Ivan the Terrible, Part One (Sergei Eisenstein, 1944). It's been many years since I've seen this. These photos I found online make me want to see it again. Ivan the Terrible comes in two parts though the second part was condemned by Stalin and not released until after his death. The film tells the story of the great monarch who unified Russia under his rule ("terrible" is how Ivan is remembered in the west, but the Russian word means something more like formidable or awe-inspiring). The photography is sensational as is the montage (Eisenstein practically invented editing as an artistic practice with the Odessa Steps sequence in Battleship Potemkin, 1925). And the story is a sweeping but nuanced and insightful one of power and power corrupted. As a young man, at a time when film was fighting to be recognized as art, Eisenstein was foundational to the understanding of film history. I believe he is much forgotten in these days of Rotten Tomatoes and box office primacy.) #ivantheterrible #sergeieisenstein #russianfilm #russiancinema #sovietcinema #sovietfilm #classicfilm #classicmovies #oldmovies #wehadfacesthen
(1925) "Sciopero!", Sergej Ėjzenštejn 🇷🇺
nu știe nimeni spre ce inimi va zbura 🎥вокзал для двоих 1982/railway station for two 🎶opreşte clipa-Violeta Andrei
kuleshov effect . . . #minimalstyle #minimalfashion #minimalmovement #vibes #positivevibes #fortunecookie #blackcatsofinstagram #photodump #kuleshoveffect #sovietcinema
Presenting you, Innokenty Smoktunovsky as Yuri Detochkin from "Beware of the Car" (1966) vs. Lord Hamlet from "Hamlet" (1964)! Two of my favorite roles of his, had the urge to draw him so bad because he's way too spectacular. It's like the sun and moon at the same time 😂 . . . . . . . #artwork #fanart #myartwork #digitalart #digitalpainting #digitalillustration #artistsofig #sovietfilm #sovietcinema #sovietactors #innokentysmoktunovsky #bewareofthecar #watchoutfortheautomobile #eldarryazanov #hamlet #hamlet1964 #grigorikozintsev #williamshakespeare #hamletfanart #characterdesign
kuleshov effect . . . #minimalstyle #minimalfashion #minimalmovement #vibes #positivevibes #fortunecookie #blackcatsofinstagram #photodump #kuleshoveffect #sovietcinema
The Mirror (1975) • Andrei Tarkovsky . #themirror #themirrormovie #andreitarkovsky #andreitarkovski #sovietcinema #russiancinema #movie #movielines #moviequotes #qotd #poetry
Finally drew Smoktunovsky's Hamlet. I'll say and I'll keep saying it again, he was FANTASTIC. The acting. His way of talking. I'm in love, your honor. The original photo is on the next slide! This film is available on YouTube so go check it out if you haven't <3 . . . . . . #artwork #myartwork #digitalart #digitalillustration #digitalpainting #photoshopcc #artistsofig #hamlet #hamletfanart #hamlet1964 #grigorikozintsev #williamshakespeare #innokentysmoktunovsky #sovietfilm #sovietcinema
Mirror (1975) Dir. Andrei Tarkovsky.
TNE tonight with Soviet film production company Mosfilm (now a private company) oldest film studio in Europe and has a lot of Soviet era big cinema for FREE on YouTube (with subs) Swipe for zoom, inspo and process
One of the very few Soviet Armenian cinemas left untouched. Still had posters and cinema reels intact in the projector room. Only problem was to enter you had to fit through the small projector port hole and I’m a big lad so it wasn’t easy. Thanks to @aydintuce for watching me struggle and laughing without helping 😄 #armenia #abandoned #cccp #ussr #history #soviet #sovietunion #sovietarchitecture #architecture #travel #traveler #travelgram #travelphotography #photography #wanderer #wanderlust #armeniaurbex #bbctravel #lonelyplanet #urbex #neweastinfocus #road #painting #sovietmural #sovietart #sovietarmenia #cinema #sovietcinema
Mirror (1975) directed by Andrei Tarkovsky
A captivating film still from the exceptional and loosely autobiographical 1975 Soviet drama masterpiece ‘Зеркало’ (‘Mirror’), directed and written by the renowned Russian filmmaker Andrei Tarkovsky (4 April 1932 – 29 December 1986). This particular shot pays visual homage to the painting ‘Jagers in de sneeuw’ (‘The Hunters in the Snow’) by the Dutch Renaissance artist Pieter Bruegel de Oude (Pieter Bruegel the Elder, c. 1525–1530 – 9 September 1569), as depicted in the second image. Bruegel's work left a profound impact on Tarkovsky, influencing his artistic vision significantly. Rather than a mere genre art portrayal of a group of hunters returning home after an unsuccessful expedition with their dogs (they only bring home a fox), to me, Bruegel's painting evokes a profound sense of winter's starkness, subtly hinting at the quiet despair lurking beneath the surface of seemingly tranquil scenes. So, in my opinion, in Tarkovsky's film with its nonlinear narrative, this scene serves as a powerful metaphor for the passage of time, the cyclical nature of life, and the intricate relationship between humanity and the natural world. It becomes a symbol of nostalgia, introspection, and the complexities of memory, according to the narrator (who is not be seen in the film), the protagonist Aleksei, and Tarkovsky himself. . . . . . . #andreitarkovsky #зеркало #mirror #sovietcinema #pieterbruegel #pieterbruegeltheelder #bruegel #jagersindesneeuw #huntersinthesnow #dutchrenaissance #hommage #genreart #avantgardecinema #winter #methaphorical #nature #snow #nostalgia #introspection
Young Kva/Miron🐻🐶 #андреймиронов #игорькваша #andreimironov #igorkvasha #ibispaintx #fanart #sovkino #sovietactors #sovietcinema #ussr
Very rare 1972 Latvian/Soviet poster for THE COLOR OF POMEGRANATES (Sergei Parajanov, USSR, 1969). . This poster, from the Margaret Herrick Library at the Academy of Motion Picture Arts and Sciences, is currently on display at the @academymuseum. THE COLOR OF POMEGRANATES is screening there tomorrow (Friday) evening in a double bill with the documentary PARAJANOV:THE LAST SPRING. There will be an introduction from Jillian Borders, Head of Preservation, UCLA Film & Television Archive and a Q&A with Martiros M. Vartanov of the Parajanov-Vartanov Institute, moderated by Adam Piron. The show is sold out but standby tickets will be available on a first-come, first-served basis. . Thanks to @tasog for the tip-off. . . #thecolorofpomegranates #sayatnova #sergeiparajanov #sovietcinema #latvianmovieposter
ИДИОТ [Idiot/The Idiot] (Ivan Pyrev, USSR 1958). US release 1960. #fyodordostoyevsky #sovietcinema #sovietfilm #sovietfilms #sovietmovie #sovietmovies #russiancinema #russianfilms #yuriyyakovlev #yuliyaborisova #50scinema #1950sfilm #filmsociety #cinemaclub #artfilm #artfilms #arthousefilm #arthousefilms #artcinema #arthousecinema #ivanpyrev #nikitapodgorny #ivanlyubeznov
#tenguizabuladze #georgiancinema #sovietcinema #1960scinema #1960sstyle #cinemaphotography #cinemaaesthetic "Me, bebia, Iliko da Ilarioni" by Tenguiz Abouladze (1962).
#tarkovskytuesday • "Did you think of me?" "Only when I was sad" • #solaris #tarkovsky #andreitarkovsky #russiancinema #sovietcinema #arthouse #arthousecinema #criterion #criterioncollection #filmstagram #sciencefiction #tarkovskij
Watching Tarkovsky - Andrei Rublev (1996), pencil on paper, 2020, #tarkovsky , #sovietcinema, #andreirublev, #marceloguimaraeslimastudio, #dessin, #drawing, #storyboard , #desenho, #zeichnung, #dibujo, #film, #cinema
Watching Tarkovsky - Andrei Rublev (1996), pencil on paper, 2020, #tarkovsky , #sovietcinema, #andreirublev, #marceloguimaraeslimastudio, #dessin, #drawing, #storyboard , #desenho, #zeichnung, #dibujo, #film, #cinema
Вот кто бы мог подумать, что ровно 40(!) лет назад, 13 апреля 1984 года, ученик 6го класса "б" 20-ой московской школы Коля Герасимов, найдя в подвале заброшенного дома машину времени, не спросив ни у кого разрешения, отправится на ней в будущее... И он там не только "с козлами откровенничал". Стырил там ценный прибор для чтения мыслей, попытавшись спасти его от космических пиратов и приволок его к себе, в прошлое. Вслед за ним сюда принесла нелегкая и космических пиратов, и обнаружившую пропажу девочку из будущего Алису Селезневу... Короче, парень заварил такую кашу! И всё. Создалась точка бифуркации и изменилось будущее всей страны и вообще, всего мира. И всё к чертям пошло наперекосяк. Никаких покорений ближайших космосов, экспансий на всю Галактику, Мира Полдня и прочего. Только смартфоны, интернет и электросамокаты... Такое вот "прекрасное далёко"... Теперь понятно, кто во всем виноват? А говорил же ему его пухлый друг Фима Королев: "Ты изменишь будущее. Как-как? А вот так!" Выбрали не того генсеком, а там нате вам! Гласность и перестройка, гикнулась страна целиком, и мы теперь живём в другой. А потом начались перестрелки, потом перебежки... А всё из-за того, что ... Вот черт его, Колю Герасимова, надрал в пятничный день, 40 лет назад лезть куда не просят?! #mielofon #КирБулычев #детство #ГостьяИзБудущего #memories #amazing #АлисаСелезнева #миелофон #СССР #future #cult #childhood #future #точкабифуркации #russianscifi #instafilm #детство #cinema #films #movie #Sovietcinema #instafilm #instacinema #cinephile #cinephilecommunity #lovemovies #cinefilo #moviecritic #cinemania #кинофантастика
Shadows of Forgotten Ancestors (1965) - dir. Sergei Parajanov The Ukrainian film “Shadows of Forgotten Ancestors” captivated audiences and critics alike during the 1964 film festival circuit, accumulating a slew of prestigious awards. Yet, its enduring significance lies in its portrayal of director Sergei Parajanov’s artistic brilliance juxtaposed against the repressive Soviet regime’s stifling grip on creativity. Parajanov’s cinematic masterpiece delves into the rich tapestry of regional identity amidst the Carpathian Mountains, highlighting the resilience of its people amidst the backdrop of Soviet nationalism. Through the poignant tale of Ivan’s tragic loss and futile quest for solace, the film serves as a poignant reminder of the enduring struggle for artistic freedom and the human spirit’s indomitable resilience in the face of oppression.
Without a doubt the most impressive silent sci-fi movie I’ve seen. Vasily Zhuravlyov‘s Cosmic Journey, released in 1936 and set in the distant future of 1946, is a pretty straightforward trip to the moon-kinda movie, but technically superior to most other productions of the time. Damn nice blu-ray from Ostalgica! #fredswatching #cosmicjourney #sovietscifi #sovietcinema #ostalgica #silentcinema #bluraycollection
Saturday and Sunday, 4/13-14 at 11am: “MAN WITH A MOVIE CAMERA (1928)” Restored in stunning HD! Part documentary and part cinematic art, this film follows a city in the 1920s Soviet Union throughout the day, from morning to night. Directed by Dziga Vertov, with a variety of complex and innovative camera shots, the film depicts scenes of ordinary daily life in Russia. Vertov celebrates the modernity of the city, with its vast buildings, dense population and bustling industries. While there are no titles or narration, Vertov still naturally conveys the marvels of the modern city. As a part of our DOCUMENTARY SPOTLIGHT screening series, Art Theatre members receive free admission to this film. Spotlight Series: Discover something new! In this series we present three films of a kind every three months. Past spotlights include Transgender and French cinema. Now we look at Documentaries! Coming soon... Noirs! And so much more. Free admission to members. Supported in part by a grant from the Arts Council for Long Beach and the City of Long Beach. 🎟️: General admission tickets available now at arttheatrelongbeach.org (link in bio) or at the box office before showtimes. #arttheatrelb #retrorowlb #4thstreetlb #silentfilm #manwithamoviecamera #sovietcinema @artslb
Saturday and Sunday, 4/13-14 at 11am: “MAN WITH A MOVIE CAMERA (1928)” Restored in stunning HD! Part documentary and part cinematic art, this film follows a city in the 1920s Soviet Union throughout the day, from morning to night. Directed by Dziga Vertov, with a variety of complex and innovative camera shots, the film depicts scenes of ordinary daily life in Russia. Vertov celebrates the modernity of the city, with its vast buildings, dense population and bustling industries. While there are no titles or narration, Vertov still naturally conveys the marvels of the modern city. As a part of our DOCUMENTARY SPOTLIGHT screening series, Art Theatre members receive free admission to this film. Supported in part by a grant from the Arts Council for Long Beach and the City of Long Beach 🎟️: General admission tickets available now at arttheatrelongbeach.org (link in bio) or at the box office before showtimes. #arttheatrelb #retrorowlb #4thstreetlb #silentfilm #manwithamoviecamera #sovietcinema @artslb
NEW MONTH, NEW IMAGE!! NAU NUA 4 | 24 IMAGE already online! Still from the ukranian motion picture Свині завжди свині , aka Pigs will be pigs (1931) written and directed by Khanan Shmain, a considered lost film until it turned up in the German Federal Archives in 2015, the comedy mocks Soviet bureaucracy. Cinematography by Vladimir Goritsyn and P. Radzikhovskiy #pigswillbepigs #Stantsiyapupky #ukraniancinema #sovietcinema #khananshmain
📖Weekend read? "After the revolutions that had 'shaken the world’ in 1917 Kozintsev and Trauberg declared their 'parents' to be cabaret singers, circus posters, jazz bands and.. Charlie Chaplin", film historian Ian Christie @ianchristie6711 talks early Soviet film eccentrics in the Klassiki journal.
Mirror (1975) Dir. Andrei Tarkovsky.
Tarkovsky didn't even hesitate Memes by - @aruni.che Be lated HBD to this crazy genius. #tarkovsky #andreitarkovsky #stalker #mirror #sovietcinema #cinephilememes #desicinephiles #indiancinephiles #filmstagram #filmshitposting #worldcinemamemes #kinophilememes #kinoposting #kinophile #arthousecinema #arthouseshitposting #cinemashitposting #cinemamemes #cinemashitpost #rasputin #movieshitpost #moviememes
Born April 4th 1932, today we celebrate Andrei Tarkovsky’s birthday. What is your favourite Tarkovsky film? #tarkovsky #andreitarkovsky #cannesfilmfestival #sovietcinema #sovietunion #stalker #goldenagecinema #cinematography #filmquotes #shotdeck #lomo #moscow #russiancinema
Happy Birthday to the Master.... Andrej Tarkovskij 🖤 (4 aprile1932 - 29 dicembre 1986) Con i suoi 7 capolavori: L'infanzia di Ivan (1962) Andrej Rublëv (1966) Solaris (1972) Lo specchio (1975) Stalker (1979) Nostalghia (1983) Sacrificio (1986) #andrejtarkovskij #andreitarkovsky #tarkovskij #tarkovsky #tarkovskijcinema #tarkovskycinema #stalker #solaris #nostalghia #sacrificio #offret #offrettarkovskij #offrettarkovsky #lospecchio #lospecchiotarkovskij #themirror #themirrortarkovsky #andrejrublëv #linfanziadiivan #ivanschildhood #cinemamonamour #lovecinema #ilmaestroemargherita #sovietcinema #cinemarusso #cinemasovietico
„A masterpiece gives form to the ideals of the particular epoch in which we live. Ideals can never be made immediately accessible to everyone. To be able to approach them, one must grow and develop spiritually. If the dialectical tension between the spiritual level of the masses and the ideals to which the artist bears witness disappears, it would simply mean that art had completely lost its purpose and function.” Andrei Tarkovsky 🎂🌟🌟 #bornonthisday #filmmaker #screenwriter #sovietcinema #worldcinema #solaris #stalker #nostalghia #voyageintime #acinemaprayer #themirror #andreitarkovsky
Andrei Rublev (1966) directed by Andrei Tarkovsky
Next up in my 11th 'Exploring' series... Happy Birthday to the one and only Andrei Tarkovsky! #andreitarkovsky #tarkovsky #exploring #happybirthday #russiancinema #sovietcinema #worldcinema
White Sun of the Desert (1970) . . 🎬 Directed by: Vladimir Motyl 🎥 Cinematography by: Eduard Rozovsky
Tomorrow April 3rd! Don't miss the rare opportunity to see Larisa Shepitko's captivating 1976 masterpiece The Ascent! Set during the darkest days of World War II in snowy rural Russia, the two Soviet partisans Sotnikov and Rybak must trudge their way across the land in search of food after their party is attacked by Nazi patrols. Forced to journey ever deeper into enemy territory, the pair must face not only enemy soldiers, but the harsh conditions of the Russian plains, potential betrayal, and ultimately—their own souls. Tickets in bio! #williamscenter #cinemaunderground #rutherfordnj #nj #newjersey #bergencounty #film #cinema #arthousecinema #russiancinema #sovietcinema #russianfilm #drama #war #1976 #sotnikov #vasilbykaŭ #borisplotnikov #vladimirgostyukhin #larisashepitko #Восхождение #theascent
🎬 Letyat zhuravli (The Cranes Are Flying) (Sovyetler Birliği, 1957) Yönetmen: Mikhail Kalatozov Stalin döneminde neredeyse biten Sovyet sinemasının geri dönüşünü müjdeleyen “Leylekler Uçarken” her yönüyle olağanüstü bir dram filmi. Birbirlerini çok seven Veronika (Tatyana Samoylova) ve Boris (Aleksey Batalov) adlı iki gencin güzel ilişkisini izliyoruz. Savaş çıkınca gönüllü olarak asker olan ve cepheye giden Boris, arkasında büyük bir dram bırakıyor. Birkaç cümleyle kolayca özetlenemeyecek olan film, savaşı merkezine alsa da aslında insana dair muazzam bir başyapıt. Cannes’da Altın Palmiye ödülünü kazanan tek Rus filmi olan yapımın asıl yıldızı görüntü yönetmeni Sergey Urusevsky. Sovyet montajını bir üst seviyeye çıkaran yönetmen Kalatozov’un istediği görüntüleri kusursuzca planlayan Urusevsky’nin çekimleri, izleyicinin ağzını açık bırakacak cinsten. Çığır açan el kamerası tekniğiyle çekilen uzun planlarda kamera adeta uçuyor. Boris’in merdivenlerden çıktığı sahne ve Veronika’nın koştuğu sahneler, her sinemaseverin mutlaka izlemesi gereken ders niteliğinde çekimler olmuş. #sinema #film #cinema #movie #eskifilmler #oldmovies #1950s #sovyetsineması #sovietcinema #russiancinema #dram #drama #savaşfilmleri #warmovies #letyatzhuravli #thecranesareflying #mikhailkalatozov #tatyanasamoylova #alekseybatalov #sergeyurusevsky
#чтопосмотреть #киноссср #sovietcinema
"De grâce, printemps, hâte toi de venir. Que le soleil vienne me réchauffer" In L'arbre des désirs, 1977, Tenguiz Abuladze 🇬🇪 #sovietcinema #art #arte #spring #printemps #georgianart #cinema #quotes #citations #georgia
#richardviktorov #elenaproklova #russianbeauty #russiancinema #1960srussia #1960scinema #sovietcinema #europeancinema #cinemaphotography "Переходный возраст" (Transitional Age) by Richard Viktorov (1968).
I want to write about the Soviet film Love and Lies (another translation is Could One Imagine, the original name is Vam i Ne Snilos) It happens that a full acquaintance with some piece of art takes decades. That's exactly my case. About 20 years ago, when I was a teenager, I heard the song from the film. I watched the film about 6 years ago. In last year I read the novel on which the film is based. And just on these days I read the poem by Indian poet Tagore, which was later translated by the poetess Adelina Adalis. This translation is the basis of the song that I heard so long ago. The Soviet melodrama Love and Lies, directed by Ilya Frez in 1981, was based on the novel of the same name by Galina Shcherbakova. The film was immediately recognized as a masterpiece, received an award as the best film of the year, and found a response in the hearts of many viewers. In one of the comments on IMDb, I read that people usually watch this film either with tears on their eyes or at least with a huge lump coming to their throat. I can just agree. Galina Shcherbakova, the author of several literary works, wrote a short story about the love of two Soviet teenagers, which encounters the incomprehension of adults - each of whom interprets the events happening based on their own judgement. The story ends tragically, unlike the movie with a happy ending - director admitted in an interview that he lacked the courage to leave the audience with such a tragic ending. Special attention deserves the title song -The Last Poem, performed by Otieva. The music was written by Alexei Rybnikov, and the lyrics is a translation by the Soviet poetess Adelina Adalis of the original poem of Rabindranath Tagore. Tagore, who received Nobel Prize in 1913, wrote several novels and numerous novellas, among which are Chaturanga and The Last Poem - a collection of letters exchanged between lovers who cannot be together due to societal prejudices. Highly recommend watching the film, listening to the song, and reading both Galina Shcherbakova's novel and Rabindranath Tagore's poem - at any age. In first comments you can find all the links #sovietcinema #loveart #ваминеснилось
★ Maya Plisetskaya by Cecil Beaton (1964) "Your character is your fate." — Maya Plisetskaya #mayaplisetskaya #ceciilbeaton #iconicwomen #timelesselegance #vintagebeauty #vintageactress #sovietcinema #russianballet #1960s #oldmovies
• Letter Never Sent | Mikhail Kalatozov | 1960 . . . #cine #cinema #love #frame #film #filmphotography #cinematography #fotograma #pelicula #movies #movie #cinema #actor #art #filmmaking #love #cinematography #films #soviet #filmmaker #video #filmisnotdead #urss #director #sovietcinema #classicfilm #classiccinema #filmcommunity #bwfilm #rusia #kalatozov
𝘚𝘱𝘳𝘪𝘯𝘨 𝘸𝘢𝘴 𝘤𝘰𝘮𝘪𝘯𝘨 𝘴𝘭𝘰𝘸𝘭𝘺 [ #intertitles] intertitles from the film "𝘉𝘺 𝘵𝘩𝘦 𝘓𝘢𝘸" directed by Lev Kuleshov, Goskino, RSFSR, 1926
Наталья Сайко/Natalia Saiko #solangelife #натальясайко #советскоекино #советскаяактриса #дикаялюбовь #фильм #кино #actress #sovietcinema
Gražuolė [The Beautiful Girl ], 1969 Arūnas Žebriūnas #sovietcinema #lithuaniancinema
LETTER NEVER SENT Back in 2021, I watched Mikhail Kalatozov’s Soy Cuba and really enjoyed it, and after putting off the rest of his equally acclaimed and influential work for no discernible reason, I finally saw my second film of his. On its own, Letter Never Sent was a pretty good adventure drama that was made consistently compelling thanks to its riveting characters, poetic dialogue, and expressive performances, all of which made the movie’s dramatic shift towards being a grueling survival film more impactful in the long run. What elevated Letter Never Sent to truly great status for me, though, was its mind-boggling and entirely dizzying visual language, as Kalatozov’s impressionistic close-ups, kinetic handheld tracking shots, and dreamlike editing that heavily utilized crossfades and multiple exposures turned the film into a truly dazzling experience while also setting the groundwork for a lot of the techniques that Kalatozov would later expand on in Soy Cuba. Alongside the straightforward man-versus-nature setup, the simple plot of Letter Never Sent also allows it to explore the film’s poignant themes of love and discovery, with Konstantin Sabinin’s heartfelt letters to his wife being one of the movie’s most prominent motifs. My only real gripe with Letter Never Sent would can be found in its score, because while it isn’t bad by any means, Nikolai Kryukov’s music can get a bit overbearing at times, and that ends up slightly taking away from the impact of some of the film’s more emotional moments. Despite that, Letter Never Sent was still a great movie that owes a lot to its consistently brilliant visuals that were way ahead of what anyone was doing at the time, and since I’ve still never seen The Cranes Are Flying after all these years, this is probably a sign for me to finally get around to it. OVERALL RATING: 8/10 #movies #1960s #sovietunion #sovietcinema #mikhailkalatozov #innokentiysmoktunovksy #tatyanasamoylova #vasiliylivanov #evgeniyurbanskiy #letterneversent #letterneversent1960
Саба (1929, dir. Mikheil Chiaureli) #mikheilchiaureli #sovietcinema #georgiansovietcinema
Today, I have seen one of the most underrated movies that I have ever seen. It’s called Nostalghia. This Russian Italian Movie is about a man who visits Italy to investigate a Russian composer who lived there. He and his interpreter visits parts of Italy, meets a strange fellow and has visions during his journey. Nostalghia may not have been the best work from Andrei Tarkovsky, but he delivers amazing camera shots, unique performances and a smooth touch of editing. I’ll give this movie an 8/10. #movie #movienight #nostalgia #andreitarkovsky #sovietunion #sovietcinema
One of the founding films in Kyrgyz cinema, by the great Larisa Shepitko. Link: https://www.youtube.com/watch?v=4au4Z61iwRU #heat #sovietcinema #larisashepitko #master #masterwork #masterpiece #auteur #cinematography #cinephile #cinemaart #filmclassic #filmmaster #filmart #kino #kinomania #kyrgyzstan🇰🇬 #kyrgystan #kyrgyz #kyrgyzcha
A striking vision of the Soviet Union in an unforgettable documentary. Link: https://www.youtube.com/watch?v=vceRqZq8ecw #sovietart #sovietcinema #sovietlife #soviet #sovietunion #russia🇷🇺 #armenia🇦🇲 #georgia🇬🇪 #azerbaijan🇦🇿 #estonia🇪🇪 #kazakhstan🇰🇿 #lithuania🇱🇹 #latvia🇱🇻 #turkmenistan🇹🇲 #tajikistan🇹🇯 #kyrgyzstan🇰🇬
“Do you believe in God? It’s in me” 🎬 Possession (1981) - Director: Andrzej Żuławski Cinematography: Bruno Nuytten
Damnation, Belà Tarr, 1987. #belatarr #damnation #hungariancinema #hungarianfilm #hungarianmovie #bluray #blurays #bluraycollector #blurayaddict #blurayjunkie #blurayboxset #blurayfanatic #bluraylover #arthousemovie #arthouse #artofcinema #moviegram #sovietcinema #tarkovski #andreitarkovsky #blurayshelf #depressivecinema #depressivearts #depressive #chaoticcinema #nomovienolife #nomovies #totalchaos #hopelessmovieclub @arbelosfilms @carlotta.films
Ce matin j’ai redécouvert Damnation réalisé par Béla Tarr. Damnation, sixième film réalisé par Béla Tarr, est un véritable chamboulement dans la carrière du cinéaste hongrois. Le film représente la fin d’un cinéma social, questionnant les mécaniques sociétales et les espaces geôles dans lesquels la population évolue, vers un cinéma métaphysique, s’affranchissant du caractère citoyen de l’humain, de la facticité de la société, pour croiser paysages internes à la chair, délitements organiques et dépassements mystiques, sensibles, à la recherche des énergies traversantes, du vide terrifiant dans lequel l’être humain croît et entre continuellement en contact, aveuglément. Un tournant en terme d’écriture et de mise en scène qui prend racine par le biais de cette première collaboration avec l’auteur Laszlo Krasnahorkai, écrivain s’intéressant tout autant à la force créatrice cosmique qu’au pourrissement du rêve communiste. Quelque part entre Miklos Jancso et Andrei Tarkovsky, Damnation traite de l’abandon des villes hongroises périphériques, la déliquescence de ses dernières et la dérive des esprits de ses habitants. Un conte où les ténèbres se nourrissent des derniers soubresauts de lumière avant de renvoyer l’humanité à la fange. #belatarr #damnation #hungariancinema #hungarianfilm #hungarianmovie #bluray #blurays #bluraycollector #blurayaddict #blurayjunkie #blurayboxset #blurayfanatic #bluraylover #arthousemovie #arthouse #artofcinema #moviegram #sovietcinema #tarkovski #andreitarkovsky #blurayshelf @carlotta.films
Solaris (1972) . . 🎬 Directed by: Andrei Tarkovsky 🎥 Cinematography by: Vadim Yusov
Шуршало колесо. И слёзы капали. Не более, чем сон: #АлександрШирвиндт #legend #actor #Sovietcinema #PaulDelvaux #collage #memorial
Η Elizaveta Svilova είναι γνωστή κυρίως ως η γυναίκα του Σοβιετικού σκηνοθέτη Dziga Vertov, δημιουργού του Ο Άνθρωπος με την Κινηματογραφική Μηχανή. Και μπορεί να έκανε το μοντάζ του ντοκιμαντέρ του 29 αλλά επίσης έκανε πάνω από 100 ταινίες μόνη της. 🎬 Γεννημένη το 1900 στη Μόσχα, η Svilova μπήκε στον χώρο του κινηματογράφου σε ηλικία 12 ετών καθαρίζοντας και ξεδιαλέγοντας φιλμ και αρνητικά. Την πρώιμη εποχή του μοντάζ, που η τέχνη του ήταν ακόμα κάτι πολύ γενικό και άμορφο, η Svilova άρχισε να δουλεύει στο μοντάζ και στη συνέχεια ξεκίνησε τη συνεργασία της με τον Vertov στην εβδομαδιαία σειρά ειδήσεων με τίτλο Κίνο Πράβντα, δηλαδή κινηματογραφική αλήθεια, όπου χρησιμοποίησε πρωτοποριακές τεχνικές. 🎬 Μιλώντας για τις εμπειρίες της στα πρώτα της βήματα είχε πει: «Οι σκηνοθέτες έφτιαχναν μια ταινία βάζοντας στη σειρά τις σκηνές, έδιναν οδηγίες για το που θα μπουν οι μεσότιτλοι, και αυτό ήταν όλο». 🎬 Η Svilova αποτελεί μια από τις σημαντικότερες μορφές του Σοβιετικού κινηματογράφου και έμεινε στην ιστορία ως μια από τις πρώτες γυναίκες πρωτοπόρους της 7ης τέχνης. Πρόκειται για μια ακόμη παραγνωρισμένη γυναίκα-καλλιτέχνιδα, που το έργο της επισκιάστηκε από τον Vertov, και ελάχιστες πληροφορίες μπορούμε να βρούμε για την ίδια και την καριέρα της. Ωστόσο, η επαναστατική ματιά της ήταν που έβαλε τις βάσεις για τον Σοβιετικό avant garde κινηματογράφο. . . . . . . . . . . #cinefeel #cinefeelpodcast #greekpodcast #greekpodcaster #sovietcinema #svilova #documentary #manwithmoviecamera #womenincinema
14 𝘔𝘢𝘳𝘤𝘩 [𝘖.𝘚. 1 𝘔𝘢𝘳𝘤𝘩] 1917, 𝘴𝘢𝘪𝘭𝘰𝘳𝘴 𝘰𝘧 𝘵𝘩𝘦 𝘐𝘮𝘱𝘦𝘳𝘪𝘢𝘭 𝘙𝘶𝘴𝘴𝘪𝘢𝘯 𝘕𝘢𝘷𝘺 𝘣𝘦𝘨𝘢𝘯 𝘢𝘯 𝘶𝘱𝘳𝘪𝘴𝘪𝘯𝘨 𝘢𝘵 𝘵𝘩𝘦 𝘒𝘳𝘰𝘯𝘴𝘵𝘢𝘥𝘵 𝘯𝘢𝘷𝘢𝘭 𝘣𝘢𝘴𝘦. 𝘝𝘪𝘤𝘦-𝘈𝘥𝘮𝘪𝘳𝘢𝘭 𝘙𝘰𝘣𝘦𝘳𝘵 𝘝𝘪𝘳𝘦𝘯, 𝘵𝘩𝘦 𝘮𝘪𝘭𝘪𝘵𝘢𝘳𝘺 𝘨𝘰𝘷𝘦𝘳𝘯𝘰𝘳 𝘰𝘧 𝘒𝘳𝘰𝘯𝘴𝘵𝘢𝘥𝘵, 𝘸𝘢𝘴 𝘬𝘪𝘭𝘭𝘦𝘥 𝘣𝘺 𝘵𝘩𝘦 𝘳𝘦𝘣𝘦𝘭𝘭𝘪𝘰𝘶𝘴 𝘴𝘢𝘪𝘭𝘰𝘳𝘴 [𝘍𝘦𝘣𝘳𝘶𝘢𝘳𝘺 𝘙𝘦𝘷𝘰𝘭𝘶𝘵𝘪𝘰𝘯] 𝘞𝘦 𝘢𝘳𝘦 𝘧𝘳𝘰𝘮 𝘒𝘳𝘰𝘯𝘴𝘵𝘢𝘥𝘵. 1917 [ #intertitles] intro from the film directed by Efim Dzigan, Mosfilm Studio, Moscow, RSFSR, 1936
kuleshov effect . . . #minimalstyle #minimalfashion #minimalmovement #vibes #positivevibes #fortunecookie #blackcatsofinstagram #photodump #kuleshoveffect #sovietcinema
КЕТО И КОТЭ [Keto da Kote/Keto and Kote] (Vakhtang Tabliashvili and Shalva Gedevanishvili, USSR 1948). US release 1954. #ketodakote #artkino #stanleytheater #sovietcinema #sovietmusical #republicofgeorgia #medeajaparidze #vakhtangtabliashvili #shalvagedevanishvili #batukraveishvili #verikoanjaparidze #sesiliatakaishvili #artfilm #russiancinema #sovietfilm #russiancinema #russianmovie #artcinema #arthousecinema #40scinema #musicalfilm
👑 Les réalisatrices ont fait leur cinéma hier au Grand Action ! On s’est pris une belle leçon d’histoire en découvrant les “Brèves rencontres” de Kira Mouratova, révélée en France en 1988 grâce au Festival du film de Femmes. La cinéaste soviétique y faisait alors ses premiers pas à Paris pour une rétrospective qui lui était dédiée. C’est dans l’obscurité d’un cinéma de Créteil que Claire Simon, fascinée, découvrait son travail. Hier soir, dans une autre salle noire, Claire a choisi de rendre hommage à ce cinéma aussi libre que bousculant, ainsi qu’à Jackie Buet, programmatrice légendaire du festival, que nous avions le plaisir d'accueillir. Merci à elles pour leur travail de transmission, nous l’avons reçu en plein cœur ! ❤️ Rendez-vous le 15 avril pour une prochaine séance de notre Directors’ Club… 📸 Extrait du catalogue catalogue 1988 @fiffemmes #directorsclub #cineclub #patrimoine #matrimoine #clairesimon #kiramouratova #ukraine #cinema #festivaldufilmdefemmes #brevesrencontres #sovietcinema
A film that has become part of the collective conscience of all Russians. #Link: https://www.youtube.com/watch?v=AFa_Ah6Hlbs #russianfilm #georgian #russian #russia🇷🇺 #moscow #cinematography #cinema #russia #russianart #sovietcinema #sovietart #masterpiece #cultfilm #coldwar #ironcurtain #sovietlife
kuleshov effect . . . #minimalstyle #minimalfashion #minimalmovement #vibes #positivevibes #fortunecookie #blackcatsofinstagram #photodump #kuleshoveffect #sovietcinema
. . . #elemklimov #cinema #film #cinematography #art #photography #blackandwhite #bnw #blancoynegro #blackandwhitephotography #sovietcinema #russiancinema
The Cranes Are Flying {Mikhail Kalatozov, 1957} #thecranesareflying #letyatzhuravli #mikhailkalatozov #tatyanasamoylova #alekseybatalov #russiancinema #sovietcinema #loversinwar #antiwar #antiwarmovie #cinephile #ınstamovies #wartimelovers
It’s been exactly a year since the first iterations of the installation “ondan-bundan”. So here’s an overly delayed sharing of the documentation from the install at Xpace Cultural Centre (September 15 - November 15, 2023). Documentations by Polina Teif, Philip Ocampo, Kalidas Unnikrishnan and Maria Mihyun Kim. Thank you for capturing some of the different iterations 🌟 Now also up on my website woot! http://www.aydanhasanova.com/ondan-bundan-xpace And thank you to anyone who dropped by, passed through, traveled for, inquired about and still shares this installation on 💛 #installationart #sovietcinema #sovietazerbaijan
Photo and Editing and Story by Myself Content Creator: @baasha_stn Personality : Donatas Banionis Country : Soviet Union Work : Stage and Movie Actor and Theatre Director #history #historylovers #historyfacts #afroasian #cinema #historyofcinema #asiancinema #red #education #worldcinema #donatasbanionis #solaris #deadseason #sovietunion #mao #marx #lenin #stalin #revolution #sovietmovie #sovietcinema #1960s #tarkovsky
A portrait of the renowned Soviet director, Dziga Vertov (né David Kaufman), whose revolutionary series of newsreels named Kino-Pravda, are our inspiration. #dzigavertov #sovietcinema #sovietfilm #homage #kinopravdainstitute #kinopravda #belgrade #serbia #cinema #soviet #silentfilm
The Asthenic Syndrome [Soviet Union, 1989]. Dir: Kira Muratova. With: Olga Antonova, Sergei Popov, Aleksandra Svenskaya, Pavel Polishchuk and Natalya Buzko. ☆☆☆☆☆ . . . #kiramuratova #theasthenicsyndrome #astenicheskiysindrom #olgaantonova #femaledirectors #womenmakemovies #sovietcinema #ukrainiandirector #aestheticmovies #womensday2024