptaway #annenbergbeachhouse #davidschaferstudio #warrenneidich #anuradhavikram #reneepetropoulos #barryschwabsky
[ON VIEW] Repost • @fuhrwerkswaage Pizzagate Warren Neidich Neon-Installation at FUHRWERKSWAAGE Cologne Supported by Kienbaum Consultants Courtesy: Priska Pasquer #FUHRWERKSWAAGE #Pizzagate #warrenneidich #priskapasquer #Kienbaumcollection FUHRWERKSWAAGE is supported by: Kulturamt Köln Kulturgemeinschaften KULTURSTIFTUNG DER LÄNDER Die Beauftragte der Bundesregierung für Kultur und Medien NEU-START-KULTUR STIFTUNGKUNSTFONDS
Pizzagate Warren Neidich Neon-Installation at FUHRWERKSWAAGE Cologne Supported by Kienbaum Consultants Courtesy: Priska Pasquer #FUHRWERKSWAAGE #Pizzagate #warrenneidich #priskapasquer #Kienbaumcollection FUHRWERKSWAAGE is supported by: Kulturamt Köln Kulturgemeinschaften KULTURSTIFTUNG DER LÄNDER Die Beauftragte der Bundesregierung für Kultur und Medien NEU-START-KULTUR STIFTUNGKUNSTFONDS
Nur noch morgen und übermorgen in der Fuhrwerkswaage zu sehen! Sa./So (14-18 Uhr) Pizzagate von Warren Neidich #warrenneidich #warrenneidichstudio #kienbaum.collection #gallerypriskapasquer #simonmllr #hananmime #janvandermost #frau_babic_fotografie #neonline.at @oldhurn #_we_make_things_ #fuhrwerkswaage
Originally curated by @jacquelenedrinkall for @warrenneidich 's Activist Neuroaesthetics festival in Berlin 2021, 𝘈𝘤𝘵𝘪𝘷𝘪𝘴𝘵 𝘕𝘦𝘶𝘳𝘰𝘢𝘦𝘴𝘵𝘩𝘦𝘵𝘪𝘤𝘴 𝘪𝘯 𝘝𝘪𝘥𝘦𝘰 𝘈𝘳𝘵 is an original video reel of international and local Australian artists. ”𝘈𝘤𝘵𝘪𝘷𝘪𝘴𝘵 𝘕𝘦𝘶𝘳𝘰𝘢𝘦𝘴𝘵𝘩𝘦𝘵𝘪𝘤𝘴 𝘳𝘦𝘧𝘶𝘴𝘦𝘴 𝘵𝘩𝘦 𝘤𝘺𝘯𝘪𝘤𝘪𝘴𝘮 𝘰𝘧 𝘉𝘪𝘨 𝘋𝘢𝘵𝘢, 𝘯𝘦𝘶𝘳𝘢𝘭 𝘤𝘰𝘯𝘴𝘶𝘮𝘦𝘳𝘪𝘴𝘮 𝘢𝘯𝘥 𝘥𝘦𝘧𝘦𝘯𝘤𝘦 𝘳𝘦𝘴𝘦𝘢𝘳𝘤𝘩 𝘨𝘦𝘯𝘦𝘳𝘢𝘵𝘦𝘥 𝘵𝘦𝘤𝘩𝘯𝘰𝘭𝘰𝘨𝘪𝘦𝘴…”( ARTBRAIN.ORG, 2021) ¹ Read more here: http://bit.ly/3lBB2uy Featuring works from The Telepathy Project (Veronica Kent and Sean Peoples), Benjamin Denham, Shoufay Derz, Tabita Rezaire, Gabriele Stellbaum, Lorenzo Sandoval, Jacquelene Drinkall, Sarah Breen Lovett, Linda Dement and Nancy Mauro-Flude, Anna Munster, and Haines and Hinterding. @thetelepathyproject @shoufay @lorenzo__sandoval , @sarahbreenlovett , @sister0_ @sensesofperception @joycehinterding . . . . . ¹ Film screening - activist neuroaesthetics (2021) ACTIVIST NEUROAESTHETICS -. ARTBRAIN.ORG. Available at: https://activistneuroaesthetics.art/film-screening/ (Accessed: March 21, 2023).
Double Vision, a series by Warren Neidich 🇺🇲 (1997-2000)
Wow-Effekt. In der Fuhrwerkswaage Sürth. “Pizzagate” von Warren Neidich #fuhrwerkswaagekunstraum #koeln #suerth #kunstköln #warrenneidich
- Warren Neidich PIZZAGATE / DIS- SOLIDARITY @warrenneidich @warrenneidichstudio @fuhrwerkswaage @simonmllr @hanamime @kienbaum.collection @priskapasquer @gallerypriskapasquer #warrenneidich #pi̇zzagate #dissolidarity #neonart #fakenews #fuhrwerkswaage #artincologne
Pizzagate - morgen (So.) in der Fuhrwerkswaage zu sehen! Und jeden Fr. (16-19 Uhr) /Sa./So (14-18 Uhr )bis zum 26.03 #warrenneidich #warrenneidichstudio #kienbaum.collection #gallerypriskapasquer #simonmllr #hananmime #janvandermost #frau_babic_fotografie #neonline.at @oldhurn #_we_make_things_ #fuhrwerkswaage
#warrenneidich #pi̇zzagate #fuhrwerkswaage #priskapasquergallery #kunstausstellung #köln #sürth
Ein kleiner Ausflug zur @fuhrwerkswaage und zum #Rhein bei diesem schönen Wetter. Die Ausstellung #Pizzagate von @warrenneidich ist wirklich einen Besuch wert und der schöne Ausblick am Rhein sowieso. . #UkraineIsEverywhere #Ukraine #StandWithUkraine #🇺🇦 #💙💛 #GaleriePriskaPasquer #WarrenNeidich #Fuhrwerkswaage #Köln #Deutschland #Cologne #Germany #Kunst #Art #ThisIsCologne #Kölnergram #InstaCologne #KölscheEcken #VisitKoeln
Sneak peek in die Fuhrwerkswaage: Aufbau Pizzagate von Warren Neidich ERÖFFUNG AM SONNTAG, 26.2.2023, 11 UHR Der Künstler wird anwesend sein! #FWW #Kienbaum.collection #SammlungKienbaum #Kooperation #Neon #neonline #galeriepriskapasquer #warrenneidich #janvandermost #pi̇zzagate #Rauminstallation
With thanks to @signssymbols through for consigning #CarolSzymanski piece until February 7, Carol Szymanski is currently included in Wet Conceptualism, a group exhibition at Opening Gallery, curated by Warren Neidich and Sozita Goudouna, which aims to establish a category of Wet Conceptual Art. distinct from the canon of Dry Conceptual Art, Wet Conceptual Art is not so much about the immaterial object as it is about precarious and immaterial labor characteristic of the information and knowledge economies, and as a result performance and the poetic are emphasized. from a review in The Brooklyn Rail, published in the February issue: "Hand-written, rough, colorful, sentimental, or DIY, yet indicative of a complex concept-driven interior thought process not fully compliant with an aesthetic or formalist framework, one that is indicative of traditional 'art': these are the calling cards of 'wet conceptualism.' "Carol Szymanski’s Reverdy 12 Tone Conversion Chart (2022) ...present[s] philosophical text-laden two dimensional pieces utilizing print... Szymanski codifies semi-spoken interjections (such as “blah” and “ouf”) in chart form, but heightens the absurdity of the project." —William Corwin #carolszymanski #wetconceptualism #openinggallery #warrenneidich #sozitagoudouna #signsandsymbolscollective
through next week on February 7, Carol Szymanski is currently included in Wet Conceptualism, a group exhibition at Opening Gallery, curated by Warren Neidich and Sozita Goudouna, which aims to establish a category of Wet Conceptual Art. distinct from the canon of Dry Conceptual Art, Wet Conceptual Art is not so much about the immaterial object as it is about precarious and immaterial labor characteristic of the information and knowledge economies, and as a result performance and the poetic are emphasized. from a review in The Brooklyn Rail, published in the February issue: "Hand-written, rough, colorful, sentimental, or DIY, yet indicative of a complex concept-driven interior thought process not fully compliant with an aesthetic or formalist framework, one that is indicative of traditional 'art': these are the calling cards of 'wet conceptualism.' "Carol Szymanski’s Reverdy 12 Tone Conversion Chart (2022) ...present[s] philosophical text-laden two dimensional pieces utilizing print... Szymanski codifies semi-spoken interjections (such as “blah” and “ouf”) in chart form, but heightens the absurdity of the project." —William Corwin #carolszymanski #wetconceptualism #openinggallery #warrenneidich #sozitagoudouna #signsandsymbolscollective
We wish all members, supporters and friends of the FUHRWERKSWAAGE surprising and invigorating insights and outlooks with art and culture for 2023. In our 45th year, we will continue to make our contribution - full of confidence! We thank all our patrons and sponsors for their generous support. We will start the year with Warren Neidich’s fantastic installation PIZZA GATE. Opening: February 26th. @warrenneidichstudio Abb: Michail Pirgelis, Mojave Ghost III, 2021, Aluminum, Lack, Titan, 252x225x4 cm, Kienbaum Collection Cologne Courtesy Sprüth Magers #fuhrwerkswaage #cologne #spruethmagers #michailpirgelis #warrenneidich #pi̇zzagate #kienbaum #exhebition
Installation and performance @elenabajo process, from last September, an ecological project, series Cosmic Distress: Stars, Plants, Birds, Wind and Water, my contribution to Swept Away: Love Letter to a Surrogate (s), @guild_hall New York curated by @warrenneidich @cmstrassfield #reneepetropoulos @curativeprojects My reply to the Love Letter sent to me from my fellow artist collaborator Jasmine Orpilla, Los Angeles, CA Photography by Rossa Cole @rossacoleart #art #artist #ecology #dance #performance #contemporarysculpture #choreography #birds #plea #ritual #energy #cosmic #water #ocean #wind #plants #birds #newyork #losangeles Stay tune for next edition in Los Angeles April 2023, Will Rogers State Beach, Santa Monica, with 18th Street Arts Center and the Santa Monica Arts Council, Art of Recovery. Land acknowledgment: with gratitude and respect to be on Paumanauke or Sewankackey territory and honoring their native communities. @18thstreetarts @easthamptonvillage #guildhall #sweptaway #warrenneidich #ocean #happenings #allankaprow #mainbeacheasthampton #easthamptonvillage #easthampton #18thstreetartcenter #losangeles #willrogersstatebeach
Artwork in Progress: My collage evoking “Sea Songs,” a site-specific artwork installed on Main Beach, East Hampton NY, 10/30/22. #WarrenNeidich #GuildHall #GuildHallOffsite #SweptAway #MainBeach #MainBeachEastHamptonNY #EastHampton